Manual Roland BK-7M BACKING MODULE (page 114 of 128) (English)

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MFX types and parameters

114

Backing Module BK-7m

47. Speaker Sim

Simulates the speaker type and mic settings used to record the

speaker sound.

●

Speaker Type—Select the type of speaker. The speciﬁcations of

each type are as follows. The speaker column indicates the

diameter of each speaker unit (in inches) and the number of

units.

●

Mic Setting (1, 2, 3)—Adjusts the location of the mic that is

recording the sound of the speaker. This can be adjusted in

three steps, with the mic becoming more distant in the order of

1, 2 and 3.

●

Mic Level (0~127)—Volume of the microphone.

●

Direct Level (0~127)—Volume of the direct sound.

●

Level (0~127)—Output level.

48. Step Phaser

The phaser effect will be varied gradually.

●

Phaser Mode (4-Stage, 8-Stage, 12-Stage)—Number of stages in

the phaser.

●

Phaser Manual (0~127)—Adjusts the basic frequency from which

the sound will be modulated.

●

Step Rate [sync] (Hz, Note)—Use this parameter to specify

whether (“Note”) or not (“Hz”) the modulation rate should be

synchronized to the Arranger or Recorder tempo. Depending on

your choice, the setting range of the following parameter refers

to a speed (Hz) or a note value.

●

Step Rate [Hz] (0.05~10.00Hz)—Frequency, i.e. modulation

speed.

●

Step Rate [note] (musical notes)—Rate parameters can be set as

a note-value of a tempo if you set the “Sync” parameter above

to “Note”. Specify the value of the desired note.

●

Depth (0~127)—Depth of modulation.

●

Polarity (Inverse, Synchro)—Selects whether the left and right

phase of the modulation will be the same or the opposite.

INVERSE: The left and right phase will be opposite. When using

a mono source, this spreads the sound. SYNCHRO: The left and

right phase will be the same. Select this when inputting a stereo

source

●

Resonance (0~127)—Amount of feedback.

●

Cross Feedback (–98%~0~+98%)—Adjusts the proportion of the

phaser sound that is fed back into the effect. Negative (–) set-

tings will invert the phase.

●

Step Rate [sync] (Hz, Note)—Use this parameter to specify

whether (“Note”) or not (“Hz”) the step rate should be synchro-

nized to the Arranger or Recorder tempo. Depending on your

choice, the setting range of the following parameter refers to a

speed (Hz) or a note value.

●

Step Rate [Hz] (0.10~20.00Hz)—Rate of the step-wise change in

the phaser effect.

●

Step Rate [note] (Musical Notes)—Rate parameters can be set as

a note-value of a tempo if you set the “Sync” parameter above

to “Note”. Specify the value of the desired note.

●

Mix Level (0~127)—Level of the phase-shifted sound.

●

EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency

range.

●

EQ High Gain (–15dB~0~15dB)—Gain of the high frequency

range.

●

Level (0~127)—Output level.

49. MLT Phaser

Extremely high settings of the phase difference produce a

deep phaser effect.

●

Phaser Mode (4-stage, 8-stage, 12-stage, 16-stage, 20-stage, 24-

stage)—Number of stages in the phaser.

●

Phaser Manual (0~127)—Adjusts the basic frequency from which

the sound will be modulated.

●

Rate [sync] (Hz, Note)—Use this parameter to specify whether

(“Note”) or not (“Hz”) the modulation rate should be synchro-

nized to the Arranger or Recorder tempo. Depending on your

choice, the setting range of the following parameter refers to a

speed (Hz) or a note value.

●

Rate [Hz] (0.05~10.00Hz)—Frequency, i.e. modulation speed.

●

Rate [note] (musical notes)—Rate parameters can be set as a

note-value of a tempo if you set the “Sync” parameter above to

“Note”. Specify the value of the desired note.

●

Depth (0~127)—Depth of modulation.

●

Resonance (0~127)—Amount of feedback.

●

Mix Level (0~127)—Level of the phase-shifted sound.

●

Panpot (L64~0~63R)—Stereo location of the output sound. This

is a mono effect that combines incoming signals. You can, how-

ever, place the processed signal anywhere between the left and

right channels.

●

EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency

range.

●

EQ High Gain (–15dB~0~15dB)—Gain of the high frequency

range.

●

Level (0~127)—Output level.

50. Inf Phaser

A phaser that continues raising/lowering the frequency at

which the sound is modulated.

●

Mode (1, 2, 3, 4)—Higher values will produce a deeper phaser

effect.

●

Speed (–100~100)—Speed at which to raise or lower the fre-

quency at which the sound is modulated (+: upward/–: down-

ward).

●

Resonance (0~127)—Amount of feedback.

●

Mix Level (0~127)—Level of the phase-shifted sound.

●

Panpot (L64~0~63R)—Stereo location of the output sound. This

is a mono effect that combines incoming signals. You can, how-

ever, place the processed signal anywhere between the left and

right channels.

●

EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency

range.

●

EQ High Gain (–15dB~0~15dB)—Gain of the high frequency

range.

●

Level (0~127)—Output level.

51. Ring Modul

Ring Modulator is an effect which applies amplitude modula-

tion (AM) to the input signal, producing bell-like sounds. You

can also change the modulation frequency according to the

volume of the sound input to the effects device.

●

Frequency (0~127)—Sets the frequency at which modulation

will be applied.

●

Sens (0~127)—Sets the amount of frequency modulation

applied.

●

Polarity (Up, Down)—Determines whether the frequency modu-

lation moves towards higher frequencies (UP) or lower frequen-

cies (DOWN).

●

EQ Low Gain—Adjust the low frequency gain (amount of boost

or cut). Positive (+) settings will emphasize (boost) the low fre-

quency range.

●

EQ High Gain—Adjust the high frequency gain (amount of

boost or cut). Positive (+) settings emphasize (boost) the high

frequency range.

Type Cabinet Speaker Microphone

Small 1 small open-back enclosure 10 dynamic mic

Small 2 small open-back enclosure 10 dynamic mic

Middle open back enclosure 12 x 1 dynamic mic

JC-120 open back enclosure 12 x 2 dynamic mic

Built In 1 open back enclosure 12 x 2 dynamic mic

Built In 2 open back enclosure 12 x 2 condenser mic

Built In 3 open back enclosure 12 x 2 condenser mic

Built In 4 open back enclosure 12 x 2 condenser mic

Built In 5 open back enclosure 12 x 2 condenser mic

BG Stack 1 sealed enclosure 12 x 4 condenser mic

BG Stack 2 large sealed enclosure 12 x 4 condenser mic

MS Stack 1 large sealed enclosure 12 x 4 condenser mic

MS Stack 2 large sealed enclosure 12 x 4 condenser mic

Metal Stk large double stack 12 x 4 condenser mic

Small 1 large sealed enclosure 12 x 4 condenser mic

Small 2 large sealed enclosure 12 x 4 condenser mic

BK-7m_UK.book Page 114 Tuesday, January 4, 2011 9:25 AM

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Roland BK-7M BACKING MODULE Additional guide - English - 10 pages

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