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Native Straylight Manual

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LP Ladder 4 Pole
Based on the classic ladder circuit used in early synthesizers, these filters would be a first choice
for synthetic sounds, but can work well on any signal. The LP4 is a 4-pole low-pass, which attenu-
ates frequencies above the cutoff at a rate of -24 dB/octave. The Ladder LP4 filter also includes
the following controls:
LP SV 2 Pole
The State Variable (SV) filters have a clean characteristic that can be used for all kinds of audio
signals. The LP2 is a 2-pole low-pass, which attenuates frequencies above the cutoff at a rate of
-12 dB/octave.
LP SV 4 Pole
The State Variable (SV) filters have a clean characteristic that can be used for all kinds of audio
signals. The LP4 is a 4-pole low-pass, which attenuates frequencies above the cutoff at a rate of
-24 dB/octave.
HP Ladder 2 Pole
Based on the classic ladder circuit used in early synthesizers, these filters would be a first choice
for synthetic sounds, but can work well on any signal. The HP2 is a 2-pole high-pass, which at-
tenuates frequencies below the cutoff at a rate of -12 dB/octave. The Ladder HP2 filter also in-
cludes the following controls:
HP Ladder 4 Pole
Based on the classic ladder circuit used in early synthesizers, these filters would be a first choice
for synthetic sounds, but can work well on any signal. The HP4 is a 4-pole high-pass, which at-
tenuates frequencies below the cutoff at a rate of -24 dB/octave. The Ladder HP4 filter also in-
cludes the following controls:
HP SV 2 Pole
The State Variable (SV) filters have a clean characteristic that can be used for all kinds of audio
signals. The HP2 is a 2-pole high-pass, which attenuates frequencies below the cutoff at a rate of
-12 dB/octave.
HP SV 4 Pole
The State Variable (SV) filters have a clean characteristic that can be used for all kinds of audio
signals. The HP4 is a 4-pole high-pass, which attenuates frequencies below the cutoff at a rate of
-24 dB/octave.
BP Ladder 2 Pole
Based on the classic ladder circuit used in early synthesizers, these filters would be a first choice
for synthetic sounds, but can work well on any signal. The BP2 is a 2-pole band-pass, which at-
tenuates frequencies above and below the cutoff at a rate of -12 dB/octave. The Ladder BP2 filter
also includes the following controls:
Effect Reference
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