Manual Roland BK-9 Tone Drum Kit List (page 44 of 64) (English, Dutch)

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z Auto Wah Rate (0.05~10.0Hz) —Frequency, i.e. modulation

speed.

z Auto Wah Depth (0~127) —Modulation intensity.

z Auto Wah Sens (0~127) —Adjusts the sensitivity with which the

lter is controlled.

z Auto Wah Manual (0~127) —Adjusts the center frequency at

which the eect is applied.

z Auto Wah Peak (0~127) —Adjusts the amount of the wah eect

that will occur in the range of the center frequency. Set a higher

value to narrow the range to be aected.

z Level (0~127) —Output level. Use this parameter to

compensate for exaggerated level dierences resulting from the

settings you made.

9. Rotary

This eect simulates the sound of the rotary speakers often used

with the electric organs. Since the movement of the highrange

and low-range rotors can be set independently, the unique type

of modulation characteristic of these speakers can be simulated

quite closely. This eect is most suitable for electric organ sounds

(of the [ORGAN] bank – the Harmonic Bar section has its own Rotary

eect).

z Tweeter Slow Rate (0.05~10.0Hz)

z Woofer Slow Rate (0.05~10.0Hz) —Slow speed (SLOW) of the

high- or low-frequency rotor.

z Tweeter Fast Rate (0.05~10.0Hz)

z Woofer Fast Rate (0.05~10.0Hz) —Fast speed (FAST) of the

highor low-frequency rotor.

z Rotary Speed (Slow, Fast) —Simultaneously switches the

rotational speed of the low-frequency and high-frequency

rotors.

z SLOW: Slows down the rotation to the “Slow Rate”.

z FAST: Speeds up the rotation to the “Fast Rate”.

z Tweeter Acceleration (0~15)

z Woofer Acceleration (0~15) —Adjusts the time it takes the

rotor in question to reach the newly selected speed (“Fast” or

“Slow”). Lower values correspond to slower transitions.

z Tweeter Level (0~127)

z Woofer Level (0~127) —Volume of the rotor in question.

z Separation (0~127) —Spatial dispersion of the sound.

z Level (0~127) —Output level.

10. Compressor

Reduces high levels (peaks) and boosts low levels, smoothing out

uctuations in volume.

z Compressor Sustain (0~127) —Allows you to specify how

strongly incoming signals should be compressed, which results

in a longer sustain.

z Compressor Attack (0~127) —Sets the speed at which

compression starts.

z Panpot (L64~0~63R) —Stereo location of the output sound.

This is a mono eect that combines incoming signals. You can,

however, place the processed signal anywhere between the left

and right channels.

z Compressor Post Gain (0, +6, +12, +18dB) —Adjusts the output

gain. Use this parameter to make up for a signicant volume loss

due to extreme settings.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high range.

z Level (0~127) —Output level.

11. Limiter

Compresses signals that exceed the specied level, preventing

distortion from occurring. Unlike a compressor, it does not boost

the level of weaker signals.

z Limiter Threshold (0~127) —Adjusts the volume at which

compression begins.

z Limiter Release (0~127) —Allows you to specify how long

signal compression should remain in eect after the signal

volume falls below the Threshold value.

z Limiter Ratio (1.5:1, 2:1, 4:1, 100:1) —Allows you to specify

how strongly volume peaks should be compressed. Choose

“100:1” if the Threshold level must never be exceeded (which is

a true Limiter function).

z Panpot (L64~0~63R) —Stereo location of the output sound.

This is a mono eect that combines incoming signals. You can,

however, place the processed signal anywhere between the left

and right channels.

z Limiter Post Gain (0, +6, +12, +18dB) —Adjusts the output

gain. Use this parameter to make up for a signicant volume

loss due to extreme settings.

z ● EQ Low Gain (–15dB~0~15dB) —Gain of the low range.

z ● EQ High Gain (–15dB~0~15dB) —Gain of the high range.

z ● Level (0~127) —Output level.

12. Hexa-Chorus

Uses a six-phase chorus (six layers of chorused sound) to create a

dense and spatial eect.

z Chorus Pre Delay (0.0~100.0ms) —Adjusts the delay between

the incoming direct signal and the moment when the chorus

starts working.

z Chorus Rate (0.05~10.0Hz) —Frequency, i.e. modulation

speed.

z Chorus Depth (0~127) —Modulation intensity.

z Chorus Pre Delay Deviation (0~20) —Adjusts the dierences

in Pre Delay between each chorus line (there are six of them).

z Chorus Depth Deviation (-20~0~20) —Adjusts the dierence

in modulation depth between each chorus sound.

z Chorus Pan Deviation (0~20) —Adjusts the distribution of the

various chorus lines in the stereo image.

z 0: All chorus sounds are in the center.

z 20: Each chorus sound will be spaced at 60 degree intervals

relative to the center.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

13. Trem Chorus

This is a chorus eect with added Tremolo (cyclic modulation of

volume).

z Chorus Pre Delay (0.0~100.0ms) —Adjusts the delay between

the incoming direct signal and the moment when the chorus

starts working.

z Chorus Rate (0.05~10.0Hz) —Frequency, i.e. modulation

speed.

z Chorus Depth (0~127) —Modulation intensity.

z Tremolo Rate (0.05~10.0Hz) —Modulation frequency of the

tremolo eect.

z Tremolo Separation (0~127) —Allows you to set the level of

the tremolo eect with respect to the chorus modulation.

z Tremolo Phase (0~180 deg) —Spread of the tremolo eect.

MFX types and parameters

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Roland BK-9 Tone Drum Kit List Manual

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