Manual Roland BK-9 Tone Drum Kit List (page 50 of 64) (English, Dutch)

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MFX types and parameters

41. CHO/Flanger

This eect connects a chorus and a anger in parallel.

z Chorus Pre Delay (0.0~100.0ms) —Adjusts the delay between

the incoming direct signal and the moment when the chorus

starts working.

z Chorus Rate (0.05~10.0Hz) —Modulation frequency of the

chorus eect.

z Chorus Depth (0~127) —Modulation intensity of the chorus

eect.

z Chorus Balance (D100:0W, D50:50W, D0:100W) —Volume

balance between the direct sound (D) and the chorus sound

(W).

z Flanger Pre Delay (0.0~100.0ms) —Adjusts the delay time from

when the direct sound begins until the anger sound is heard.

z Flanger Rate (0.05~10.0Hz) —Modulation frequency of the

anger eect.

z Flanger Depth (0~127) —Modulation intensity of the anger

eect.

z Flanger Feedback (–98%~0~98%) —Adjusts the proportion of

the anger sound that is fed back into the eect. Negative (–)

settings will invert the phase.

z Flanger Balance (D100:0W, D50:50W, D0:100W) —Volume

balance between the direct sound (D) and the anger sound

(W).

z Level (0~127) —Output level.

42. Isolator

This is an equalizer which cuts the volume greatly, allowing you to

add a special eect to the sound by cutting the volume in varying

ranges.

z Boost/Cut Low/Mid/High Level (–60~0~4 [dB]) —These boost

and cut each of the High, Middle and Low frequency ranges. At

–60dB, the sound becomes inaudible. 0dB is equivalent to the

input level of the sound.

z Anti Phase Low Sw (O, On) —Turns the Anti-Phase function

on and o for the Low frequency ranges. When turned on, the

counter-channel of stereo sound is inverted and added to the

signal.

z Anti Phase Low Level (0~127) —Adjusts the level settings

for the Low frequency ranges. Adjusting this level for certain

frequencies allows you to lend emphasis to specic parts. (This

is eective only for stereo source.)

z Anti Phase Mid Sw (O, On) —Turns the Anti-Phase function on

and o for the Middle frequency ranges. When turned on, the

counter-channel of stereo sound is inverted and added to the

signal.

z Anti Phase Mid Level (0~127) —Adjusts the level settings for

the Middle frequency ranges. Adjusting this level for certain

frequencies allows you to lend emphasis to specic parts. (This

is eective only for stereo source.)

z Low Boost Sw (O, On) —Turns Low Booster on/o. This

emphasizes the bottom to create a heavy bass sound.

z Low Boost Level (0~127) —Increasing this value gives you a

heavier low end. Depending on the Isolator and lter settings

this eect may be hard to distinguish.

z Level (0~127) —Output level.

43. Low Boost

Boosts the volume of the lower range, creating powerful lows.

z Boost Frequency (50~125 [Hz]) —Center frequency at which

the lower range will be boosted.

z Boost Gain (0~12 [dB]) —Amount by which the lower range will

be boosted.

z Boost Width (Wide, Mid, Narrow) —Width of the lower range

that will be boosted.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency

range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency

range.

z Level (0~127) —Output level.

44. Super Filter

This is a lter with an extremely sharp slope. The cuto frequency

can be varied cyclically.

z Filter Type (LPF, BPF, HPF, NOTCH) —Filter type. Frequency

range that will pass through each lter. LPF: frequencies below

the cuto. BPF: frequencies in the region of the cuto. HPF:

frequencies above the cuto. NOTCH: frequencies other than

the region of the cuto.

z Filter Slope (–12, –24, –36 [dB]) —Amount of attenuation per

octave: –36dB: extremely steep, –24dB: steep, –12dB: gentle.

z Filter Cuto (0~127) —Cuto frequency of the lter. Increasing

this value will raise the cuto frequency.

z Filter Resonance (0~127) —Filter resonance level. Increasing

this value will emphasize the region near the cuto frequency.

z Filter Gain (0~12 [dB]) —Amount of boost for the lter output.

z Modulation Sw (O, On) —On/o switch for cyclic change.

z Modulation Wave (TRI, SQR, SIN, SAW1, SAW2) —How the

cuto frequency will be modulated: TRI: triangle wave, SQR:

square wave, SIN: sine wave, SAW1: sawtooth wave (upward),

SWA2: sawtooth wave (downward)

z Rate [sync] (Hz, Note) —Use this parameter to specify

whether (“Note”) or not (“Hz”) the modulation rate should be

synchronized to the Arranger or Recorder tempo. Depending on

your choice, the setting range of the following parameter refers

to a speed (Hz) or a note value.

z Rate [Hz] (0.05~10.00Hz) —Rate of modulation. Rate [note]

(musical notes) —Rate parameters can be set as a note-value of

a tempo if you set the “Sync” parameter above to “Note”. Specify

the value of the desired note.

z Depth (0~127) —Depth of modulation.

z Attack (0~127) —Speed at which the cuto frequency will

change. This is eective if Modulation Wave is SQR, SAW1 or

SAW2.

z Level (0~127) —Output level.

45. Step Filter

This is a lter whose cuto frequency can be modulated in steps.

You can specify the pattern by which the cuto frequency will

change.

z Step 1~16 (0~127) —Cuto frequency at each step

z Rate [sync] (Hz, Note) —Use this parameter to specify whether

(“Note”) or not (“Hz”) the rate should be synchronized to the

Arranger or Recorder tempo. Depending on your choice, the

setting range of the following parameter refers to a speed (Hz)

or a note value.

z Rate [Hz] (0.05~10.00Hz) —Rate of modulation.

z Rate [note] (musical notes) —Rate parameters can be set as a

note-value of a tempo if you set the “Sync” parameter above to

“Note”. Specify the value of the desired note.

z Attack (0~127) —Speed at which the cuto frequency changes

between steps.

z Filter Type (LPF, BPF, HPF, NOTCH) —Filter type. Frequency

range that will pass through each lter. LPF: frequencies below

the cuto. BPF: frequencies in the region of the cuto. HPF:

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Roland BK-9 Tone Drum Kit List Manual

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