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CM1000/CM1000R
- The Leader in DJ Technology
©2000 Industries - 10 - http://www.numark.com
REAR PANEL FEATURES
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1. Power Switch – to turn unit on after you have turned on
all input devices and before you turn on any devices
attached to the output.
2. Power Supply Input - to plug your power adapter in
before switching on power. See safety precautions on
page 3 for proper treatment of power.
3. Ground Lift – to separate chassis and power grounding in
case of signal hum. Move this to the ungrounded position
if system hum occurs to try and resolve any problems.
4. Line Inputs - to connect stereo audio from HiFi VCRs,
cassette and reel-to-reel tape decks, DAT machines, CD
players, laser discs, tuners, even synthesizers or other
mixing consoles.
NOTE: Plug mono audio sources into both Left and Right
inputs using a “Y" cable connector.
5. Phono/Auxiliary Inputs – to plug your turntables or line
device. Select the AUX/PHONO switch (6) to the desired
input.
6. Phono/Auxiliary switch – select the appropriate position
for your input device. With phono selected the input
signal is fed directly to the PRO SM-1's high-quality
RIAA phono pre-amplifiers so use this input only for
turntables. Line level sources will overload the sensitive
phono pre-amps. Switch this over to the AUX position
for line devices such as CD players and Tape decks.
7. Ground lug - use these connections with your turntables’
grounding cable to avoid signal hum.
8. Fader Start Jacks – for connecting fader start devices
such as CD players.
9. Mic 1 input – for connecting either XLR or ¼” balanced
microphone cables
10. Phantom power switch – to add 15V power for some
specialized microphones. Leave this in the off position
unless needed. The on position could potentially damage
microphones not designed to be powered.
11. Mic Process Send/Return Loop– attach this to any
devices you would like to process the microphone with.
The jack is wired TRS where tip is neutral, ring is send,
and sleeve is return.
12. Auto mute level – to set the level of audio reduction with
the auto-talk over is activated on the front panel.
13. Auto mute sensitivity- determines the mic loudness at
which auto muting is activated.
14. Mic 2 input – for ¼” mic cables.
15. EQ sensitivity – for determining how much the front
panel EQ can adjust the sound. The off position will
disable the EQ from modifying the sound.
16. Process Send/Return – for processing the program
material external processors such as EQs and effects units.
17. House/Master Outputs – controlled by the master fader.
The XLR Balanced Outputs are the best choice to use in
large systems. Power transformers and other devices
which cause magnetic fields can induce hum in audio
cables. This can be best resolved by using balanced lines
where inputs and outputs permit. Balanced lines are also
the most effective means of reducing or eliminating RF or
radio frequency" interference.
18. Booth Outputs – controlled by the booth fader
19. Booth Stereo/Mono switch- for use in single monitor
speaker situations
20. Zone 1 output - controlled by Zone 1 level control for
additional rooms or systems
21. Zone 2 output – controlled by Zone 2 level control for
additional rooms or systems
22. Record output with mic – to attached your tape deck and
record music with mic announcements
23. Record output without mic – to record just the music
without mic activity.
24. Light output – separately gain adjusted mono program
output to drive lighting system or sub woofers
25. Master Gain Reduction – adjusts the final output level
voltage for the balanced main outputs. This is factory
preset to current standards.
26. VU Meter adjust – should be adjusted so the front panel
output display indicates the optimum audio level to be
sent to the main sound system. This is factory preset to
typical levels.
10


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