Manual Roland BK-9 Tone Drum Kit List (page 56 of 64) (English, Dutch)

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MFX types and parameters

z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency

range.

z Panpot (L64~0~63R) —Stereo location of the output sound.

This is a mono eect that combines incoming signals. You can,

however, place the processed signal anywhere between the left

and right channels.

z Level (0~127) —Output level.

65. VS Distortion

Produces a more intense distortion than the above. The parameters

are the same as for “64. VS Overdrive”.

66. GT Amp Simul

This is an eect that simulates the sound of a guitar amplier.

z Pre Amp Sw (O, On) —Turns the amp switch on/o. Pre Amp

Type (JC-120, Clean Twin, Match Drive, BG Lead, MS1959I,

MS1959II, MS1959I+II, Sldn Lead, Metal 5150, Metal Lead,

z OD-1, OD-2 Turbo, Distortion, Fuzz) —Type of guitar amp

z Pre Amp Volume (0~127) —Volume and amount of distortion

of the amp.

z Pre Amp Master (0~127) —Volume of the entire pre-amp.

z Pre Amp Gain (Low, Middle, High) —Amount of pre-amp

distortion.

z Pre Amp Bass (0~127)

z Pre Amp Middle (0~127)

z Pre Amp Treble (0~127) —Tone of the bass/mid/treble

frequency range.

* Middle cannot be set if “Match Drive” is selected as the Pre

Amp Type.

z Pre Amp Presence (0~127 [Match Drive: –127~0]) — Tone for

the ultra-high frequency range.

z Pre Amp Bright (O, On) —Turning this “On” produces a sharper

and brighter sound.

* This parameter applies to the “JC-120”, “Clean Twin”, and “BG

Lead” Pre Amp Types.

z Speaker Sw (O, On) —Determines whether the signal passes

through the speaker (ON) or not (OFF).

z Speaker Type —Select the type of speaker. The specications

of each type are as follows. The speaker column indicates the

diameter of each speaker unit (in inches) and the number of

units.

Type Cabinet Speaker Microphone

Small 1 small open-back enclosure 10 dynamic mic

Middle open back enclosure 12 x 1 dynamic mic

JC-120 open back enclosure 12 x 2 dynamic mic

Built In 1 open back enclosure 12 x 2 dynamic mic

Built In 2 open back enclosure 12 x 2 condenser mic

Built In 3 open back enclosure 12 x 2 condenser mic

Built In 4 open back enclosure 12 x 2 condenser mic

Built In 5 open back enclosure 12 x 2 condenser mic

BG Stack 1 sealed enclosure 12 x 4 condenser mic

BG Stack 2 large sealed enclosure 12 x 4 condenser mic

MS Stack 1 large sealed enclosure 12 x 4 condenser mic

MS Stack 2 large sealed enclosure 12 x 4 condenser mic

Metal Stk large double stack 12 x 4 condenser mic

Small 1 large sealed enclosure 12 x 4 condenser mic

Small 2 large sealed enclosure 12 x 4 condenser mic

z Mic Setting (1, 2, 3) —Adjusts the location of the mic that’s

capturing the sound of the speaker. This can be adjusted in

three steps, from 1~3, with the mic becoming more distant as

the value increases.

z Mic Level (0~127) —Volume of the microphone.

z Direct Level (0~127) —Volume of the direct sound.

z Panpot (L64~0~63R) —Stereo location of the output sound.

This is a mono eect that combines incoming signals. You can,

however, place the processed signal anywhere between the left

and right channels.

z Level (0~127) —Output level.

67. Gate

Cuts the reverb’s decay according to the volume of the sound

sent into the eect. Use this when you want to create an articial-

sounding decrease in the reverb’s decay.

z Threshold (0~127) —Volume level at which the gate begins to

z Mode (Gate, Duck) —Type of gate. GATE: The gate will close

when the volume of the original sound decreases, cutting the

original sound. DUCK (Ducking): The gate will close when the

volume of the original sound increases, cutting the original

sound.

z Attack (0~127) —Adjusts the time it takes for the gate to fully

open after being triggered.

z Hold (0~127) —Adjusts the time it takes for the gate to start

closing after the source sound falls beneath the Threshold.

z Release (0~127) —Adjusts the time it takes the gate to fully

close after the hold time.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

68. Long Delay

A delay that provides a long delay time.

z Delay Time [sync] (msec, Note) —Use this parameter to specify

whether (“Note”) or not (“msec”) the delay time should be

synchronized to the Arranger or Recorder tempo. Depending on

your choice, the setting range of the following parameter refers

to a time or a note value.

z Delay Time [msec] (0~2600ms) —Adjusts the time until the

delay is heard.

z Delay Time [note] (Musical Notes) —Delay times can be set as a

note-value of a tempo, if you set the “Sync” parameter above to

“Note”. Specify the value of the desired note.

z Phase (Normal, Inverse) —Phase of the delay (NORMAL: normal

phase, INVERT: inverted).

z Feedback (–98%~0~+98%) —Adjusts the amount of the delay

sound that’s fed back into the eect. Negative (–) settings invert

the phase.

z Delay HF Damp (200~8000Hz, Bypass) —Adjusts the frequency

above which sound fed back to the eect is ltered out. If you

don’t want to lter out any high frequencies, set this parameter

to BYPASS.

z Panpot (L64~0~63R) —Stereo location of the output sound.

This is a mono eect that combines incoming signals. You can,

however, place the processed signal anywhere between the left

and right channels.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency

range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency

range.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

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Roland BK-9 Tone Drum Kit List Manual

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