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14 Soundcraft MFXi MPMi User Guide Issue 1210
AUX3
MST
AUX2
MST
AUX1
MST
SUB OUT
MUTE
8
MUTE MUTE
0 10
AUX1 AUX1
LF
3 3
66
9 9
12
12
15 15
0
+
3 3
6
6
9 9
12
12
15 15
0
+
750
150
3.5k
3 3
66
9 9
12
12
15 15
0
+
MONITOR OUT
MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC
HF HF HF HF HF HF HF H F HF HF HFHF
LF LF LF LF LF LF LF LF LF LFLF
MF MF MF MF MF MF MF MF MF MF MFMF
1 2 3 4 5 6 7 8 9 10 11 12
3 3
66
9 9
12
12
15 15
0
+
3 3
66
9 9
12
12
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0
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3 3
6
6
9 9
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3 3
6
6
9 9
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3 3
66
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3 3
66
9 9
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12
15 15
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3 3
66
9 9
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12
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3 3
66
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3 3
66
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66
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66
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66
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0
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66
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12
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0
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3 3
66
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0
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3 3
66
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3 3
66
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66
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3 3
66
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66
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66
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6
9 9
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3 3
6
6
9 9
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3 3
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9 9
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15 15
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3 3
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9 9
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3 3
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3 3
6
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9 9
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15 15
0
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3 3
6
6
9 9
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12
15 15
0
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3 3
6
6
9 9
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12
15 15
0
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3 3
6
6
9 9
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12
15 15
0
+
3 3
6
6
9 9
12
12
15 15
0
+
3 3
6
6
9 9
12
12
15 15
0
+
750
150
3.5k
750
150
3.5k
750
150
3.5k
750
150
3.5k
750
150
3.5k
750
150
3.5k
750
150
3.5k
750
150
3.5k
750
150
3.5k
750
150
3.5k
750
150
3.5k
GAINGAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAINGAIN
PFL PFL PFLPFL PFL PFL PFL PFL PFL PFL PFL PFL PFL PFLPFL
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
MIX
SUB
PK PK PKPK PK PK PK PK PK PK PK PK PKPK
SP SP SPSP SP SP SP SP SP SP SP SP SPSP
5 5 5 5 5 5 5 5 5 5 5 5
0 0 0 0 0 0 0 0 0 0 0 0
-5 -5 -5 -5 -5 - 5 -5 -5 -5 -5 -5 -5
-10 -10 -10 -10 -10 -10 -10 -10 -10 -10 -10 -10
-20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20
-30 -30 -30 -30 -30 -30 -30 -30 -30 -30 -30 -30
MUTE
MUTE
MUTEMUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTEMUTE MUTE MUTE MUTE MUTE MUTEMUTE
12
STE1
STE2
2 3 4 5 6 7 9 10 111
STEREO 1
LL
RR
L L
R R
[MONO] [MONO]
GAIN GAIN
HF HF
MF MF
LF LF
AUX1
OUT
AUX2
OUT
5
0
-5
-10
-20
-30
5
0
-5
-10
-20
-30
AUX3
OUT
MONO
OUT
AUX3
OUT
MONO
OUT
GAIN
-10 20dB -10 20dB
STE1 STE2 SUB-L
SUB-R MIX
10 10 10 10 10 10 10 10 10 10 10 10 10 10
0 100 100 100 100 100 100 100 100 100 100 10 0 10 0 100 100 100 100 100 100 100 100 100 100 100 10
0 100 100 100 100 100 100 100 100 100 100 100 10 0 10 0 100 100 100 100 100 100 100 100 100 100 100 100 10
0 10 0 100 100 100 100 100 100 100 100 100 100 100 10 0 10 0 100 10 0 100 100 100 100 100 100 100 100 100 100 100 10
LLLLLLLL L L LLLLLLLLLLLL LR RRRRRRR R R RRRRRRRRRRRR R
AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1 AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1AUX1 AUX1 AUX1
AUX2AUX2AUX2AUX2AUX2AUX2AUX2
AUX2AUX2AUX2AUX2AUX2 AUX2 AUX2
AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3AUX3 AUX3 AUX3
PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN BAL BAL
00000000 0 0 0000000000000
AFL
AFL
AFL
0 10
POST
PRE
48V
L
L
R
R
REC
OUT
2TRK
IN
LEVEL
0 10
0 10
0 10
0 10
0 10
TO
MNTR
TO MIX
MIX-L
MIX-R
16
10
6
3
0
-3
-6
-12
-16
-22
MIX / SOLO
PHANTOM POWER
2TRK
SUB TO
MIX
MNTR
LEVEL
LEVEL
STE
MNO
MIX
SUB
5
10
0
-5
-10
-20
-30
5
10
0
-5
-10
-20
-30
HEADPHONES
SOLO PWR
21 3 4 5 6 7 8 9 10 11 12
LINELINELINELINELINE LINELINE LINE LINE LINE LINE LINE LINE
INSERTINSERTINSERTINSERTINSERTINSERT INSERT INSERT INSERT INSERT INSERT INSERT INSER T
1
2
3
6
8
24
18
19
26
23
15
25 16
28
14
7
32
5
9
10
12
13
17
27
4
11
20
21
30
22
29
31
THE 60-SECOND GUIDE - MPMi
1 MIC INPUT (XLR) Connect Microphones here. If you are using a condenser mic, ensure phantom
power is supplied by pressing the switch at the top of the master section.
WARNING: Do Not apply Phantom Power before
connecting a microphone.
2 LINE INPUT (¼ Jack) Connect Line level sources here, e.g. Synth, Drum Machine, DI etc.
3 INSERT POINT (¼ Jack) Connect Signal processors here, e.g. Compressor, Gate etc.
4 GAIN CONTROL Adjust this to increase or decrease the level of the incoming signal.
5 HPF The high-pass lter reduces the level of bass frequencies only. Use this in live PA
situations to reduce stage rumble or ‘popping’ from mics.
6 EQ STAGE Adjust these controls to change the signal tone (the character of the signal).
7 AUX SENDS Adjust these controls to change the level of the signal to an artist’s monitors
(headphones/in-ear/stage monitors). Aux 1 send is pre-fade. Aux 2 is globally
switchable pre/post fade, Aux 3 send is post-fade
8 PAN CONTROL Use this control to position the signal within the stereo eld.
9 MUTE SWITCH When this is pressed you will hear no signal from the channel.
10 PFL When pressed the signal will appear on the monitor and headphone outputs - use
this to monitor the post-EQ signal from the channel.
11 MIX/SUB SWITCH When this switch is up, the channel’s post-pan-pot signal is routed to the Mix (left
and right) buses. When the switch is depressed, the post-pan-pot signal is routed
to the Sub-group (left and right) buses.
To get you working as fast as possible, this manual begins with a 60-second guide. Here you can nd quick
information on any feature of the console. .
16


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