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and denominator separately allows you to produce specific time divisions, and also facilitates
more esoteric ones. Sync mode organizes the denominator values in a non-linear manner, to
provide quick access to the most common values. Standard values /4, /8, /16, /32 are then fol-
lowed by triplets /12 (8-note triplets), /24 (16-note triplets), /48 (32-note triplets), and so on, un-
til 99. The change of Rate happens as soon as the slider hits a new position, with no fading in
between.
In Free mode, the Rate is absolute and independent from the host tempo. The slider subdivi-
sion are replaced with a continuous knob to control the speed of the LFO. The range, in Hz,
extends from very slow to very fast rates. The knob is scaled in this respect, giving finer control
in the middle ranges. The overall rate range is 0.004 Hz to approximately 60 Hz. Centre posi-
tion is around 5.3 Hz, which is ideal for pitch vibrato.
In Osc mode, the LFO operates at audio rate, becoming an additional keytracking oscillator.
The values generated by the Rate control are linked to incoming MIDI notes, turning Rate into
a control for transposition, ranging from zero when turned fully right, down to -96 semitones
lower than the note pitch.
(2) Latch Rate: When activated, changes to the Rate (via direct control or modulation) are latched
until the next note is received.
(3) Amp Jitter: Adjusts the amount of random modulation applied to the amplitude of the signal.
Turned fully left, the basic waveform of the LFO is unaltered. Turning the knob right increases the
amount of unpredictable values. When turned fully right, a completely random value is produced
with each cycle.
(4) Freq Jitter: Adjusts the amount of random modulation applied to the frequency of the signal.
Turned fully left, the basic waveform of the LFO is unaltered. Turning the knob right increases the
random frequency fluctuation. This can produce results similar to white noise, if Amp Jitter is set
to a low value. Freq Jitter is only available in Free and Osc modes.
(5) Threshold: Provides further treatment for the amplitude, and only has an effect if the Amp Jit-
ter is turned up. Random values below a set Threshold are forced to zero, which can be used to
drastically thin out the noise.
(6) Seed: Adjusts the seed that feeds the random sequence introduced by Amp Jitter (3) and
Freq Jitter (4). This control is only available in the play modes Loop RST, Loop GTE, and Loop
REL (15). Adjusting Seed produces a new random sequence, starting with the next reset event.
You can use this to explore different randomly acquired waveforms and repeat them with every
new note.
(7) Shape: Adjusts the shape and smoothness of the ties between values. Technically speaking,
it's applying a linear interpolation to the values. When turned fully left, a smooth interpolation is
produced and when turned right, hard steps are created.
(8) Audio Noises: When activated, the LFO operates in audio rate. This turns the LFO into a
Noise generator, which when assigned to a modulation source in the Routing page, can be used in
the audio signal path.
(9) LFO Level: Amplifies the output of the LFO. Turning the knob right increases the amplification
level.
Modulators
122 Manual
126


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