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(8) Key Tracking: Allows the note played on the keyboard to influence the frequency of the filter.
In Low Pass filter mode, this will cause higher notes to have more upper harmonics, or to appear
brighter than lower notes. This is useful for recreating acoustic instruments since it mimics their
behavior.
At the leftmost position, no keytracking will be applied to the filter. To scale the frequency of the
filter directly to the keys that are being played, click the Key Tracking Chromatic (7) button. To
scale the filter frequency at an even higher value, turn the knob past the Key Tracking Chromatic
value.
(9) Character: Adds a subtle amount of drive to the Filter. Turning the knob to the right increases
the amount of drive which adds more character to the signal.
(10) Filter Envelope: Sets how much the Filter Envelope affects the filter frequency. Turn the knob
to the right if you want the Filter Envelope to have a strong impact on the filter frequency.
(11) Velocity: Specifies how the keyboard dynamics (how hard a key is hit) will affect the filter fre-
quency, allowing louder notes to appear brighter.
5.3.1. Filter Envelope
The four-stage filter envelope is designed to add interest by changing the brightness and harmonic
content of the sound over time. This can be precisely controlled using the Attack, Decay, Sustain
and Release sliders.
Filter Envelope Overview
Filter Envelope Parameters
(1) Attack: Specifies the time required for the Filter Envelope to reach its maximum level after a
note is played.
(2) Decay: Specifies the time required for the Filter Envelope to fall to the Sustain level once the
Attack portion of the envelope is complete.
(3) Sustain: Specifies the level that will be maintained while a note is held down, once the Attack
and Decay stages are complete.
Overview of SUPER 8
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