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Controls and Connectors
20
EMX512SC/EMX312SC/EMX212S
Controls and Connectors
Controls on Each Channel
1 FCL (Feedback Channel Locating) lamp
This lamp is used during setup to identify any channel
that might be howling. Check these lamps when setting
up for a performance. If the lamp lights up, adjust the
channels equalizer 2 or level knob 5 to reduce the
level so that the lamp goes off.
Input of a continuous sound (as from a CD player or
vocal) may cause the lamp to come on even in the
absence of howling.
2 Equalizer (HIGH, MID, and LOW)
This three-band equalizer adjusts the channel’s high,
mid, and low frequency bands. Setting the knob to the
position produces a flat frequency response. Turning the
knob to the right boosts the corresponding frequency
band, while turning to the left attenuates the band. The
following table shows the equalization type, the base fre-
quency, and the maximum cut/boost for each of the three
bands.
3 MONITOR control
Adjusts the level of the signal sent from the channel into
the MONITOR bus. If input is from a stereo channel pair
(5/6, 7/8, 9/10, or 11/12), the signals from the L and R
channels are mixed before moving into the bus. The
MONITOR bus signal is output at the MONITOR OUT
jack O, and may also be output from the SPEAKERS A
jacks V (depending on the setting of the POWER AMP
switch R).
The channel’s LEVEL knob 5 has no effect on the
level of the signal sent into the MONITOR bus.
4 EFFECT knob
Adjusts the level of the signal sent from the channel into
the EFFECT bus. If input is from a stereo channel pair
(5/6, 7/8, 9/10, or 11/12), the signals from the L and R
channels are mixed before moving into the bus. The
EFFECT bus signal is fed both to the internal digital
effector and to the EFFECT OUT jack C.
The channel’s LEVEL knob 5 also affects the level
of the channel’s signal into the EFFECT bus.
5 LEVEL knob
Adjusts the signal’s output level. Use these knobs to
adjust the volume balance among the various channels.
To reduce noise, set the knobs for unused channels to
“0”.
Channels
5/6 and 7/8
(Stereo)
Channels
9/10 and 11/12
(Stereo)
1
2
3
4
6
7
5
1
3
4
5
1
3
4
5
8
9
Channels
1 to 4
(Monaural)
Band Type Base Frequency Maximum Cut/Boost
HIGH Shelving 10 kHz
±15 dBMID Peaking 2.5 kHz
LOW Shelving 100 Hz
NOTE
NOTE
NOTE
NOTE
20


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