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(3) Density: Switches between two basic density modes for the reflection pattern of the reverb ef-
fect, Sparse and Dense. Sparse produces dispersed and clearly discernible reflections. Dense
produces a more uniform reverb tail.
Metallic textures: By setting Density to Sparse mode and adjusting Size and Mod-
ulation to low values, you can use the reverb to add a metallic quality to the signal.
Granular textures: By setting the Density to Sparse mode and adjusting Size to
high values, you can use the reverb to add a granular quality to the signal.
(4) Decay: Adjusts the length of the reverb, or reverb time. Turning the control to the right changes
the reverb time from short to long.
(5) Damp: Adjusts the tonal quality from bright to dark. Turning the control to the right attenuates
the reverb's high-frequency content.
(6) Modulation: Adjusts the amount of movement added to the reverb sound by changing internal
parameters of the reverb over time. Turning the control to the right changes the movement of the
reverb from lush to strongly detuned sounds.
10.2. Airy
Airy is based on the paradigm of a hall with naturally dispersed early reflections and a smooth re-
verb tail. The Size ranges from medium-sized chambers to large cathedrals and beyond. At the
lower end of its range it overlaps with the Grounded algorithm, so it is possible to smoothly transi-
tion to the sound of smaller reverberant spaces.
Airy can be adjusted using the following parameters:
Reverb Algorithms
18 RAUM Manual
20


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