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Native Raum Manual

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9. PREDELAY AND FILTERS
Predelay defines the timing of the reverb's onset by adding an initial delay to the reverb signal.
RAUM's Predelay section sets itself apart from common reverb effects by adding feedback, which
you can use to create echo effects. Additionally, Predelay can not only be set in milliseconds, but
also in musical intervals synced to the host tempo. Therefore, you can use the predelay for rhyth-
mic effects or to create synchronized echoes.
The feedback is optimized for a clean sound. Therefore it produces delay repetitions without any
signal degradation. Additionally, a built-in limiter prevents excessive signal levels when an input
signal is added to the delay repetitions. In this case, the input signal effectively ducks the delay
sound.
By setting Feedback to 100%, you can use the predelay as a basic looper. The
length of the loop is set using the Predelay control. When enabling the Predelay
Sync function, you can set the loop length in musical intervals up to four bars (64|4).
Combined with the reverb algorithms, it is possible to achieve unique spatial effects beyond classic
echo and reverb. Since Predelay can be set in a wide range from below 1 ms to 2 seconds, you
can fine-tune the reverb's onset as well as use the predelay for stretched-out repeater effects.
Comb filter sounds: By combining low Predelay with high Feedback values, you
can use the predelay as a comb filter that adds a distinct tonal quality to the sound.
The comb filtering effects are most obvious with sustained input signals. Percussive
input signals can be used for resonator sounds similar to physical modelling. Adjust
Predelay in fine increments to change the pitch of the tone. Automating Predelay
produces flanging effects. You can use the Airy algorithm to add depth and texture
to the sound. Cosmic allows for more extreme effects as it directly interacts with the
predelay's feedback.
The Low Cut and High Cut filters allow you to adjust the overall tone of the effect by not only
shaping the frequency contents of the reverb effect, but also the predelay's feedback signal.
Therefore, delay repetitions are affected progressively. You can use this to create analog-style
echo effects.
The Predelay section contains the following parameters:
Predelay and Filters
14 RAUM Manual
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