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(10) Polarity: Selects from two Polarity settings (Bi, Uni) that determine how the envelope in the
Amp section behaves. When Bi (Bipolar) is selected, the output range of the LFO is -100% to
+100%. The waveform always starts at 0%, independent of which shape is selected. Uni (UniPo-
lar) offers a range of 0 to 100%. The waveform will always start at 50%, independent of the selec-
ted shape.
(11) Delay: Applies a delay to the onset of the LFO. When turned fully left, no delay time is applied
and the LFO starts immediately. Turning the knob right increases the delay time.
(12) Fall/Rise: Adjusts the way the LFO fades in or out. At center position the LFO has infinite fall-
ing time, working as though it is always on. Turning the knob right produces a short rising ramp
that becomes longer as it is turned fully right. Turning the knob left creates a very small decay fall
time, which extends to a very long falling time as the control is turned fully left. The display, located
below the Fall/Rise knob, provides a visual representation of the shape of the fades.
(13) Mono: When deactivated, the LFO is polyphonic. Each incoming note receives its own LFO.
When activated, the LFO is monophonic and all incoming notes receive the same LFO, regardless
of pitch.
(14) Midi: Switches between Midi and Remote mode for resetting and latching the LFOs. When
Midi is selected the LFO resets and latches based on incoming MIDI note events. If Remote is
selected the LFO resets and latches when you change key switches in the Remote Octave.
(15) Play mode: Selects from six settings (Loop, Loop RST, Loop GTE, Loop REL, 1shot, 1shot
REL), that determine the general behavior of the LFO.
Loop is the most classic setting, with the LFO running in an infinite loop, regardless of whether
notes are being played or not. When turning Amp Jitter (3) and Freq Jitter (4) to the right, the
waveform will randomly change over time.
Loop RST (Loop Restart) also runs in an infinite loop, but will immediately jump to a given
phase if a MIDI trigger is received from Zone or Remote. When turning Amp Jitter (3) and
Freq Jitter (4) to the right, the waveform will change randomly over time, but start the same
random sequence again upon receiving a MIDI trigger.
Loop GTE (Loop Gate) follows the same behavior as Loop Restart, but cuts the LFO as soon
as the note is released. When turning Amp Jitter (3) and Freq Jitter (4) to the right, the wave-
form will change randomly over time, but start the same random sequence again when the note
is released.
Loop REL (Loop Release) deactivates the LFO as soon as note is received. When the note is
released, the LFO resets and the modulation is in effect. In this mode, it is important to set a
long release time on the Amp envelope, or the effect will not be heard. When turning Amp Jit-
ter (3) and Freq Jitter (4) to the right, the waveform will change randomly over time, but start
the same random sequence again when the note is released.
When 1shot (One Shot) is selected, only one cycle of the LFO will be played. Note on will al-
ways restart the LFO and go to zero after the cycle, regardless of the LFO value or polarity set-
ting. This ensures predictable results, regardless of the LFO waveform.
1shot REL (One Shot Release) follows the same principles as 1shot mode, but creates a cy-
cle when the note is released. In this mode it is also important to set a long Release time on
the Amp envelope, or the effect will not be heard.
Modulators
123 Manual
127


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