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Roland BK-9 Tone Drum Kit List Manual

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MFX types and parameters
45
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
14. Space-D
This is a multiple chorus that applies two-phase modulation in
stereo. It gives no impression of modulation, but produces a
transparent chorus eect.
z Chorus Pre Delay (0.0~100.0ms) —Adjusts the delay between
the incoming direct signal and the moment when the chorus
starts working.
z Chorus Rate (0.05~10.0Hz) —Frequency, i.e. modulation speed.
z Chorus Depth (0~127) —Modulation intensity.
z Chorus Phase (0~180deg) —Spatial spread of the sound.
z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.
z EQ High Gain (–15dB~0~15dB) —Gain of the high range.
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
15. St. Chorus
This is a stereo chorus. A lter is provided so that you can adjust the
timbre of the chorus sound.
z Filter Type (OFF, LPF, HPF) —Type of lter. OFF: no lter is used.
z LPF: cuts the frequency range above the Cuto value.
z HPF: cuts the frequency range below the Cuto value.
z Cuto Frequency (200~8000Hz) —Basic frequency of the lter.
z Chorus Pre Delay (0.0~100.0ms) —Adjusts the delay between
the incoming direct signal and the moment when the chorus
starts working.
z Chorus Rate (0.05~10.0Hz) —Frequency, i.e. modulation speed.
z Chorus Depth (0~127) —Modulation intensity.
z Chorus Phase (0~180 deg) —Spatial spread of the sound.
z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.
z EQ High Gain (–15dB~0~15dB) —Gain of the high range.
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
16. St. Flanger
This is a stereo anger. It produces a metallic resonance that rises
and falls like a jet airplane taking o or landing.
z Filter Type (OFF, LPF, HPF) —Type of lter. OFF: no lter is used.
z LPF: cuts the frequency range above the Cuto value.
z HPF: cuts the frequency range below the Cuto value.
z Cuto Frequency (200~8000Hz) —Basic frequency of the lter.
z Flanger Pre Delay (0.0~100.0ms) —Adjusts the delay time from
when the direct sound begins until the anger sound is heard.
z Flanger Rate (0.05~10.0Hz) —Frequency, i.e. modulation
speed.
z Flanger Depth (0~127) —Modulation intensity.
z Flanger Phase (0~180 deg) —Spatial spread of the sound.
z Flanger Feedback (–98%~0~98%) —Adjusts the proportion of
the anger sound that is fed back into the eect. Negative (–)
settings will invert the phase.
z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.
z EQ High Gain (–15dB~0~15dB) —Gain of the high range.
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
17. Step Flanger
A Step Flanger is a anger eect with clearly noticeable steps rather
than continuous pitch changes.
z Flanger Pre Delay (0.0~100.0ms) —Adjusts the delay time from
when the direct sound begins until the anger sound is heard.
z Flanger Rate (0.05~10.0Hz) —Frequency, i.e. modulation
speed.
z Flanger Depth (0~127) —Modulation intensity.
z Flanger Feedback (–98%~0~98%) —Adjusts the proportion of
the anger sound that is fed back into the eect. Negative (–)
settings will invert the phase.
z Step Rate (0.10~20.0Hz, note) —Rate (period) of pitch change
z Flanger Phase (0~180deg) —Spatial spread of the sound.
z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.
z EQ High Gain (–15dB~0~15dB) —Gain of the high range.
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
18. St. Delay
Delay is an eect that allows you repeat the input signal, thus
creating echoes (repetition).
z Delay FBK Mode (Normal, Cross) —Select the way in which
delay sound is fed back into the eect.
z NORMAL: The left delay sound will be fed back into the left
delay and the right delay sound into the right delay.
z CROSS: The left delay sound will be fed back into the right
delay and the right delay sound into the left delay.
z Delay Left (0.0~500.0ms) —Adjust the time from the direct
sound until when the left delay sound is heard.
z Delay Right (0.0~500.0ms) —Adjust the time from the direct
sound until when the right delay sound is heard.
z FBK Phase Left (Normal, Invert) —Select the phase of the left
delay sound.
z NORMAL: Phase is not changed.
z INVERT: Phase is inverted.
z FBK Phase Right (Normal, Invert) —Select the phase of the
right delay sound. NORMAL: Phase is not changed. INVERT:
Phase is inverted.
z Delay Feedback (–98%~0~98%) —Adjusts the amount of the
delay sound that’s fed back into the eect. Negative (–) settings
invert the phase.
z Delay HF Damp (200~8000Hz, Bypass) —Adjusts the frequency
above which sound fed back to the eect is ltered out. If you
don’t want to lter out any high frequencies, set this parameter
to BYPASS.
z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.
z EQ High Gain (–15dB~0~15dB) —Gain of the high range.
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
19. Mod. Delay
This eect adds modulation to the delayed sound, producing an
eect similar to a Flanger.
z Delay FBK Mode (Normal, Cross) —Select the way in which
delay sound is fed back into the eect.
… 45 …


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