48722

Yamaha A4000 Manual

267
Zoom out
Zoom in
Previous page
1/296
Next page
Effect Parameter List
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● A5000/A4000 • Appendix 267
74: CONTROL DELAY(STEREO)
1 Delay Time 0.1ms — 740.0ms Delay time
2 Feedback Level -63 — +63 Amount of feedback
3 Feedback High Damp 0.1 — 1.0 High range attenuation (lower values cause the high range to decay faster)
4 Delay transition rate 1 — 48 Selects the speed of delay time variation
5 Control Type Normal, Scratch Normal or scratch type setting
6 EQ Low Frequency 32Hz — 2.0kHz Frequency at which the EQ will boost/cut the low range
7 EQ Low Gain -12dB — +12dB Gain with which the EQ will boost/cut the low range
8 EQ High Frequency 500Hz — 16.0kHz Frequency at which the EQ will boost/cut the high range
9 EQ High Gain -12dB — +12dB Gain with which the EQ will boost/cut the high range
10 Dry/Wet Balance D63>W — D=W — D<W63 Balance of the dry sound and effect sound
75: AMBIENCE
1 Dry/Wet Balance D63>W — D=W — D<W63 Balance of the dry sound and effect sound
2 Delay Time 0.0ms — 50.0ms Delay time
3 Wet Output Phase normal/inverse Inverts the left an right channel effect phase
4 EQ Low Frequency 32Hz — 2.0kHz Frequency at which the EQ will boost/cut the low range
5 EQ Low Gain -12dB — +12dB Gain with which the EQ will boost/cut the low range
6 EQ High Frequency 500Hz — 16.0kHz Frequency at which the EQ will boost/cut the high range
7 EQ High Gain -12dB — +12dB Gain with which the EQ will boost/cut the high range
76: KARAOKE
1 Dry/Wet Balance D63>W — D=W — D<W63 Balance of the dry sound and effect sound
2 Delay Time 0.1ms — 400.0ms Sets the karaoke echo reflection time
3 Feedback Level -63 — +63 Sets the number of reflections
4 HPF Cutoff Freq thru, 20Hz — 8.0kHz Frequency at which the high pass filter will cut the low range
5 LPF Cutoff Freq 1.0kHz — 18.0kHz, thru Adds character to the input low-pas filter
77: EARLY REFLECTION
1 Dry/Wet Balance D63>W — D=W — D<W63 Balance of the dry sound and effect sound
@2 Type S-hall, L-hall, random, reverse, plate, spring Selects the type of early reflections
3 Room Size 0.1 — 20.0 Sets the room size (higher values for longer reflections)
4 Diffusion 0 — 10 Sets the feeling of “width”
5 Initial Delay 0.1ms — 200.0ms The delay before the early reflections begin
6 HPF Cutoff Freq thru, 22Hz — 8.0kHz Frequency at which the high pass filter will cut the low range
7 LPF Cutoff Freq 1.0kHz — 18.0kHz, thru Adds character to the input low-pas filter
8 Liveness 0 — 10 Sets the ER decay (smaller values for faster decay)
9 Density 0 — 3 Sets the density of the reflections (higher values for higher density)
10 Feedback High Damp 0.1 — 1.0 Adjusts the high-frequency decay (smaller values for faster decay)
11 Feedback Level -63 — +63 Amount of feedback
78: GATE REVERB, 79: REVERSE GATE
1 Dry/Wet Balance D63>W — D=W — D<W63 Balance of the dry sound and effect sound
2 Type Type-A, Type-B Selects the type of early reflections
3 Room Size 0.1 — 20.0 Sets the room size (higher values for longer reflections)
4 Diffusion 0 — 10 Sets the feeling of “width”
5 Initial Delay 0.1ms — 200.0ms Sets the delay time until the GateReverb or ReverseGate begins
6 HPF Cutoff Freq thru, 20Hz — 8.0kHz Frequency at which the high pass filter will cut the low range
7 LPF Cutoff Freq 1.0kHz — 18.0kHz, thru Adds character to the input low-pas filter
8 Liveness 0 — 10 Sets the ER decay (smaller values for faster decay)
@9 Density 0 — 3 Sets the density of the reflections (higher values for higher density)
10 Feedback High Damp 0.1 — 1.0 High range attenuation (lower values cause the high range to decay faster)
11 Feedback Level -63 — +63 Amount of feedback
80: HALL — 83: PLATE
1 Dry/Wet Balance D63>W — D=W — D<W63 Balance of the dry sound and effect sound
2 Reverb Time 0.3s — 30.0s Reverb length
3 Diffusion 0 — 10 Spread of the reverb
4 Initial Delay 0.1ms — 99.3ms Delay time until the early reflections
5 HPF Cutoff Freq thru, 20Hz — 8.0kHz Frequency at which the high pass filter will cut the low range
6 LPF Cutoff Freq 1.0kHz — 18.0kHz, thru Frequency at which the low pass filter will cut the high range
7 Reverb Delay 0.1ms — 99.3ms Delay time from the early reflections until the reverberation
@8 Density 0 — 4 Density of the reverberation
9 ER/rev Balance E63>R — E=R — E<R63 Level balance of the early reflections and the reverberation
10 Feedback High Damp 0.1 — 1.0 High range attenuation (lower values cause the high range to decay faster)
11 Feedback Level -63 — +63 Amount of feedback for the initial delay
84: WHITE ROOM — 87: CANYON
1 Dry/Wet Balance D63>W — D=W — D<W63 Balance of the dry sound and effect sound
2 Reverb Time 0.3s — 30.0s Reverb length
3 Diffusion 0 — 10 Spread of the reverb
4 Initial Delay 0.1ms — 99.3ms Delay time until the early reflections
5 HPF Cutoff Freq thru, 20Hz — 8.0kHz Frequency at which the high pass filter will cut the low range
6 LPF Cutoff Freq 1.0kHz — 18.0kHz, thru Frequency at which the low pass filter will cut the high range
7 Width 0.5m — 10.2m Width of the simulated room
8 Height 0.5m — 20.2m Height of the simulated room
9 Depth 0.5m — 30.2m Depth of the simulated room
10 Wall Vary 0 — 30 Wall surface of the simulated room (higher values produce more random reflections)
11 Reverb Delay 0.1ms — 99.3ms Delay time from the early reflections until the reverberation
@12 Density 0 — 4 Density of the reverberation
13 ER/Rev Balance E63>R — E=R — E<R63 Level balance of the early reflections and the reverberation
14 Feedback High Damp 0.1 — 1.0 High range attenuation (lower values cause the high range to decay faster)
15 Feedback Level -63 — +63 Amount of feedback for the initial delay
… 267 …


