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Mod (Modulation) effect.
Chorus and Chorus Phase
The Chorus module “thickens” the audio signal by splitting it up and detuning one version in rela-
tion to the original. Separate LFOs with an adjustable phase relationship detune each stereo chan-
nel independently for creating wide-panorama effects.
Speed: Adjusts the LFO speed. To synchronize the speed to your host or Master Editor tempo,
click the Speed parameter’s unit display and choose a note length value from the drop-down
list.
FX Sync: Sets the effect's time-based parameters in-sync with the master clock.
Depth: Adjusts the range of modulated detuning. Higher values give a more pronounced chor-
using effect.
Mix: Adjusts the respective levels of the original and processed signals. Note that the typical
phasing effect is created by the combination of both signals, so setting these to the same levels
results in the most pronounced effect.
Flanger and Flanger Color and Flanger Reso
This module splits the audio signal up and delays one version in relation to the original signal. By
modulating the delay time, as well as feeding an adjustable amount of the output signal back into
the input, the Flanger creates a characteristic “whooshing” sound. Just like the Phaser module, the
Flanger uses a separate LFO for each stereo channel, with the phase relationship between both
LFOs being adjustable.
Phaser Subtle and Phaser Feedback
This effect continually changes the phase relationships in your signal with an all-pass filter. This
results in a comb filtering effect, which attenuates some frequencies while boosting others. The
sound is similar to that of a Flanger but in a more subtle manner.
FX Sync: Sets the effect's time-based parameters in sync with the master clock.
Speed: The LFO modulation speed. To synchronize the speed to your host or Master Editor
tempo, click the Speed control’s unit display and choose a note length value from the drop-
down list.
FX Sync: Sets the effect's time-based parameters in-sync with the master clock.
Depth: The amount of LFO modulation. Higher values cause the Phaser effect to sweep over a
wider frequency range.
Mix: Adjusts the respective levels of the original and processed signals. Note that the typical
phasing effect is created by the combination of both signals, so setting these to the same levels
results in the most pronounced effect.
Effect Reference
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