Manual Roland BK-7M BACKING MODULE (page 113 of 128) (English)

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MFX types and parameters

Backing Module BK-7m

113

42. Isolator

This is an equalizer which cuts the volume greatly, allowing

you to add a special effect to the sound by cutting the volume

in varying ranges.

●

Boost/Cut Low/Mid/High Level (–60~0~4 [dB])—These boost

and cut each of the High, Middle and Low frequency ranges. At

–60dB, the sound becomes inaudible. 0dB is equivalent to the

input level of the sound.

●

Anti Phase Low Sw (Off, On)—Turns the Anti-Phase function on

and off for the Low frequency ranges. When turned on, the

counter-channel of stereo sound is inverted and added to the

signal.

●

Anti Phase Low Level (0~127)—Adjusts the level settings for the

Low frequency ranges. Adjusting this level for certain frequen-

cies allows you to lend emphasis to speciﬁc parts. (This is effec-

tive only for stereo source.)

●

Anti Phase Mid Sw (Off, On)—Turns the Anti-Phase function on

and off for the Middle frequency ranges. When turned on, the

counter-channel of stereo sound is inverted and added to the

signal.

●

Anti Phase Mid Level (0~127)—Adjusts the level settings for the

Middle frequency ranges. Adjusting this level for certain fre-

quencies allows you to lend emphasis to speciﬁc parts. (This is

effective only for stereo source.)

●

Low Boost Sw (Off, On)—Turns Low Booster on/off.

This emphasizes the bottom to create a heavy bass sound.

●

Low Boost Level (0~127)—Increasing this value gives you a

heavier low end. Depending on the Isolator and ﬁlter settings

this effect may be hard to distinguish.

●

Level (0~127)—Output level.

43. Low Boost

Boosts the volume of the lower range, creating powerful lows.

●

Boost Frequency (50~125 [Hz])—Center frequency at which the

lower range will be boosted.

●

Boost Gain (0~12 [dB])—Amount by which the lower range will

be boosted.

●

Boost Width (Wide, Mid, Narrow)—Width of the lower range

that will be boosted.

●

EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency

range.

●

EQ High Gain (–15dB~0~15dB)—Gain of the high frequency

range.

●

Level (0~127)—Output level.

44. Super Filter

This is a ﬁlter with an extremely sharp slope. The cutoff fre-

quency can be varied cyclically.

●

Filter Type (LPF, BPF, HPF, NOTCH)—Filter type. Frequency range

that will pass through each ﬁlter. LPF: frequencies below the

cutoff. BPF: frequencies in the region of the cutoff. HPF: fre-

quencies above the cutoff. NOTCH: frequencies other than the

region of the cutoff.

●

Filter Slope (–12, –24, –36 [dB])—Amount of attenuation per

octave: –36dB: extremely steep, –24dB: steep, –12dB: gentle.

●

Filter Cutoff (0~127)—Cutoff frequency of the ﬁlter. Increasing

this value will raise the cutoff frequency.

●

Filter Resonance (0~127)—Filter resonance level. Increasing this

value will emphasize the region near the cutoff frequency.

●

Filter Gain (0~12 [dB])—Amount of boost for the ﬁlter output.

●

Modulation Sw (Off, On)—On/off switch for cyclic change.

●

Modulation Wave (TRI, SQR, SIN, SAW1, SAW2)—How the cut-

off frequency will be modulated: TRI: triangle wave, SQR:

square wave, SIN: sine wave, SAW1: sawtooth wave (upward),

SWA2: sawtooth wave (downward)

●

Rate [sync] (Hz, Note)—Use this parameter to specify whether

(“Note”) or not (“Hz”) the modulation rate should be synchro-

nized to the Arranger or Recorder tempo. Depending on your

choice, the setting range of the following parameter refers to a

speed (Hz) or a note value.

●

Rate [Hz] (0.05~10.00Hz)—Rate of modulation.

●

Rate [note] (musical notes)—Rate parameters can be set as a

note-value of a tempo if you set the “Sync” parameter above to

“Note”. Specify the value of the desired note.

●

Depth (0~127)—Depth of modulation.

●

Attack (0~127)—Speed at which the cutoff frequency will

change. This is effective if Modulation Wave is SQR, SAW1 or

SAW2.

●

Level (0~127)—Output level.

45. Step Filter

This is a ﬁlter whose cutoff frequency can be modulated in

steps. You can specify the pattern by which the cutoff fre-

quency will change.

●

Step 1~16 (0~127)—Cutoff frequency at each step

●

Rate [sync] (Hz, Note)—Use this parameter to specify whether

(“Note”) or not (“Hz”) the rate should be synchronized to the

Arranger or Recorder tempo. Depending on your choice, the

setting range of the following parameter refers to a speed (Hz)

or a note value.

●

Rate [Hz] (0.05~10.00Hz)—Rate of modulation.

●

Rate [note] (musical notes)—Rate parameters can be set as a

note-value of a tempo if you set the “Sync” parameter above to

“Note”. Specify the value of the desired note.

●

Attack (0~127)—Speed at which the cutoff frequency changes

between steps.

●

Filter Type (LPF, BPF, HPF, NOTCH)—Filter type. Frequency range

that will pass through each ﬁlter. LPF: frequencies below the

cutoff. BPF: frequencies in the region of the cutoff. HPF: fre-

quencies above the cutoff. NOTCH: frequencies other than the

region of the cutoff.

●

Filter Slope (–12, –24, –36 [dB])—Amount of attenuation per

octave: –36dB: extremely steep, –24dB: steep, –12dB: gentle.

●

Filter Resonance (0~127)—Filter resonance level. Increasing this

value will emphasize the region near the cutoff frequency.

●

Filter Gain (0~12 [dB])—Amount of boost for the ﬁlter output.

●

Level (0~127)—Output level.

46. Humanizer

Adds a vowel character to the sound, making it similar to a

human voice.

●

Drive Sw (OFF,ON)—Turns Drive on/off.

●

Drive (0~127)—Degree of distortion. Also changes the volume.

●

Vowel 1 (a, e, i, o, u)

●

Vowel 2 (a, e, i, o, u)—Selects the vowel.

●

Rate [sync] (Hz, Note)—Use this parameter to specify whether

(“Note”) or not (“Hz”) the rate should be synchronized to the

Arranger or Recorder tempo. Depending on your choice, the

setting range of the following parameter refers to a speed (Hz)

or a note value.

●

Rate [Hz] (0.05~10.00Hz)—Frequency at which the two vowels

switch.

●

Rate [note] (musical notes)—Rate parameters can be set as a

note-value of a tempo if you set the “Sync” parameter above to

“Note”. Specify the value of the desired note.

●

Depth (0~127)—Effect depth.

●

Input Sync Sw (Off, On)—Determines whether the LFO for

switching the vowels is reset by the input signal (ON) or not

(OFF).

●

Input Sync Threshold (0~127)—Volume level at which reset is

applied.

●

Manual (0~100)—Point at which Vowel 1/2 switch. 49 or less:

Vowel 1 will have a longer duration. 50: Vowel 1 and 2 will be of

equal duration. 50 or more: Vowel 2 will have a longer duration.

●

EQ EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency

range.

●

EQ EQ High Gain (–15dB~0~15dB)—Gain of the high frequency

range.

●

Panpot (L64~0~63R)—Stereo location of the output sound. This

is a mono effect that combines incoming signals. You can, how-

ever, place the processed signal anywhere between the left and

right channels.

●

Level (0~127)—Output level.

BK-7m_UK.book Page 113 Tuesday, January 4, 2011 9:25 AM

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