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Native Straylight Manual

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LP Draft
The Daft filter has been adapted from MASSIVE and is a more aggressive synthesizer filter de-
sign. The response of the filter is a 2-pole low-pass, which attenuates frequencies above the cutoff
at a rate of -12 dB/octave. The daft filter also includes a Gain knob that controls the amplitude in-
crease after the filter. This control can be used to compensate for amplitude reduction due to the
filter, or to increase the soft saturation of the effect.
HP Draft
The Daft filter has been adapted from MASSIVE and is a more aggressive synthesizer filter de-
sign. The response of the filter is a 2-pole high-pass, which attenuates frequencies below the cut-
off at a rate of -12 dB/octave. The Daft filters also include the following controls:
Notch SV4 Pole
The State Variable (SV) filters have a clean characteristic that can be used for all kinds of audio
signals. The Notch 4 is a 4-pole notch filter, which attenuates frequencies at the cutoff.
AR LP 2
The Adaptive Resonance (AR) filters follow the amplitude of the input signal and adjust the reso-
nance accordingly. At higher input levels, the resonance will reduce, and for lower levels it will in-
crease, this avoids unpleasant peaks. These filters work best on full loops or drums. The LP2 is a
2-pole low-pass, which attenuates frequencies above the cutoff at a rate of -12 dB/octave.
AR LP 4
The Adaptive Resonance (AR) filters follow the amplitude of the input signal and adjust the reso-
nance accordingly. At higher input levels, the resonance will reduce, and for lower levels it will in-
crease, this avoids unpleasant peaks. These filters work best on full loops or drums. The LP4 is a
4-pole low-pass, which attenuates frequencies above the cutoff at a rate of -24 dB/octave.
AR HP 2
The Adaptive Resonance (AR) filters follow the amplitude of the input signal and adjust the reso-
nance accordingly. At higher input levels, the resonance will reduce, and for lower levels it will in-
crease, this avoids unpleasant peaks. These filters work best on full loops or drums. The HP2 is a
2-pole high-pass, which attenuates frequencies below the cutoff at a rate of -12 dB/octave.
AR BP 2
The Adaptive Resonance (AR) filters follow the amplitude of the input signal and adjust the reso-
nance accordingly. At higher input levels, the resonance will reduce, and for lower levels it will in-
crease, this avoids unpleasant peaks. These filters work best on full loops or drums. The BP2 is a
2-pole band-pass, which attenuates frequencies below and above the cutoff at a rate of -12 dB/
octave.
HP LP Serial
The State Variable (SV) filters have a clean characteristic that can be used for all kinds of audio
signals. The Ser. LP/HP is the combination of a high-pass filter routed serially after a low-pass fil-
ter. The result is similar to a band-pass filter.
Effect Reference
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