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Roland BK-9 Tone Drum Kit List Manual

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MFX types and parameters
47
output; when set to A0:100B, only the sound of Pitch Shift B is
output.
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
24. FBK Pitch
Pitch Shifter with several echoes.
z Pitch Shift Mode (1~5) —Higher settings of this parameter will
result in slower response, but steadier pitch.
z Pitch Coarse (–24~0~+12 semitones) —Adjust the pitch of the
pitch shifted sound in semitone steps (–2~+1 octaves).
z Pitch Fine (–100~0~+100 cent) —Make ne adjustments to
the pitch of the pitch shifted sound in 2-cent steps (one cent is
1/100th of a semi tone).
z Pitch Pre Delay (0.0~500.0ms) —Adjust the time delay from
when the direct sound begins until the pitch shifted sound is
heard.
z Pitch Feedback (–98%~0~98%) —Adjust the proportion (%) of
the processed sound that is fed back into the eect. Negative (–)
settings will invert the phase.
z Panpot (L64~0~63R) —Stereo location of the output sound.
This is a mono eect that combines incoming signals. You can,
however, place the processed signal anywhere between the left
and right channels.
z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.
z EQ High Gain (–15dB~0~15dB) —Gain of the high range.
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
25. Reverb
A nice Reverb eect.
z Reverb Type (Room 1, Room 2, Stage 1, Stage 2, Hall 1, Hall
2) — Type of reverb.
z Room1: Dense reverb with short decay.
z Room2: Sparse reverb with short decay.
z Stage1: Reverb with greater late reverberation.
z Stage2: Reverb with strong early reections.
z Hall1: Reverb with clear reverberance.
z Hall2: Reverb with rich reverberance.
z Reverb Pre Delay (0.0~100.0ms) —Adjusts the delay time from
the direct sound until the reverb sound is heard.
z Reverb Time (0~127) —Time length of reverberation.
z Reverb HF Damp (200~8000Hz, Bypass) —Adjusts the
frequency above which sound fed back to the eect is ltered
out. If you don’t want to lter out any high frequencies, set this
parameter to BYPASS.
z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.
z EQ High Gain (–15dB~0~15dB) —Gain of the high range.
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
26. Gate Reverb
This is a special type of reverb in which the reverberant sound is cut
o before its natural length.
z Reverb Type (Normal, Reverse, Sweep 1, Sweep 2) —Type of
reverb.
z NORMAL: Conventional gated reverb.
z REVERSE: Backwards reverb.
z SWEEP1: The reverberant sound moves from right to left.
z SWEEP2: The reverberant sound moves from left to right.
z Reverb Pre Delay (0.0~100.0ms) —Adjusts the delay time from
the direct sound until the reverb sound is heard.
z Reverb Gate Time (5~500ms) —Adjusts the time from when
the reverb is heard until it disappears.
z EQ Low Gain (–15dB~0~15dB) —Gain of the low range.
z EQ High Gain (–15dB~0~15dB) —Gain of the high range.
z Balance (D100:0W, D50:50W, D0:100W) —Volume balance
between the direct (D) and the eect sound (W).
z Level (0~127) —Output level.
27. OD Chorus
This eect connects an Overdrive and a Chorus in series. (“Series”
means that the output signal of the rst eect is also processed by
the second).
z Overdrive Drive (0~127) —Degree of distortion. Also changes
the volume.
z Overdrive Panpot (L64~0~63R) —Stereo location of the
overdrive sound.
z Chorus Pre Delay (0.0~100.0ms) —Adjusts the delay between
the incoming direct signal and the moment when the chorus
starts working.
z Chorus Rate (0.05~10.0Hz) —Frequency, i.e. modulation speed.
z Chorus Depth (0~127) —Modulation intensity.
z Chorus Balance (D100:0W, D50:50W, D0:100W) —Volume
balance between the direct sound (D) and the chorus sound
(W).
z Level (0~127) —Output level.
28. OD Flanger
This eect connects an Overdrive and a Flanger in series.
z Overdrive Drive (0~127) —Degree of distortion. Also changes
the volume.
z Overdrive Panpot (L64~0~63R) —Stereo location of the
overdrive sound.
z Flanger Pre Delay (0.0~100.0ms) —Adjusts the delay time from
when the direct sound begins until the anger sound is heard.
z Flanger Rate (0.05~10.0Hz) —Frequency, i.e. modulation
speed.
z Flanger Depth (0~127) —Modulation intensity.
z Flanger Feedback (–98%~0~98%) —Adjusts the proportion of
the anger sound that is fed back into the eect. Negative (–)
settings will invert the phase.
z Flanger Balance (D100:0W, D50:50W, D0:100W) —Volume
balance between the direct sound (D) and the anger sound
(W).
z Level (0~127) —Output level.
29. OD Delay
This eect connects an overdrive and a delay in series.
z Overdrive Drive (0~127) —Degree of distortion. Also changes
the volume.
z Overdrive Panpot (L64~0~63R) —Stereo location of the
overdrive sound.
z Delay Time (0.0~500.0ms) —Adjusts the time until the delay is
heard.
z Delay Feedback (–98%~0~98%) —Adjusts the amount of the
delay sound that’s fed back into the eect. Negative (–) settings
… 47 …


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