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13.5. Filter
A filter is a signal processor which changes the frequency content of a signal that passes through
it. This means that in contrast to effects like distortion, reverb, or chorus, it only changes the ampli-
tude and phase of frequency components which are already present in your signal, without creat-
ing new frequency content.
Filter effect.
Parameters
The following parameters are available depending on the effect mode:
Cutoff: Adjusts the frequency below which signals will be attenuated.
Reso: With a value greater than 0, this control will boost a small frequency range around the
cutoff frequency.
Width: Controls the gap between the cutoff frequencies of the two filters, with the low-pass fil-
ters cutoff always above that of the high-pass. The gap is generated around a central point
controlled by the Cutoff control.
Drive: Adjusts the amount of distortion.
Gain: Controls the amplitude increase after the filter. This control can be used to compensate
for amplitude reduction due to the filter, or to increase the soft saturation of the effect.
HP Cutoff: Controls the cutoff frequency of the High Pass filter.
LP Cutoff: Controls the cutoff frequency of the Low Pass filter.
Talk: Controls the frequency response of the filter. Can be used to morph between vowel-
sounds.
Sharp: Increases and decreases the peaks and notches in the response respectively, analo-
gous to the resonance control of the other filters.
Size: Controls the center of the frequency response, analogous to the cutoff control of the other
filters.
LP Ladder 2 Pole
Based on the classic ladder circuit used in early synthesizers, these filters would be a first choice
for synthetic sounds, but can work well on any signal. The LP2 is a 2-pole low-pass, which attenu-
ates frequencies above the cutoff at a rate of -12 dB/octave.
Effect Reference
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