Manual Roland BK-9 Tone Drum Kit List (page 57 of 64) (English, Dutch)

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MFX types and parameters

69. Serial Delay

This delay connects two delay units in series. Feedback can be

applied independently to each delay unit, allowing you to produce

complex delay sounds.

z Delay 1 Time [sync] (msec, Note) —Use this parameter to

specify whether (“Note”) or not (“msec”) the delay 1 time should

be synchronized to the Arranger or Recorder tempo. Depending

on your choice, the setting range of the following parameter

refers to a time (msec) or a note value.

z Delay 1 Time [msec] (0~1300ms) —Delay time from when

sound is input to delay 1 until the delay sound is heard.

z Delay 1 Time [note] (musical notes) —Delay times can be set as

a note-value of a tempo, if you set the “Sync” parameter above

to “Note”. Specify the value of the desired note.

z Delay 1 Feedback (–98%~0~+98%) —Proportion of the delay

sound that is to be returned to the input of delay 1 (negative

values invert the phase).

z Delay 1 HF Damp (200~8000Hz, Bypass) —Frequency at which

the high-frequency content of the delayed sound of delay 1 will

be cut (BYPASS: no cut).

z Delay 2 Time [sync] (msec, Note) —Use this parameter to

specify whether (“Note”) or not (“msec”) the delay 2 time should

be synchronized to the Arranger or Recorder tempo. Depending

on your choice, the setting range of the following parameter

refers to a time (msec) or a note value.

z Delay 2 Time [msec] (0~1300ms) —Delay time from when

sound is input to delay 2 until the delay sound is heard.

z Delay 2 Time [note] (musical notes) —Delay times can be set as

a note-value of a tempo, if you set the “Sync” parameter above

to “Note”. Specify the value of the desired note.

z Delay 2 Feedback (–98%~0~+98%) —Proportion of the delay

sound that is to be returned to the input of delay 2 (negative

values invert the phase).

z Delay 2 HF Damp (200~8000Hz, Bypass) —Frequency at which

the high-frequency content of the delayed sound of delay 2 will

be cut (BYPASS: no cut).

z Panpot (L64~0~63R) —Stereo location of the output sound.

This is a mono eect that combines incoming signals. You can,

however, place the processed signal anywhere between the left

and right channels.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency

range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency

range.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

70. MLT Tap DLY

This eect provides four delays. Each of the Delay Time parameters

can be set to a note length based on the selected tempo.

You can also set the panning and level of each delay sound.

z Delay Time 1~4 [sync] (msec, Note) —Use this parameter to

specify whether (“Note”) or not (“msec”) the delay time should

be synchronized to the Arranger or Recorder tempo. Depending

on your choice, the setting range of the following parameter

refers to a time or a note value.

z Delay 1~4 Time [msec] (0~2600ms) —Adjusts the time until

Delay 1~4 are heard.

z Delay 1~4 Time [note] (musical notes) —Delay times can be

set as a note-value of a tempo, if you set the “Sync” parameter

above to “Note”. Specify the value of the desired note.

z Delay 1 Feedback (–98%~0~+98%) —Adjusts the amount

of the delay sound that’s fed back into the eect. Negative (–)

settings invert the phase.

z HF Damp (200~8000Hz, Bypass) —Adjusts the frequency

above which sound fed back to the eect is ltered out. If you

don’t want to lter out any high frequencies, set this parameter

to BYPASS.

z Delay 1~4 Panpot (L64~0~63R) —Stereo location of Delays

1~4.

z Delay 1~4 Level (0~127) —Output level of Delays 1~4.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency

range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency

range.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

71. Reverse DLY

This is a reverse delay that adds a reversed and delayed sound to

the input sound. A tap delay is connected immediately after the

reverse delay.

z Threshold (0~127) —Volume at which the reverse delay will

begin to be applied.

z Rev Delay Time [sync] (msec, Note) —Use this parameter to

specify whether (“Note”) or not (“msec”) the reverse delay time

should be synchronized to the Arranger or Recorder tempo.

Depending on your choice, the setting range of the following

parameter refers to a time (msec) or a note value.

z Rev Delay Time [msec] (0~1300ms) —Delay time from when

sound is input into the reverse delay until the delay sound is

heard.

z Rev Delay Time [note] (musical notes) —Delay times can be

set as a note-value of a tempo, if you set the “Sync” parameter

above to “Note”. Specify the value of the desired note.

z Rev Delay Feedback (–98%~0~+98%) —Proportion of the

delay sound that is to be returned to the input of the reverse

delay (negative values invert the phase)

z Rev Delay HF Damp (200~8000Hz, Bypass) —Frequency at

which the high-frequency content of the reverse-delayed sound

will be cut (BYPASS: no cut).

z Rev Delay Panpot (L64~0~63R) —Panning of the reverse delay

sound.

z Rev Delay Level (0~127) —Volume of the reverse delay sound.

z Delay 1 Time [sync] (msec, Note)

z Delay 2 Time [sync] (msec, Note)

z Delay 3 Time [sync] (msec, Note) —Use this parameter to

specify whether (“Note”) or not (“msec”) the delay time should

be synchronized to the Arranger or Recorder tempo. Depending

on your choice, the setting range of the following parameter

refers to a time or a note value.

z Delay 1 Time [msec] (0~1300ms)

z Delay 2 Time [msec] (0~1300ms)

z Delay 3 Time [msec] (0~1300ms) —Adjusts the time until the

delay is heard.

z Delay 1 Time [note] (musical notes)

z Delay 2 Time [note] (musical notes)

z Delay 3 Time [note] (musical notes) —Delay times can be set as

a note-value of a tempo, if you set the “Sync” parameter above

to “Note”. Specify the value of the desired note.

z Delay 3 Feedback (–98%~0~+98%) —Proportion of the delay

sound that is to be returned to the input of the tap delay

(negative values invert the phase).

z Delay HF Damp (200~8000Hz, Bypass) —Frequency at which

the low-frequency content of the tap delay sound will be cut

(BYPASS: no cut).

z Delay 1 Panpot (L64~0~63R)

z Delay 2 Panpot (L64~0~63R) —Panning of the tap delay

sounds.

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Roland BK-9 Tone Drum Kit List Manual

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