Need help? Post your question in this forum.

Forumrules


Report abuse

Libble takes abuse of its services very seriously. We're committed to dealing with such abuse according to the laws in your country of residence. When you submit a report, we'll investigate it and take the appropriate action. We'll get back to you only if we require additional details or have more information to share.

Product:

For example, Anti-Semitic content, racist content, or material that could result in a violent physical act.

For example, a credit card number, a personal identification number, or an unlisted home address. Note that email addresses and full names are not considered private information.

Forumrules

To achieve meaningful questions, we apply the following rules:

Register

Register getting emails for Yamaha A4000 at:


You will receive an email to register for one or both of the options.


Get your user manual by e-mail

Enter your email address to receive the manual of Yamaha A4000 in the language / languages: English as an attachment in your email.

The manual is 10,13 mb in size.

 

You will receive the manual in your email within minutes. If you have not received an email, then probably have entered the wrong email address or your mailbox is too full. In addition, it may be that your ISP may have a maximum size for emails to receive.

Others manual(s) of Yamaha A4000

Yamaha A4000 User Manual - German - 296 pages


The manual is sent by email. Check your email

If you have not received an email with the manual within fifteen minutes, it may be that you have a entered a wrong email address or that your ISP has set a maximum size to receive email that is smaller than the size of the manual.

The email address you have provided is not correct.

Please check the email address and correct it.

Your question is posted on this page

Would you like to receive an email when new answers and questions are posted? Please enter your email address.



Info