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(1) Feedback: Adjusts the level of the feedback signal from the output of the predelay to its input,
effectively increasing the number of delay repetitions. Increasing the level of feedback creates
echo effects that can be further processed using the selected reverb algorithm. When Feedback is
set to 100%, you can achieve infinite delay repeats and therefore use the predelay as a looper. A
built-in limiter controls the signal levels when high feedback settings are used with loud input sig-
nals.
When Predelay (3) is set to 0 ms, Feedback does not have an effect on the sound.
To indicate this, the control is greyed out. It is still possible to make adjustments,
however they will only take effect once Predelay is set to a value other than 0 ms.
(2) Predelay Sync: Synchronizes the predelay to the host tempo and replaces the Predelay knob
(3) with the Predelay Sync controls.
(3) Predelay: Adjusts the duration of the predelay, which is the time it takes for the reverb effect to
set in. By increasing the predelay, you can add separation between the input signal and the reverb
signal. This creates the impression of being closer to a sound source relative to the boundaries of
a reverberant space. The duration ranges from below 0 ms to 2000 ms, which makes it possible to
create resonator sounds at low settings, and extremely long echo or looper effects at high settings.
When Predelay Sync (2) is activated, the predelay is synchronized to the host and the Prede-
lay knob is replaced by the Predelay Sync controls:
Predelay and Filters
15 RAUM Manual
17


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