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Roland BK-9 Tone Drum Kit List Manual

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MFX types and parameters
54
z Output Mode (Speaker, Phones) —Adjusts the method that will
be used to hear the sound that is output to the OUTPUT jacks.
The optimal 3D eect will be achieved if you select SPEAKER
when using speakers or PHONES when using headphones.
z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency
range.
z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency
range.
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
59. 3D Flanger
This applies a 3D eect to the anger sound. The anger sound will
be positioned 90 degrees left and 90 degrees right.
z Filter Type (OFF, LPF, HPF) —Type of lter. OFF: no lter is used.
z LPF: cuts the frequency range above the Cuto value. HPF:
cuts the frequency range below the Cuto value.
z Cuto Frequency (200~8000Hz) —Basic frequency of the lter.
z Pre Delay (0.0~100.0ms) —Adjusts the delay time from when
the direct sound begins until the anger sound is heard.
z Rate [sync] (Hz, Note) —Use this parameter to specify
whether (“Note”) or not (“Hz”) the modulation rate should be
synchronized to the Arranger or Recorder tempo. Depending on
your choice, the setting range of the following parameter refers
to a speed (Hz) or a note value.
z Rate [Hz] (0.05~10.00Hz) —Frequency, i.e. modulation speed.
z Rate [note] (musical notes) —Rate parameters can be set as a
note-value of a tempo if you set the “Sync” parameter above to
“Note”. Specify the value of the desired note.
z Depth (0~127) —Depth of modulation.
z Phase (0~180 deg) —Spatial spread of the sound.
z Feedback (–98%~0~+98%) —Adjusts the proportion of the
anger sound that is fed back into the eect. Negative (–)
settings will invert the phase.
z Output Mode (Speaker, Phones) —Adjusts the method that will
be used to hear the sound that is output to the OUTPUT jacks.
The optimal 3D eect will be achieved if you select SPEAKER
when using speakers or PHONES when using headphones.
z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency
range.
z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency
range.
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
60. 3D Step Flgr
This applies a 3D eect to the step anger sound. The anger sound
will be positioned 90 degrees left and 90 degrees right.
z Filter Type (OFF, LPF, HPF) —Type of lter. OFF: no lter is used.
LPF: cuts the frequency range above the Cuto value. HPF: cuts
the frequency range below the Cuto value.
z Cuto Frequency (200~8000Hz) —Basic frequency of the lter.
z Pre Delay (0.0~100.0ms) —Adjusts the delay time from when
the direct sound begins until the anger sound is heard.
z Rate [sync] (Hz, Note) —Use this parameter to specify
whether (“Note”) or not (“Hz”) the modulation rate should be
synchronized to the Arranger or Recorder tempo. Depending on
your choice, the setting range of the following parameter refers
to a speed (Hz) or a note value.
z Rate [Hz] (0.05~10.00Hz) —Frequency, i.e. modulation speed.
z Rate [note] (musical notes) —Rate parameters can be set as a
note-value of a tempo if you set the “Sync” parameter above to
“Note”. Specify the value of the desired note.
z Depth (0~127) —Depth of modulation.
z Phase (0~180 deg) —Spatial spread of the sound.
z Feedback (–98%~0~+98%) —Adjusts the proportion of the
anger sound that is fed back into the eect. Negative (–)
settings will invert the phase.
z Step Rate [sync] (Hz, Note) —Use this parameter to specify
whether (“Note”) or not (“Hz”) the step rate should be
synchronized to the Arranger or Recorder tempo. Depending on
your choice, the setting range of the following parameter refers
to a speed (Hz) or a note value.
z Step Rate [Hz] (0.10~20.00Hz) —Rate (period) of pitch change.
z Step Rate [note] (musical notes) —Rate parameters can be set
as a note-value of a tempo if you set the “Sync” parameter above
to “Note”. Specify the value of the desired note.
z Output Mode (Speaker, Phones) —Adjusts the method that will
be used to hear the sound that is output to the OUTPUT jacks.
The optimal 3D eect will be achieved if you select SPEAKER
when using speakers or PHONES when using headphones.
z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency
range.
z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency
range.
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
61. Band Chorus
A chorus eect that lets you apply an eect independently to the
low-frequency and high-frequency ranges.
z Split Frequency (200~8000Hz) —Frequency at which the low
and high ranges will be divided.
z Low Pre Delay (0.0~100.0ms) —Delay time from when the
original sound is heard to when the low-range chorus sound is
heard.
z Low Rate [sync] (Hz, Note) —Use this parameter to specify
whether (“Note”) or not (“Hz”) the low modulation rate should
be synchronized to the Arranger or Recorder tempo. Depending
on your choice, the setting range of the following parameter
refers to a speed (Hz) or a note value.
z Low Rate [Hz] (0.05~10.00Hz) —Rate at which the low-range
chorus sound is modulated.
z Low Rate [note] (Musical Notes) —Rate parameters can be set
as a note-value of a tempo if you set the “Sync” parameter above
to “Note”. Specify the value of the desired note.
z Low Depth (0~127) —Modulation depth for the low-range
chorus sound.
z Low Phase (0~180 deg) —Spaciousness of the low-range
chorus sound.
z High Pre Delay (0.0~100.0ms) —Delay time from when the
original sound is heard to when the high-range chorus sound is
heard.
z High Rate [sync] (Hz, Note) —Use this parameter to specify
whether (“Note”) or not (“Hz”) the high modulation rate should
be synchronized to the Arranger or Recorder tempo. Depending
on your choice, the setting range of the following parameter
refers to a speed (Hz) or a note value.
z High Rate [Hz] (0.05~10.00Hz) —Rate at which the high-range
chorus sound is modulated
z High Rate [note] (musical notes) —Rate parameters can be set
as a note-value of a tempo if you set the “Sync” parameter above
to “Note”. Specify the value of the desired note.
z High Depth (0~127) —Modulation depth for the high-range
chorus sound.
z High Phase (0~180 deg) —Spaciousness of the high-range
chorus sound.
… 54 …


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