590512
5
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Face avant
Pupitre
Touches de transposi-
tion (voir page 11)
C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4
B0A0G0F0E0D0C0B-1A-1
POWER
STRINGS
MASTER VOLUME
MIN MAX
MIDI/
TRANSPOSE
PIANO 1
PIANO 2
PIANO 3
CLAVINOVA
TONE
E. PIANO 1
E. PIANO 2
HARPSI-
CHORD
VIBES
ORGAN METRONOME
TEMPO
RECORDER
1
2
PLAY
REC DEMO
BRILLIANCE
REVERB
MELLOW
NORMAL
BRIGHT
ROOM
HALL 1
HALL 2
COSMIC
DETUNE
CHORUS
TREMOLO
EFFECT
TOUCH
SENSITIVITY
HARD
MEDIUM
SOFT
1
Prises de casque d’écoute
[PHONES] (panneau inférieur)
Touche de montée de voix
gauche (voir page 7)
Touches de réglage de la
hauteur (voir page 12)
Touches d’équilibre/profondeur
(voir pages 7, 9)
4
8
59032
STRINGS
MASTER VOLUME
MIN MAX
MIDI/
TRANSPOSE
PIANO 1
PIANO 2
PIANO 3
CLAVINOVA
TONE
E. PIANO 1
E. PIANO 2
HARPSI-
CHORD
VIBES
ORGAN METRONOME
TEMPO
BRILLIANCE
REVERB
MELLOW
NORMAL
BRIGHT
ROOM
HALL 1
HALL 2
COSMIC
DETUNE
CHORUS
TREMOLO
EFFECT
TOUCH
SENSITIVITY
HARD
MEDIUM
SOFT
120
67
!
Si vous utilisez des partitions avec le Clavinova,
soulevez le pupitre avec les deux mains et l’abaissez
ensuite de manière que la ferrure pénètre dans le
trou de son bord inférieur.
Pour abaisser le pupitre, soulevez-le avec les deux
mains et l’abaisser ensuite pour le mettre à la posi-
tion horizontale.
Pédale damper
Pédale
sostenuto
Pédale douce
$
1 Interrupteur d’alimentation [POWER]
Appuyez sur la touche [POWER] une première fois
pour mettre sous tension et une deuxième fois pour
mettre hors tension. Le témoin à LED du sélecteur de
voix [PIANO 1] et le témoin d’alimentation situé à
l’extrémité gauche du clavier s’allument à la mise sous
tension.
2 Commande principale de réglage du volume
[MASTER VOLUME]
La commande [MASTER VOLUME] permet de ré-
gler le volume (niveau) du son produit par le système
stéréo interne du Clavinova. La commande
[MASTER VOLUME] permet également de régler le
volume du casque d’écoute branché à la prise
PHONES (page 4).
3 Commande de brillance [BRILLIANCE]
Cette touche peut être utilisée pour changer la tonalité
ou “timbre” de la voix sélectionnée. Pour plus de dé-
tails, reportez-vous à la page 8.
5


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