Manual Roland BK-9 Tone Drum Kit List (page 52 of 64) (English, Dutch)

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MFX types and parameters

z Phaser Manual (0~127) —Adjusts the basic frequency from

which the sound will be modulated.

z Rate [sync] (Hz, Note) —Use this parameter to specify

whether (“Note”) or not (“Hz”) the modulation rate should be

synchronized to the Arranger or Recorder tempo. Depending on

your choice, the setting range of the following parameter refers

to a speed (Hz) or a note value.

z Rate [Hz] (0.05~10.00Hz) —Frequency, i.e. modulation speed.

z Rate [note] (musical notes) —Rate parameters can be set as a

note-value of a tempo if you set the “Sync” parameter above to

“Note”. Specify the value of the desired note.

z Depth (0~127) —Depth of modulation.

z Resonance (0~127) —Amount of feedback.

z Mix Level (0~127) —Level of the phase-shifted sound.

z Panpot (L64~0~63R) —Stereo location of the output sound.

This is a mono eect that combines incoming signals. You can,

however, place the processed signal anywhere between the left

and right channels.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency

range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency

range.

z Level (0~127) —Output level.

50. Inf Phaser

A phaser that continues raising/lowering the frequency at which

the sound is modulated.

z Mode (1, 2, 3, 4) —Higher values will produce a deeper phaser

eect.

z Speed (–100~100) —Speed at which to raise or lower the

frequency at which the sound is modulated (+: upward/–:

downward).

z Resonance (0~127) —Amount of feedback.

z Mix Level (0~127) —Level of the phase-shifted sound.

z Panpot (L64~0~63R) —Stereo location of the output sound.

This is a mono eect that combines incoming signals. You can,

however, place the processed signal anywhere between the left

and right channels.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency

range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency

range.

z Level (0~127) —Output level.

51. Ring Modul

Ring Modulator is an eect which applies amplitude modulation

(AM) to the input signal, producing bell-like sounds. You can also

change the modulation frequency according to the volume of the

sound input to the eects device.

z Frequency (0~127) —Sets the frequency at which modulation

will be applied.

z Sens (0~127) —Sets the amount of frequency modulation

applied.

z Polarity (Up, Down) —Determines whether the frequency

modulation moves towards higher frequencies (UP) or lower

frequencies (DOWN).

z EQ Low Gain —Adjust the low frequency gain (amount of boost

or cut). Positive (+) settings will emphasize (boost) the low

frequency range.

z EQ High Gain —Adjust the high frequency gain (amount of

boost or cut). Positive (+) settings emphasize (boost) the high

frequency range.

z Balance —Sets the volume balance between the direct and the

eect sound. With a setting of D100:0W only the direct sound

will be output and with a setting of D0:100W the eect sound

will be output.

z Level (0~127) —Output level.

52. Step Ring

This is a ring modulator that uses a 16-step sequence to vary the

frequency at which modulation is applied.

z Step 1~16 (0~127) —Frequency of ring modulation at each

step.

z Rate [sync] (Hz, Note) —Use this parameter to specify whether

(“Note”) or not (“Hz”) the rate should be synchronized to the

Arranger or Recorder tempo. Depending on your choice, the

setting range of the following parameter refers to a speed (Hz)

or a note value.

z Rate [Hz] (0.05~10.00Hz) —Rate at which the 16-step sequence

will cycle.

z Rate [note] (musical notes) —Rate parameters can be set as a

note-value of a tempo if you set the “Sync” parameter above to

“Note”. Specify the value of the desired note.

z Attack (0~127) —Speed at which the modulation frequency

changes between steps.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency

range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency

range.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

53. Tremolo

Cyclically modulates the volume to add tremolo eect to the sound.

z Modulation Wave (TRI, SQR, SIN, SAW1, SAW2) —Modulation

Wave. TRI: triangle wave, SQR: square wave, SIN: sine wave,

SAW1/2: sawtooth wave.

z Rate [sync] (Hz, Note) —Use this parameter to specify

whether (“Note”) or not (“Hz”) the modulation rate should be

synchronized to the Arranger or Recorder tempo. Depending on

your choice, the setting range of the following parameter refers

to a speed (Hz) or a note value.

z Rate [Hz] (0.05~10.00Hz) —Frequency, i.e. modulation speed.

z Rate [note] (musical notes) —Rate parameters can be set as a

note-value of a tempo if you set the “Sync” parameter above to

“Note”. Specify the value of the desired note.

z Depth (0~127) —Depth to which the eect is applied.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency

range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency

range.

z Level (0~127) —Output level.

54. Auto Pan

Cyclically modulates the stereo location of the sound.

z Modulation Wave (TRI, SQR, SIN, SAW1, SAW2) —Modulation

Wave. TRI: triangle wave, SQR: square wave, SIN: sine wave,

SAW1/2: sawtooth wave.

z Rate [sync] (Hz, Note) —Use this parameter to specify

whether (“Note”) or not (“Hz”) the modulation rate should be

synchronized to the Arranger or Recorder tempo. Depending on

your choice, the setting range of the following parameter refers

to a speed (Hz) or a note value.

z Rate [Hz] (0.05~10.00Hz) —Frequency, i.e. modulation speed.

Rate [note] (musical notes) —Rate parameters can be set as a

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Roland BK-9 Tone Drum Kit List Manual

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