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English
5.7.3.1 Setting effects
1) Press the key FX1/ FX2 (22) (repeatedly) to select the screen view
(fig� 24) of the effect processor to be set�
2) Tap the appropriate button on the screen beneath “Effect Type”
to select the effect type desired (see table fig� 25)�
3) Use the keys ,,
,
(18) or tap the appropriate control on the
screen to select the parameter to be set (see table fig� 25)�
4) Use the rotary knob PARAMETER ADJUST (18) to adjust the value
of the parameter selected�
5) As an alternative, for echo effects (delay), rhythmically press the
key TAP/ ENTER (20) to match the echo period to the music�
6) For a fast comparison of the sound with and without the effect,
press the key MUTE (23) to mute the effect way� With the key
FXMUTE (14), the two internal effect channels can be directly
muted or unmuted at any time�
7) Use the button “Save” to save the settings of an effect processor
under a specific name so that they can later be called up with the
button “Load” (
chapter 5�10)�
Effect Type:
Parameters:
Load
Save
Copy
Tremolo
ChorusRev
Hall
Flanger
St Delay
Flanger Rev
Room
Chorus
Plate
DelayRev
Delay
StDelayRev
Assign
Channel
System
Routing
PEQ
GEQ
FX 1
FX 2
Gate
Comp
PreDelay
129ms
Dry Out
0%
Efx Out
50%
HDamp
50
RoomSize
50
Decay
50%
Mixer
DCA
FX1
9.5 dB
FX1
Long
Faders
Parameter
Mute
Solo
My_Effect
129ms
PreDelay
Fig. 24 Effect processor
Type Description Parameters
Hall
To simulate the reverbera-
tion in a hall
Pre Delay, Decay, Room Size, Hi Damp,
Efx Out, Dry out
Room
To simulate the reverbera-
tion in a room
Pre Delay, Decay, Room Size, Hi Damp,
Efx Out, Dry Out
Plate
To simulate the reverber-
ation of a conventional
reverberation plate
Pre Delay, Decay, Room Size, Hi Damp,
Efx Out, Dry out
Delay Echo Time, Decay, Hi Damp, Efx Out, Dry Out
StDelay Stereo echo
L Time, R Time, L Decay, R Decay, Hi Damp,
Efx Out, Dry Out
Tremolo Tremolo effect Mod Freq, Efx Out, Dry Out
Flanger Flanger effect Feed Back, Depth, Mod Freq, Efx Out, Dry Out
Chorus Chorus effect Feed Back, Depth, Mod Freq, Efx Out, Dry Out
DelayRev Echo + reverberation
Pre Delay, Rev Decay, Room Size, Rev Hi,
Rev Out, Echo Time, Echo F.B, Echo Hi,
Echo out, Dry Out
StDelayRev
Stereo echo +
reverberation
Pre Delay, Rev Decay, Room Size, Rev Hi,
Rev Out, L Time, R Time, L Decay, R Decay,
Echo Hi, Echo Out, Dry Out
FlangerRev
Flanger effect +
reverberation
Pre Delay, Rev Decay, Room Size, Rev Hi,
Rev Out, Mod F.B, Mod Depth, Mod Freq,
Mod Out, Dry Out
ChorusRev
Chorus effect +
reverberation
Pre Delay, Rev Decay, Room Size, Rev Hi,
RevOut, Mod F.B, Mod Depth, Mod Freq,
Mod Out, Dry Out
Fig. 25 Effect table
5.7.4 External effects
For external effects that are added via an Aux way:
1)
As described in chapter 5�3�3: For each of the input channels whose
signal is to be provided with effects, use the corresponding Aux
Send control to adjust the signal part desired�
2) As described in chapter 5�3: If required, route the input channels
to which the effect signals have been returned to the sum channel
MAIN and /or the subgroups and /or add them to the monitor ways�
3) In the screen view “Mixer” or “Long Faders” or in another view,
use the faders of the input channels to which the effect signals
have been returned to set the total volume of the respective effect�
4) If required, process the signal of the Aux way that is fed to the
effect unit, e� g� adjust the sound with the parametric equalizer
(
chapter 5�5�1) or process the dynamic range with the com-
pressor (
chapter 5�4�2)�
5) If required, process the effect signal in its input channel, e� g� ad-
just the sound with the parametric equalizer (
chapter 5�5�1) or
process the dynamic range (
chapter 5�4)�
For external effects inserted into an input channel (
chapter 4�7):
1) Adjust the input gain at the effect unit so that it perfectly matches
the signal� If required, use the control GAIN (1) to adjust the signal
level�
2) Set the output level of the effect unit in such a way that the input
channel is perfectly adjusted� With the indication for the Solo
function switched off [key SOLO METER (5) not illuminated], the
level on the level indicators (3) should be approx� 0 dB� The CLIP
LEDs must never light up for signal peaks; otherwise, the signal
will be distorted�
3) At the effect unit, set the desired ratio between the original signal
and the effect signal�
34


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