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BP Ladder 4 Pole
Based on the classic ladder circuit used in early synthesizers, these filters would be a first choice
for synthetic sounds, but can work well on any signal. The BP4 is a 4-pole band-pass, which at-
tenuates frequencies above and below the cutoff at a rate of -24 dB/octave. The Ladder BP4 filter
also includes the following controls:
BP SV 2 Pole
The State Variable (SV) filters have a clean characteristic that can be used for all kinds of audio
signals. The BP2 is a 2-pole band-pass, which attenuates frequencies above and below the cutoff
at a rate of -12 dB/octave.
BP SV 4 Pole
The State Variable (SV) filters have a clean characteristic that can be used for all kinds of audio
signals. The BP4 is a 4-pole band-pass, which attenuates frequencies above and below the cutoff
at a rate of -24 dB/octave.
LP HP
This very clean sounding filter lacks any pronounced resonance and is ideally suited for removal of
low frequency rumble and high frequency issues like harshness and excessive noise without color-
ing the filtered signal.
The HP filter is a 2-pole (12 dB/octave), whereas the 1-pole LP has a more gentle slope of 6 dB/
octave.
Phaser
This effect continually changes the phase relationships in your signal with an all-pass filter. This
results in a comb filtering effect, which attenuates some frequencies while boosting others. The
sound is similar to that of a Flanger but in a more subtle manner.
Vowel A
This filter simulates the resonant frequencies of the human vocal tract; when forming a vowel, the
throat and mouth cavities will change their shape in order to create a complex, natural filter which
emphasizes certain frequencies in the sound created by the vocal chords. These characteristic fre-
quencies, called formants, allow the human hearing to discern between different vowels, and are
being replicated by this filter.
Vowel B
This filter works similarly to the Vowel A module, but has a slightly different sonic character.
Formant
Formants are acoustic resonances. The term often applies to the phonetics of human speech, as
such, the formant filters are designed to mimic the frequency response of the human vocal tract.
These filters can be used to emulate the “talk box” effect.
Effect Reference
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