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Native Straylight Manual

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• Input: Controls the input gain to the effect.
• Attack: Adjusts the time the Compressor will take to reach the full Ratio value after an input
signal exceeds the Threshold level.
• Sustain: Controls the scaling of the sustain portion of the input signal’s volume envelope. In-
creasing this parameter will add more body to the sound and decreasing it will reduce the
sound’s tail.
• Release: Adjusts the time the compressor will take to fall back to non-compression after the
input signal falls below the threshold.
• Output: Controls the module’s output level.
Bus Comp Effect Modes
Compressors are dynamic tools which automatically reduce the level of loud passages in a signal,
thereby affecting the signal’s dynamic range. The Solid Bus Comp is modeled after a classic ana-
log bus compressor. It offers a more characteristic dynamic control than KONTAKT’s standard
compressor.
Feedback Comp Fast Effect Modes
Compressors are dynamic tools that automatically reduce the level of loud passages in a signal,
thereby affecting the signal's dynamic range. A feedback compressor is a type of compressor that
compares the amplifier's output signal, rather than the input signal, to a threshold level. When the
threshold level is reached, the compressor reduces the signal's gain level. The Feedback Com-
pressor is modeled after a classic feedback compressor known for its bright and punchy sound.
Transient Master
The Transient Master is an easy to use compressor designed to control the attack and sustain of a
sound. Instead of following the amplitude of the sound like a traditional compressor, it follows the
general envelope and is thus not as susceptible to changes of input gain. It is best used on sounds
with fast attacks, like percussion, pianos or guitars. The Transient Master can also be quite ex-
treme in some cases, so use it with caution.
Limiter
Limiters are actually a special form of compressors with a ratio of one to infinity, a threshold just
below the maximum level, and a very short attack time. They act as a “safety net” to keep short
signal peaks from overloading the system, which would result in audio clipping. While compressors
have a range of artistic applications, limiters are usually used for technical reasons — they can
tame signals with peaks which would otherwise overload the output, without requiring you to turn
the signal’s overall volume down.
13.4. EQ
Fully parametric peak equalizers allow for a wide range of tonal alterations and corrections. Use
the EQ to boost or cut selective frequencies of the audio signal. The EQ is mainly a tool to tailor
your audio signal to taste by cutting out selected frequencies or boosting others. The EQ can be
operated in a 1 Band EQ and in a 3 Band EQ which are explained in more detail below.
Effect Reference
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