Manual TC Helicon Voicelive 3 (page 81 of 186) (English)

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Getting to know VoiceLive 3

VoiceLive 3 – Reference manual (updated 2015-10-20) 78

Footswitch tab: Remapping footswitches

We have already made some changes on the

Buttonmap tab in “Remapping a footswitch” – so

you have seen it before. Let’s dig a little deeper

into it now.

► Enter the Vocal or Guitar edit screen.

► Navigate to the Mic Control or Footswitch tab.

Earlier in the “VoiceLive 3 overview”, we re-

mapped a footswitch and changed the Mode

from Latched to Momentary.

On the Footswitch tabs, each effect footswitch is

represented by sets of two lines. Use the Control

Knob to select a set, for example µMod.

The first word in the first column is the name of

the effect footswitch, as it is printed on the de-

vice. The name of the effect currently assigned

to this footswitch is shown directly below it.

For now, you should see µMod with µMod direct-

ly underneath. If you are on the Guitar edit page,

you will see µMod and G µMod respectively.

► Assign another effect to the µMod footswitch

by turning the Mix Knob directly below the pa-

rameter.

It doesn’t matter if the effect you choose here

is already mapped to another button. For ex-

ample, if you choose Harmony, you will now

have Harmony mapped to both the µMod but-

ton and the Harmony button (default). That’s

OK – it just shows how remapping works.

► Press the Home button to return to the Home

screen.

You will see that the effect you have chosen is

now shown in the top left corner of the screen

and will activate if you press the µMod button.

Typically, remapping footswitches is great for

three situations:

► “That darn button is in the wrong place! I hate

where it is and want to move it!”

► “I would like footswitch access to an effect

that isn’t already assigned to a button.”

For example, you might want access to Synth

– so you decide to remap the Delay button.

► “I want access to a guitar effect on the vocal

page.”

For example, remapping the Double footswitch

to Guitar HIT will give you access to guitar ef-

fects on the Vocal Layer – right beside Vocal

HIT.

Parm1 and Parm2

By now, you know how to remap footswitches

and choosing between Latched and Momentary

mode. But what are the other two parameters –

Parm1 and Parm2 – good for?

Parm 1 and Parm 2 are part of the Loop Trig-

ger Buttonmap. If you assign Loop Trigger to a

footswitch, you need to choose which loop and

which track you would like to trigger when you

tap that footswitch.

► Parm 1 defines which Loop Slot you are using

(see “Basic loop concepts and terms”).

► Parm 2 defines which track (or combination of

tracks) you would like to trigger when pressing

the button.

The available options are Loop A, Loop B,

Loop C, A&B or A&C.

Learn more about the Looper in “The Looper”.

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