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Roland BK-9 Tone Drum Kit List Manual

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MFX types and parameters
55
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct sound (D) and the chorus sound (W).
z Level (0~127) —Output level.
62. Band Flanger
A anger that lets you apply an eect independently to the low-
frequency and high-frequency ranges.
z Split Frequency (200~8000Hz) —Frequency at which the low
and high ranges will be divided.
z Low Pre Delay (0.0~100.0ms) —Delay time from when the
original sound is heard to when the low-range anger sound is
heard.
z Low Rate [sync] (Hz, Note) —Use this parameter to specify
whether (“Note”) or not (“Hz”) the low modulation rate should
be synchronized to the Arranger or Recorder tempo. Depending
on your choice, the setting range of the following parameter
refers to a speed (Hz) or a note value.
z Low Rate [Hz] (0.05~10.00Hz) —Rate at which the low-range
anger sound is modulated.
z Low Rate [note] (Musical Notes) —Rate parameters can be set
as a note-value of a tempo if you set the “Sync” parameter above
to “Note”. Specify the value of the desired note.
z Low Depth (0~127) —Modulation depth for the low-range
anger sound.
z Low Phase (0~180 deg) —Spaciousness of the low-range
anger sound.
z Low Feedback (–98%~0~+98%) —Proportion of the low-range
anger sound that is to be returned to the input (negative
values invert the phase).
z High Pre Delay (0.0~100.0ms) —Delay time from when the
original sound is heard to when the high-range anger sound
is heard.
z High Rate [sync] (Hz, Note) —Use this parameter to specify
whether (“Note”) or not (“Hz”) the high modulation rate should
be synchronized to the Arranger or Recorder tempo. Depending
on your choice, the setting range of the following parameter
refers to a speed (Hz) or a note value.
z High Rate [Hz] (0.05~10.00Hz) —Rate at which the high-range
anger sound is modulated.
z High Rate [note] (musical notes) —Rate parameters can be set
as a note-value of a tempo if you set the “Sync” parameter above
to “Note”. Specify the value of the desired note.
z High Depth (0~127) —Modulation depth for the high-range
anger sound.
z High Phase (0~180 deg) —Spaciousness of the high-range
anger sound.
z High Feedback (–98%~0~+98%) —Proportion of the high-
range anger sound that is to be returned to the input (negative
values invert the phase).
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
63. Band Step Flg
A step anger that lets you apply an eect independently to the
low-frequency and high-frequency ranges.
z Split Frequency (200~8000Hz) —Frequency at which the low
and high ranges will be divided.
z Low Pre Delay (0.0~100.0ms) —Delay time from when the
original sound is heard to when the low-range anger sound is
heard.
z Low Rate [sync] (Hz, Note) —Use this parameter to specify
whether (“Note”) or not (“Hz”) the low modulation rate should
be synchronized to the Arranger or Recorder tempo. Depending
on your choice, the setting range of the following parameter
refers to a speed (Hz) or a note value.
z Low Rate [Hz] (0.05~10.00Hz) —Rate at which the low-range
anger sound is modulated.
z Low Rate [note] (Musical Notes) —Rate parameters can be set
as a note-value of a tempo if you set the “Sync” parameter above
to “Note”. Specify the value of the desired note.
z Low Depth (0~127) —Modulation depth for the low-range
anger sound.
z Low Phase (0~180 deg) —Spaciousness of the low-range
anger sound.
z Low Feedback (–98%~0~+98%) —Proportion of the low-range
anger sound that is to be returned to the input (negative
values invert the phase).
z Low Step Rate [sync] (Hz, Note) —Use this parameter to specify
whether (“Note”) or not (“Hz”) the low step rate should be
synchronized to the Arranger or Recorder tempo. Depending on
your choice, the setting range of the following parameter refers
to a speed (Hz) or a note value.
z Low Step Rate [Hz] (0.10~20.00Hz) —Rate at which the steps
will cycle for the low-range anger sound.
z Low Step Rate [note] (musical notes) —Rate parameters can
be set as a note-value of a tempo if you set the “Sync” parameter
above to “Note”. Specify the value of the desired note.
z High Pre Delay (0.0~100.0ms) —Delay from when the original
sound is heard to when the high-range anger sound is heard.
z High Rate [sync] (Hz, Note) —Use this parameter to specify
whether (“Note”) or not (“Hz”) the high modulation rate should
be synchronized to the Arranger or Recorder tempo. Depending
on your choice, the setting range of the following parameter
refers to a speed (Hz) or a note value.
z High Rate [Hz] (0.05~10.00Hz) —Rate at which the high-range
anger sound is modulated.
z High Rate [note] (musical notes) —Rate parameters can be set
as a note-value of a tempo if you set the “Sync” parameter above
to “Note”. Specify the value of the desired note.
z High Depth (0~127) —Modulation depth for the high-range
anger sound.
z High Phase (0~180 deg) —Spaciousness of the high-range
anger sound.
z High Feedback (–98%~0~+98%) —Proportion of the high-
range anger sound that is to be returned to the input (negative
values invert the phase).
z High Step Rate [sync] (Hz, Note) —Use this parameter to
specify whether (“Note”) or not (“Hz”) the high step rate should
be synchronized to the Arranger or Recorder tempo. Depending
on your choice, the setting range of the following parameter
refers to a speed (Hz) or a note value.
z High Step Rate [Hz] (0.10~20.00Hz) —Rate at which the steps
will cycle for the high-range anger sound.
z High Step Rate (note) musical notes —Rate parameters can be
set as a note-value of a tempo if you set the “Sync” parameter
above to “Note”. Specify the value of the desired note.
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
64. VS Overdrive
This is an overdrive that provides heavy distortion.
z Drive (0~127) —Degree of distortion. Also changes the volume.
z Tone (0~127) —Sound quality of the Overdrive eect.
z Amplier Sw (O, On) —Turns the Amp Simulator on/o.
z Amplier Type (Small, Built-In, 2-Stack, 3-Stack) —Type of
guitar amp. SMALL: small amp, BUILT-IN: single-unit type amp, 2-
STACK: large double stack amp, 3-STACK: large triple stack amp.
z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency
range.
… 55 …


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