Manual Yamaha emx212s 8 kanaals powermixer (page 18 of 36) (English)

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EMX512SC/EMX312SC/EMX212S

Making the Most of Your Mixer

BASIC

the way down, then gradually

bring the reverb into the mix until

you can just hear the difference.

Any more than this normally

becomes a “special effect.” You

don’t want reverb to dominate the

mix unless you are trying to

create the effect of a band in a

cave—which is a perfectly

legitimate creative goal if that’s

the sort of thing you’re aiming for.

The Modulation

Effects: Phasing,

Chorus, and Flanging

All of these effects work on

basically the same principle: a

portion of the audio signal is

“time-shifted” and then mixed

back with the direct signal. The

amount of time shift is controlled,

or “modulated”, by an LFO (Low-

frequency Oscillator). When we

say “time shift,” however, we’re

not talking in terms of minutes or

even seconds.

For phasing effects the shift is

very small indeed – a difference

measured in degrees of phase

shift rather than time units. The

phase difference between the

modulated and direct signals

causes cancellation at some

frequencies and reinforces the

signal at others – a “comb filter”

effect – and this causes the

shimmering sound we hear.

Phasing is the subtlest of all these

effects, producing a gentle

shimmer that can add life to a

wide range of sources without

being too obtrusive.

For chorus and flanging the signal

is actually delayed by several

milliseconds (a millisecond is a

thousandth of a second), with the

delay time modulated by an LFO,

and recombined with the direct

signal. In addition to the comb-

filter effect described above, the

delay modulation in these effects

causes a perceived pitch shift

which, when mixed with the direct

signal, results in a harmonically

rich swirling or swishing sound.

The difference between chorus

and flanging effects is primarily in

the amount of delay time and

feedback used – flanging uses

longer delay times than chorus,

whereas chorus generally uses a

more complex delay structure.

Chorus is most often used to

thicken the sound of an

instrument, while flanging is

usually used as an outright

“special effect” to produce other-

worldly sonic swoops.

Compression

Have you ever wondered why

professionally produced

recordings sound so different

from your own? There are

numerous reasons, of course, but

one important factor is the

judicious use of compression.

One form of compression known

as “limiting” can, when properly

used, produce a smooth, unified

sound with no excessive peaks or

distortion. Compression can also

be used within a mix to make a

voice or instrument seem to come

forward, or simply to even out

level differences. Compression

can be used to make a mix seem

bigger and louder by producing a

more “saturated” sound.

Professional compressors have

numerous parameters that need

to be carefully adjusted: attack,

release, threshold, level, and

sometimes more. A professional

sound engineer might need to

spend a considerable amount of

time, based on a considerable

amount of experience, to set each

of these parameters to achieve

the desired sound.

The EMX compressor makes

achieving great sound much

easier. All you need to do is set a

single “compression” control and

all of the pertinent parameters are

automatically adjusted for you.

The engineers who designed this

fine compressor paid careful

attention to achieving the best

sound quality possible so that you

can quickly achieve pro-quality

compression without having to

OUTPUT

INPUT

(Min)

(Max)

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Yamaha emx212s 8 kanaals powermixer Manual

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