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Rotator and Rotator Room and Rotator Slow Acc and Rotator Fast Acc
The Rotator effect realistically simulates the sound of rotating speaker cabinets, which are com-
monly associated with drawbar organs that became popular in rock music of the 60s and 70s. Al-
though the effect is almost intrinsically tied to "the" prototypical drawbar organ sound, it works
equally well on guitars, synth pads, and a wide range of other sounds.
Speed: Although this parameter appears as a knob in order to facilitate automation, it has two
positions Slow and Fast. A change of this setting realistically simulates the acceleration or
braking of the rotor.
Balance: Controls the relative levels of the cabinet’s treble and bass parts.
Wet: Adjusts the level of the original and processed signal.
Choral Synth, Feedback, Ensemble, Dimension, and Sauce
Choral features four distinct chorus modes, ranging from the subtle sound of classic studio rack
processors to the large ensemble sound of early string synthesizers. Choral contains the following
effects:
Synth: This mode is inspired by the choruses of polyphonic synthesizers from the late seven-
ties and early eighties. Its sound characteristic is dark and vintage. The modulation behavior is
tuned for rich and dispersed sounds.
Ensemble: This mode is inspired by the choruses of string synthesizers from the seventies. Its
sound characteristic is warm and lush. The modulation behavior is tuned for animated and live-
ly sounds.
Dimension: This mode is inspired by the choruses of studio rack processors from the early
eighties. Its sound characteristic is bright and transparent. The modulation behavior is tuned for
wide and consistent sounds.
Universal: This mode is a more generic chorus implementation. Its sound characteristic is
clean and modern. The modulation behavior is tuned for a range of sounds from consistent to
lively, depending on the number of Voices.
Choral Parameters
Mix: Adjusts the respective levels of the original and processed signals. Note that the typical
phasing effect is created by the combination of both signals, so setting these to the same levels
results in the most pronounced effect.
Depth: Adjusts the range of modulated detuning. Higher values give a more pronounced chor-
using effect.
Speed: Adjusts the LFO speed. To synchronize the speed to your host or Master Editor tempo,
click the Speed parameter’s unit display and choose a note length value from the drop-down
list.
Flair Standard, Resonance, Unison, Scan on C, Stairways
Flair features five flanger modes that offer different approaches to a range of effects from flanging
to harmonization. The effect is produced by up to four comb filters, called Voices. Further expand-
ing on the original concept of a flanger, the flanger voices have a harmonic relationship based on a
wide selection of preset chords (Chord parameter).
Effect Reference
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