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Appendix B: Videography 405
unless the story line is logical. Capture viewer interest from the very
beginning with a fast-paced or spectacular start and maintain that
interest until the very end. Viewers can lose interest or become
disoriented if scenes are strung together in a manner that is illogical or
chronologically false, or if scenes are too hectic or short (under three
seconds). There should be some continuity of motif from one scene to
the next.
Bridging the gaps
Make an effort to bridge the gaps from one filming location to
another. You can use close-ups, for example, to bridge chronological
jumps, zooming in on the face, then back out after a few seconds onto
a different scene.
Maintain continuity
Continuity – consistency of detail from one scene to the next – is vital
in providing a satisfying viewing experience. Sunny weather does not
fit with spectators who opened their umbrellas.
Tempo of cuts
The tempo at which a film cuts from one scene to the next often
influences the message and mood of the film. The absence of an
expected shot and the duration of a shot are both ways of
manipulating the message of the film.
Avoid visual disjunctions
Stringing together similar shots in succession may result in visual
disjunctions. A person may be in the left half of the frame one moment
and in the right half of the frame the next, or may appear first with and
then without eyeglasses.
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