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It has the most effect on music with gaps in it, such as drum loops, because the self-oscillation can
develop in empty parts of the music.
Single Mode
SOFTEN: Controls the smoothness of the cutoff envelope. The more the knob is turned to the
right, the softer the filter sweeps will be.
RES: Controls the resonance of the filter. High resonance makes the filter sound colorful and
more noticeable. Min: low resonance, Max: high resonance.
AMT: Controls the frequency where the filter action takes place. Compared to a regular filter,
the filter frequency is modulated by the peaks in the music resulting in a dynamic pattern of
filter sweeps. In center position the modulation is neutral, to the right the modulation goes up-
wards and to the left the modulation goes downwards.
P.SN (Peak Sensitivity): This raises the threshold for the peak envelope follower from 50 % to
80 %.
P.MD (Peak Mode): This enabled Peak Sensitivity (see above).
Group Mode (1-Knob Control)
The knob behaves like the AMNT knob in Single mode.
17.11. Filter
Classic filter with 2-knob and single knob control modes, based on ladder filter architecture.
Single Mode
HP (High Pass):
Controls the low cutoff frequency.
Passes the entire band in full left position (bypass).
Progressively cuts frequencies from low to high when turned to the right.
RES: Controls the resonance of the filter. High resonance makes the filter sound colorful and
more noticeable. Min: low resonance, Max: high resonance.
LP (Low Pass):
Controls the high cutoff frequency.
Passes the entire band in full right position (bypass).
Progressively cuts frequencies from high to low when turned to the left.
BRJ (Band Reject): Switches the filter to Band Reject mode. In this mode the frequencies be-
tween the two cutoff frequencies are eliminated rather than passed through.
DJM (DJ Mode):
Switches the panel to 1-knob filter control. The LP knob becomes a bipolar control for con-
trolling both the lower and higher cutoff frequency.
Passes the entire band in center position.
Progressively cuts frequencies from high to low when turned from center to the left.
Progressively cuts frequencies from low to high when turned from center to the right.
Effect Reference
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