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Roland BK-9 Tone Drum Kit List Manual

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MFX types and parameters
59
and right channels.
z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency
range.
z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency
range.
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
75. Tape Echo
A virtual tape echo that produces a realistic tape delay sound.
This simulates the tape echo section of a Roland RE-201 Space Echo.
z Mode (S, M, L, S+M, S+L, M+L, S+M+L) —Combination of
playback heads to use. Select from three dierent heads with
dierent delay times. S: short, M: middle, L: long.
z Repeat Rate (0~127) —Tape speed. Increasing this value will
shorten the spacing of the delayed sounds.
z Intensity (0~127) —Amount of delay repeats.
z Bass (–15dB~0~15dB) —Boost/cut for the lower range of the
echo sound.
z Treble (–15dB~0~15dB) —Boost/cut for the upper range of the
echo sound.
z Head S Pan (L64~0~63R)
z Head M Pan (L64~0~63R)
z Head L Pan (L64~0~63R) —Independent panning for the short,
middle and long playback heads.
z Tape Distortion (0~5) —Amount of tape-dependent distortion
to be added. This simulates the slight tonal changes that can be
detected by signal-analysis equipment. Increasing this value will
increase the distortion.
z Wow/Flutter Rate (0~127) —Speed of wow/utter (complex
variation in pitch caused by tape wear and rotational
irregularity).
z Wow/Flutter Depth (0~127) —Depth of wow/utter.
z Echo Level (0~127) —Volume of the echo sound.
z Direct Level (0~127) —Volume of the original sound.
z Level (0~127) —Output level.
76. LoFi Noise
In addition to a lo- eect, this adds various types of noise such as
white noise and disc noise.
z LoFi Type (1, 2, 3, 4, 5, 6, 7, 8, 9) —Degrades the sound quality.
The sound quality grows poorer as this value is increased.
z Post Filter Type (OFF, LPF, HPF) —Type of lter. OFF: no lter is
used. LPF: cuts the frequency range above the Cuto value. HPF:
cuts the frequency range below the Cuto value.
z Post Filter Cuto (200~8000, Bypass) —Center frequency of
the lter.
z W/P Noise Type (White, Pink) —Switch between white noise
and pink noise.
z W/P Noise LPF (200~8000, Bypass) —Center frequency of the
low pass lter applied to the white/pink noise (BYPASS: no cut).
z W/P Noise Level (0~127) —Volume of the white/pink noise.
z Disc Noise Type (LP, EP, SP, RND) —Type of record noise. The
frequency at which the noise is heard depends on the selected
type.
z Disc Noise LPF (200~8000Hz, Bypass) —Adjusts the cuto
frequency of the low pass lter applied to the record noise.
If you don’t want to lter out any high frequencies, set this
parameter to BYPASS.
z Disc Noise Level (0~127) —Volume of the record noise.
z Hum Noise Type (50Hz, 60Hz) —Frequency of the hum noise.
z Hum Noise LPF (200~8000Hz, Bypass) —Center frequency of
the low pass lter applied to the hum noise (BYPASS: no cut).
z Hum Noise Level (0~127) —Volume of the hum noise.
z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency
range.
z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency
range.
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
77. LoFi Comp
This is an eect that intentionally degrades the sound quality for
creative purposes.
z Pre Filter Type (1, 2, 3, 4, 5, 6) —Selects the type of lter applied
to the sound before it passes through the Lo-Fi eect.
z LoFi Type (1, 2, 3, 4, 5, 6, 7, 8, 9) —Degrades the sound quality.
The sound quality grows poorer as this value is increased.
z Post Filter Type (OFF, LPF, HPF) —Type of lter. OFF: no lter is
used. LPF: cuts the frequency range above the Cuto value. HPF:
cuts the frequency range below the Cuto value.
z Post Filter Cuto (200~8000, Bypass) —Basic frequency of the
Post Filter.
z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency
range.
z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency
range.
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
78. LoFi Radio
In addition to a Lo-Fi eect, this eect also generates radio noise.
z LoFi Type (1, 2, 3, 4, 5, 6, 7, 8, 9) —Degrades the sound quality.
The sound quality grows poorer as this value is increased.
z Post Filter Type (OFF, LPF, HPF) —Type of lter. OFF: no lter is
used. LPF: cuts the frequency range above the Cuto value. HPF:
cuts the frequency range below the Cuto value.
z Post Filter Cuto (200~8000, Bypass) —Basic frequency of the
Post Filter.
z Radio Detune (0~127) —Simulates the tuning noise of a radio.
As this value is raised, the tuning drifts further.
z Radio Noise Level (0~127) —Volume of the radio noise.
z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency
range.
z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency
range.
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
79. Telephone
This eect simulates the tonal character of a telephone
transmission.
z Voice Quality (0~15) —Audio quality of the telephone voice.
z Treble (–15dB~0~15dB) —Bandwidth of the telephone voice.
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
… 59 …


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