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MFX types and parameters
51
frequencies above the cuto. NOTCH: frequencies other than
the region of the cuto.
z Filter Slope (–12, –24, –36 [dB]) —Amount of attenuation per
octave: –36dB: extremely steep, –24dB: steep, –12dB: gentle.
z Filter Resonance (0~127) —Filter resonance level. Increasing
this value will emphasize the region near the cuto frequency.
z Filter Gain (0~12 [dB]) —Amount of boost for the lter output.
z Level (0~127) —Output level.
46. Humanizer
Adds a vowel character to the sound, making it similar to a human
voice.
z Drive Sw (OFF,ON) Turns Drive on/o.
z Drive (0~127) —Degree of distortion. Also changes the volume.
z Vowel 1 (a, e, i, o, u)
z Vowel 2 (a, e, i, o, u) —Selects the vowel.
z Rate [sync] (Hz, Note) —Use this parameter to specify whether
(“Note”) or not (“Hz”) the rate should be synchronized to the
Arranger or Recorder tempo. Depending on your choice, the
setting range of the following parameter refers to a speed (Hz)
or a note value.
z Rate [Hz] (0.05~10.00Hz) —Frequency at which the two vowels
switch.
z Rate [note] (musical notes) —Rate parameters can be set as a
note-value of a tempo if you set the “Sync parameter above to
“Note”. Specify the value of the desired note.
z Depth (0~127) —Eect depth.
z Input Sync Sw (O, On) —Determines whether the LFO for
switching the vowels is reset by the input signal (ON) or not
(OFF).
z Input Sync Threshold (0~127) Volume level at which reset is
applied.
z Manual (0~100) —Point at which Vowel 1/2 switch. 49 or less:
Vowel 1 will have a longer duration. 50: Vowel 1 and 2 will be of
equal duration. 50 or more: Vowel 2 will have a longer duration.
z EQ EQ Low Gain (–15dB~0~15dB) Gain of the low frequency
range.
z EQ EQ High Gain (–15dB~0~15dB) —Gain of the high
frequency range.
z Panpot (L64~0~63R) —Stereo location of the output sound.
This is a mono eect that combines incoming signals. You can,
however, place the processed signal anywhere between the left
and right channels.
z Level (0~127)—Output level.
47. Speaker Sim
Simulates the speaker type and mic settings used to record the
speaker sound.
z Speaker Type —Select the type of speaker. The specications
of each type are as follows. The speaker column indicates the
diameter of each speaker unit (in inches) and the number of
units.
Type Cabinet Speaker Microphone
Small 1 small open-back enclosure 10 dynamic mic
Small 1 small open-back enclosure 10 dynamic mic
Middle open back enclosure 12 x 1 dynamic mic
JC-120 open back enclosure 12 x 2 dynamic mic
Built In 1 open back enclosure 12 x 2 dynamic mic
Built In 2 open back enclosure 12 x 2 condenser mic
Built In 3 open back enclosure 12 x 2 condenser mic
Built In 4 open back enclosure 12 x 2 condenser mic
Type Cabinet Speaker Microphone
Built In 5 open back enclosure 12 x 2 condenser mic
BG Stack 1 sealed enclosure 12 x 4 condenser mic
BG Stack 2 large sealed enclosure 12 x 4 condenser mic
MS Stack 1 large sealed enclosure 12 x 4 condenser mic
MS Stack 2 large sealed enclosure 12 x 4 condenser mic
Metal Stk large double stack 12 x 4 condenser mic
Small 1 large sealed enclosure 12 x 4 condenser mic
Small 2 large sealed enclosure 12 x 4 condenser mic
z Mic Setting (1, 2, 3) —Adjusts the location of the mic that is
recording the sound of the speaker. This can be adjusted in
three steps, with the mic becoming more distant in the order of
1, 2 and 3.
z Mic Level (0~127) —Volume of the microphone.
z Direct Level (0~127) —Volume of the direct sound.
z Level (0~127) —Output level. 48. Step Phaser. The phaser eect
will be varied gradually.
z Phaser Mode (4-Stage, 8-Stage, 12-Stage) —Number of stages
in the phaser.
z Phaser Manual (0~127) Adjusts the basic frequency from
which the sound will be modulated.
z Step Rate [sync] (Hz, Note) —Use this parameter to specify
whether (“Note”) or not (“Hz”) the modulation rate should be
synchronized to the Arranger or Recorder tempo. Depending on
your choice, the setting range of the following parameter refers
to a speed (Hz) or a note value.
z Step Rate [Hz] (0.05~10.00Hz) —Frequency, i.e. modulation
speed.
z Step Rate [note] (musical notes) —Rate parameters can be set
as a note-value of a tempo if you set the “Sync parameter above
to “Note”. Specify the value of the desired note.
z Depth (0~127) —Depth of modulation.
z Polarity (Inverse, Synchro) —Selects whether the left and right
phase of the modulation will be the same or the opposite.
INVERSE: The left and right phase will be opposite. When using
a mono source, this spreads the sound. SYNCHRO: The left and
right phase will be the same. Select this when inputting a stereo
source
z Resonance (0~127) Amount of feedback.
z Cross Feedback (–98%~0~+98%) Adjusts the proportion of
the phaser sound that is fed back into the eect. Negative (–)
settings will invert the phase.
z Step Rate [sync] (Hz, Note) —Use this parameter to specify
whether (“Note”) or not (“Hz”) the step rate should be
synchronized to the Arranger or Recorder tempo. Depending on
your choice, the setting range of the following parameter refers
to a speed (Hz) or a note value.
z Step Rate [Hz] (0.10~20.00Hz) —Rate of the step-wise change
in the phaser eect.
z Step Rate [note] (Musical Notes) —Rate parameters can be set
as a note-value of a tempo if you set the “Sync parameter above
to “Note”. Specify the value of the desired note.
z Mix Level (0~127) —Level of the phase-shifted sound.
z EQ Low Gain (–15dB~0~15dB) Gain of the low frequency
range.
z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency
range.
z Level (0~127) —Output level.
49. MLT Phaser
Extremely high settings of the phase dierence produce a deep
phaser eect.
z Phaser Mode (4-stage, 8-stage, 12-stage, 16-stage, 20-stage,
24- stage) —Number of stages in the phaser.
51


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