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RHYTHMIC Tab Overview
Using the Rhythmic features, tap tempo can pro-
duce stuttering and panning effects on your lead,
Harmony and Double voices in time with your
music.
Using the Rhythmic Features
1. Select a Rhythmic-based preset. In the factory
presets, they are located at numbers 208-216.
Otherwise, you can press the Rhythmic button
in any preset to hear an example of this effect.
2. Set a tempo you want by tapping the Tap but-
ton.
3. Sing a sustained note or a legato melody.
If MIC-CONTROL in the display shows
RHYTHMIC OFF, press the Mic-Control but-
ton to hear the effect.
You can also press the Rhythmic button in any
preset to audition the effect.
f STYLE
This is a small collection of pre-authored Rhyth-
mic effects. Ensure that the DEPTH is greater
than 0 to audition the different styles.
f MODE
This button changes the user controls that are
available in this tab between two Rhythmic sub-
effects: RHYTHM and SAMPLE.
When MODE is set to RHYTHM, this imposes
level modulation on various targets (LEAD
LEVEL, GENDER etc.) using various waveforms.
This can be used for stereo panning, tremolo or
chopping effects.
When MODE is set to SAMPLE, a short snippet
of your singing is looped to produce a stutter
effect each time you press the Rhythmic button.
Turning the effect off then on again clears the
previous sample and loops the new segment.
MODE = RHYTHM
As mentioned, the parameters in this tab change
according to the MODE setting. The following are
visible only when MODE is set to RHYTHM.
f DEPTH
Sets how much intensity the waveform TYPE has
on the TARGET.
f TARGET
Determines what is modied.
LEAD LEVEL L. GENDER, (Lead only)
LEAD PAN HARM LEVEL,
HARM PAN L+H LEVEL (Lead and Harmony)
L+H PAN
f DIVISION
Sets how many cycles of the TYPE waveform
occur during the bar or the elapsed time over a
number of beats.
8 x 1/4 7 x 1/4
6 x 1/4 4 x 1/4
1/2 DOT 1/2 1/2 TRIP
1/4 TRIP 1/4 2-DOT 1/4 1/4 TRIP
1/8 DOT 1/8 1/8 TRIP
1/16 DOT 1/16 1/16 TRIP
1/32 DOT 1/32 1/32 TRIP
f TYPE
Chooses between one cycle waveforms or a
collection of syncopated phrases. At the begin-
ning are the repeated waveforms which range
The Edit Button
74


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