527395

Roland BK-9 Tone Drum Kit List Manual

46
Zoom out
Zoom in
Previous page
1/64
Next page
MFX types and parameters
46
z NORMAL: The left delay sound will be fed back into the left
delay and the right delay sound into the right delay.
z CROSS: The left delay sound will be fed back into the right
delay and the right delay sound into the left delay.
z Delay Left (0.0~500.0ms) —Adjust the time from the direct
sound until when the left delay sound is heard.
z Delay Right (0.0~500.0ms) —Adjusts the time until the delay
sound is heard.
z Delay Feedback (–98%~0~98%) —Adjusts the amount of the
delay sound that’s fed back into the eect. Negative (–) settings
invert the phase.
z Delay HF Damp (200~8000Hz, Bypass) —Adjusts the frequency
above which sound fed back to the eect is ltered out. If you
don’t want to lter out any high frequencies, set this parameter
to BYPASS.
z Modulation Rate (0.05~10.0Hz) —Frequency, i.e. modulation
speed.
z Modulation Depth (0~127) —Adjust the depth of the
modulation.
z Modulation Phase (0~180 deg) —Adjust the spatial spread of
the sound
z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.
z EQ High Gain (–15dB~0~15dB) —Gain of the high range.
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
20.3 Tap Delay
The Triple Tap Delay produces three delay sounds: center, left and
right.
z Delay Left (200~1000ms, note) —Adjust the time from the
direct sound until when the left delay sound is heard.
z Delay Right (200~1000ms, note) —Adjust the time from the
direct sound until when the right delay sound is heard.
z Delay Center (200~1000ms, note) —Adjust the time delay from
the direct sound until when the center delay sound is heard.
z Delay Feedback (–98%~0~98%) —Adjusts the amount of the
delay sound that’s fed back into the eect. Negative (–) settings
invert the phase.
z Delay HF Damp (200~8000Hz, Bypass) —Adjusts the frequency
above which sound fed back to the eect is ltered out. If you
don’t want to lter out any high frequencies, set this parameter
to BYPASS.
z Delay Level Left (0~127) —Adjust the volume of the left delay
sound.
z Delay Level Right (0~127) —Adjust the volume of the right
delay sound.
z Delay Level Center (0~127) —Adjust the volume of the center
delay sound.
z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.
z EQ High Gain (–15dB~0~15dB) —Gain of the high range.
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
21.4 Tap Delay
Delay with four repetition lines.
z Delay 1~4 (200~1000ms, note) —Adjusts the time until the
delay is heard.
z Delay Level 1~4 (0~127) —Output level of the delay sound.
z Delay Feedback (–98%~0~98%) —Adjusts the amount of the
delay sound that’s fed back into the eect. Negative (–) settings
invert the phase.
z Delay HF Damp (200~8000Hz, Bypass) —Adjusts the frequency
above which sound fed back to the eect is ltered out. If you
don’t want to lter out any high frequencies, set this parameter
to BYPASS.
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
22. Time Delay
This eect controls the delay time and pitch in realtime.
Lengthening the delay time will lower the pitch and shortening it
will raise the pitch.
z Delay Time (200~1000ms, note) —Adjusts the time until the
delay is heard.
z Delay Feedback (–98%~0~98%) —Adjusts the amount of the
delay sound that’s fed back into the eect. Negative (–) settings
invert the phase.
z Delay Acceleration (0~15) —Adjusts the time over which the
Delay Time changes from the current setting to a specied new
setting. The rate of change for the Delay Time directly aects the
rate of pitch change.
z Delay HF Damp (200~8000Hz, Bypass) —Adjusts the frequency
above which sound fed back to the eect is ltered out. If you
don’t want to lter out any high frequencies, set this parameter
to BYPASS.
z Panpot (L64~0~63R) —Stereo location of the output sound.
This is a mono eect that combines incoming signals. You can,
however, place the processed signal anywhere between the left
and right channels.
z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.
z EQ High Gain (–15dB~0~15dB) —Gain of the high range.
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
23.2 Pitch Shifter
A Pitch Shifter changes the pitch of the original sound. This 2- voice
eect contains two pitch shifters and adds two transposed copies
to the original sound.
z Pitch Shift Mode (1~5) —Higher settings of this parameter will
result in slower response, but steadier pitch.
z Pitch A Coarse (–24~0~+12 semitone) —Adjusts the pitch of
Pitch Shift A in semitone steps (–2~+1 octaves).
z Pitch B Coarse (–24~0~+12 semitone) —Adjusts the pitch of
Pitch Shift B in semitone steps (–2~+1 octaves).
z Pitch A Fine (–100~0~+100 cent) —Makes ne adjustments to
the pitch of Pitch Shift A in 2-cent steps (–100~+100 cents). One
cent is 1/100th of a semitone.
z Pitch B Fine (–100~0~+100 cent) —Makes ne adjustments to
the pitch of Pitch Shift B in 2-cent steps (–100~+100 cents). One
cent is 1/100th of a semitone.
z Pitch A Pre Delay (0.0~500.0ms) —Adjust the time delay from
when the direct sound begins until the Pitch Shift A sound is
heard.
z Pitch B Pre Delay (0.0~500.0ms) —Adjusts the time delay from
when the direct sound begins until the Pitch Shift B sound is
heard.
z Pitch A Panpot (L64~0~63R) —Adjusts the stereo location of
the Pitch Shift A sound. L64 is far left, 0 is center and 63R is far
right.
z Pitch B Panpot (L64~0~63R) —Adjusts the stereo location of
the Pitch Shift B sound. L64 is far left, 0 is center and 63R is far
right.
z Level Balance (A100:0B, A50:50B, A0:100B) —Adjusts the
volume balance between the Pitch Shift A and Pitch Shift B
sounds. When set to A100:0B, only the sound of Pitch Shift A is
… 46 …


Need help? Post your question in this forum.

Forumrules


Report abuse

Libble takes abuse of its services very seriously. We're committed to dealing with such abuse according to the laws in your country of residence. When you submit a report, we'll investigate it and take the appropriate action. We'll get back to you only if we require additional details or have more information to share.

Product:

For example, Anti-Semitic content, racist content, or material that could result in a violent physical act.

For example, a credit card number, a personal identification number, or an unlisted home address. Note that email addresses and full names are not considered private information.

Forumrules

To achieve meaningful questions, we apply the following rules:

Register

Register getting emails for Roland BK-9 Tone Drum Kit List at:


You will receive an email to register for one or both of the options.


Get your user manual by e-mail

Enter your email address to receive the manual of Roland BK-9 Tone Drum Kit List in the language / languages: English, Dutch as an attachment in your email.

The manual is 0,71 mb in size.

 

You will receive the manual in your email within minutes. If you have not received an email, then probably have entered the wrong email address or your mailbox is too full. In addition, it may be that your ISP may have a maximum size for emails to receive.

The manual is sent by email. Check your email

If you have not received an email with the manual within fifteen minutes, it may be that you have a entered a wrong email address or that your ISP has set a maximum size to receive email that is smaller than the size of the manual.

The email address you have provided is not correct.

Please check the email address and correct it.

Your question is posted on this page

Would you like to receive an email when new answers and questions are posted? Please enter your email address.



Info