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WRP (Warp): Re-syncs the effect on each bar for more musical results.
REV (Reverse): Reverses the playback direction of the buffered audio samples.
Group Mode (1-Knob Control)
This knob behaves like the LEN (Length) knob in Single mode.
17.8. Delay T3
Classical tempo-synced Delay with a Freeze button. The Rate of the Delay is directly controlled by
TRAKTOR’s Master Clock to ensure that the Delay syncs to the beat also during tempo changes.
Single Mode
FILTER: Internal high pass filter and low pass filter (similar to a band pass filter). The filter is
open when the knob is in center position. It progressively cuts out low frequencies when turned
to the right and cuts out high frequencies when turned to the left.
FEEDB (Feedback): Controls the strength of the delays feedback, making the effect stronger
and more colorful:
Min: low feedback
Max: strong feedback
RATE: Controls the Delay time. Compared to prior TRAKTOR versions, the orientation of the
knob has changed to: Min: long delay times, Max: short delay times. The 7 available values are
expressed in fractions of bars, and are equally distributed over the range of the knob. The
knobs position is displayed in bold letters:
Min Max: 4/4, 3/8, 1/4, 3/16, 1/8, 1/16, 1/32.
The effect rate can be switched during operation without any crackles or glitches in audio!
Even in Freeze mode the Delay follows the Master Clock and will therefore seam-
lessly merge into the mix once it is released.
The RATE knob continues to work in Freeze mode and allows interesting mash-ups.
It is important to turn the knob down to low values only shortly because otherwise
the buffer will empty.
FRZ (Freeze): Freezes the Delay by closing the input while playing the delay with the set Feed-
back. The filer remains active in the feedback loop. For endless freezes, the FILTER knob has
to be therefore turned to the middle position.
FR.R (Free Run): When pressed, delay times are not quantized and can be changed continu-
ously. Changing delay times while the Delay is active may result in sudden skips in pitch and
rhythm.
Effect Reference
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