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404 Pinnacle Studio User Guide
remain logical and cuts should almost never call attention to
themselves.
This is where the transition from one scene to the next is important.
Even if the action in neighboring scenes is separated in time or space,
your editorial choices can make the juxtaposition so smooth that the
viewer bridges the gap without conscious attention.
The secret to a successful transition is establishing an easily-felt
connection between the two scenes. In a plot-related transition, the
connection is that of successive events in an unfolding story. For
example, a shot of a new car might be used to introduce a
documentary about its design and production.
A neutral transition doesn’t in itself imply a story development or a
change of time or place, but can be used to smoothly connect different
excerpts from a scene. For example, cutting away to an interested
audience member during a podium discussion lets you then cut back
unobtrusively to a later point in the same discussion, omitting the part
between.
External transitions show something apart from the action. For
example, during a shot inside the marriage registry, you might cut to
the exterior of the marriage registry, where a surprise is already being
set up.
Transitions should underscore the message of the film and must always
fit the respective situation, in order to avoid confusing viewers or
distracting from the actual story line.
Logical sequence of action
The shots strung together during editing must interact appropriately in
relation to the action. Viewers will be unable to follow the events
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