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Roland BK-7M BACKING MODULE Manual

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MFX types and parameters
Backing Module BK-7m
r
109
16. St. Flanger
This is a stereo flanger. It produces a metallic resonance that
rises and falls like a jet airplane taking off or landing.
●
Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no filter is used.
LPF: cuts the frequency range above the Cutoff value. HPF: cuts
the frequency range below the Cutoff value.
●
Cutoff Frequency (200~8000Hz)—Basic frequency of the filter.
●
Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time from
when the direct sound begins until the flanger sound is heard.
●
Flanger Rate (0.05~10.0Hz)—Frequency, i.e. modulation speed.
●
Flanger Depth (0~127)—Modulation intensity.
●
Flanger Phase (0~180 deg)—Spatial spread of the sound.
●
Flanger Feedback (–98%~0~98%)—Adjusts the proportion of
the flanger sound that is fed back into the effect. Negative (–)
settings will invert the phase.
●
EQ Low Gain (–15dB~0~15dB)—Gain of the low range.
●
EQ High Gain (–15dB~0~15dB)—Gain of the high range.
●
Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
●
Level (0~127)—Output level.
17. Step Flanger
A Step Flanger is a flanger effect with clearly noticeable steps
rather than continuous pitch changes.
●
Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time from
when the direct sound begins until the flanger sound is heard.
●
Flanger Rate (0.05~10.0Hz)—Frequency, i.e. modulation speed.
●
Flanger Depth (0~127)—Modulation intensity.
●
Flanger Feedback (–98%~0~98%)—Adjusts the proportion of
the flanger sound that is fed back into the effect. Negative (–)
settings will invert the phase.
●
Step Rate (0.10~20.0Hz, note)—Rate (period) of pitch change
●
Flanger Phase (0~180deg)—Spatial spread of the sound.
●
EQ Low Gain (–15dB~0~15dB)—Gain of the low range.
●
EQ High Gain (–15dB~0~15dB)—Gain of the high range.
●
Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
●
Level (0~127)—Output level.
18. St. Delay
Delay is an effect that allows you repeat the input signal, thus
creating echoes (repetition).
●
Delay FBK Mode (Normal, Cross)—Select the way in which delay
sound is fed back into the effect. NORMAL: The left delay sound
will be fed back into the left delay and the right delay sound
into the right delay. CROSS: The left delay sound will be fed
back into the right delay and the right delay sound into the left
delay.
●
Delay Left (0.0~500.0ms)—Adjust the time from the direct
sound until when the left delay sound is heard.
●
Delay Right (0.0~500.0ms)—Adjust the time from the direct
sound until when the right delay sound is heard.
●
FBK Phase Left (Normal, Invert)—Select the phase of the left
delay sound. NORMAL: Phase is not changed. INVERT: Phase is
inverted.
●
FBK Phase Right (Normal, Invert)—Select the phase of the right
delay sound. NORMAL: Phase is not changed. INVERT: Phase is
inverted.
●
Delay Feedback (–98%~0~98%)—Adjusts the amount of the
delay sound that’s fed back into the effect. Negative (–) settings
invert the phase.
●
Delay HF Damp (200~8000Hz, Bypass)—Adjusts the frequency
above which sound fed back to the effect is filtered out. If you
don’t want to filter out any high frequencies, set this parameter
to BYPASS.
●
EQ Low Gain (–15dB~0~15dB)—Gain of the low range.
●
EQ High Gain (–15dB~0~15dB)—Gain of the high range.
●
Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
●
Level (0~127)—Output level.
19. Mod. Delay
This effect adds modulation to the delayed sound, producing
an effect similar to a Flanger.
●
Delay FBK Mode (Normal, Cross)—Select the way in which delay
sound is fed back into the effect. NORMAL: The left delay sound
will be fed back into the left delay and the right delay sound
into the right delay. CROSS: The left delay sound will be fed
back into the right delay and the right delay sound into the left
delay.
●
Delay Left (0.0~500.0ms)—Adjust the time from the direct
sound until when the left delay sound is heard.
●
Delay Right (0.0~500.0ms)—Adjusts the time until the delay
sound is heard.
●
Delay Feedback (–98%~0~98%)—Adjusts the amount of the
delay sound that’s fed back into the effect. Negative (–) settings
invert the phase.
●
Delay HF Damp (200~8000Hz, Bypass)—Adjusts the frequency
above which sound fed back to the effect is filtered out. If you
don’t want to filter out any high frequencies, set this parameter
to BYPASS.
●
Modulation Rate (0.05~10.0Hz)—Frequency, i.e. modulation
speed.
●
Modulation Depth (0~127)—Adjust the depth of the modula-
tion.
●
Modulation Phase (0~180 deg)—Adjust the spatial spread of the
sound
●
EQ Low Gain (–15dB~0~15dB)—Gain of the low range.
●
EQ High Gain (–15dB~0~15dB)—Gain of the high range.
●
Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
●
Level (0~127)—Output level.
20. 3 Tap Delay
The Triple Tap Delay produces three delay sounds: center, left
and right.
●
Delay Left (200~1000ms, note)—Adjust the time from the direct
sound until when the left delay sound is heard.
●
Delay Right (200~1000ms, note)—Adjust the time from the
direct sound until when the right delay sound is heard.
●
Delay Center (200~1000ms, note)—Adjust the time delay from
the direct sound until when the center delay sound is heard.
●
Delay Feedback (–98%~0~98%)—Adjusts the amount of the
delay sound that’s fed back into the effect. Negative (–) settings
invert the phase.
●
Delay HF Damp (200~8000Hz, Bypass)—Adjusts the frequency
above which sound fed back to the effect is filtered out. If you
don’t want to filter out any high frequencies, set this parameter
to BYPASS.
●
Delay Level Left (0~127)—Adjust the volume of the left delay
sound.
●
Delay Level Right (0~127)—Adjust the volume of the right delay
sound.
●
Delay Level Center (0~127)—Adjust the volume of the center
delay sound.
●
EQ Low Gain (–15dB~0~15dB)—Gain of the low range.
●
EQ High Gain (–15dB~0~15dB)—Gain of the high range.
●
Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
●
Level (0~127)—Output level.
21. 4 Tap Delay
Delay with four repetition lines.
●
Delay 1~4 (200~1000ms, note)—Adjusts the time until the delay
is heard.
●
Delay Level 1~4 (0~127)—Output level of the delay sound.
●
Delay Feedback (–98%~0~98%)—Adjusts the amount of the
delay sound that’s fed back into the effect. Negative (–) settings
invert the phase.
●
Delay HF Damp (200~8000Hz, Bypass)—Adjusts the frequency
above which sound fed back to the effect is filtered out. If you
don’t want to filter out any high frequencies, set this parameter
to BYPASS.
●
Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
BK-7m_UK.book Page 109 Tuesday, January 4, 2011 9:25 AM
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Roland BK-7M BACKING MODULE Additional guide - English - 10 pages

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Roland BK-7M BACKING MODULE User Manual - Dutch - 128 pages


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