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Owners Manual
ENGLISH
AV Surround Sound Preamp Processor
®
M17
ENGLISH
2
1. Read instructions - All the safety and operating instructions should be read
before the product is operated.
2. Retain instructions - The safety and operating instructions should be retained
for future reference.
3. Heed Warnings - All warnings on the product and in the operating instructions
should be adhered to.
4. Follow Instructions - All operating and use instructions should be followed.
5. Cleaning - Unplug this product from the wall outlet before cleaning. Do not use
liquid cleaners or aerosol cleaners. Use a damp cloth for cleaning.
6. Attachments - Do not use attachments not recommended by the product
manufacturer as they may cause hazards.
7. Water and Moisture - Do not use this product near water-for example, near a
bath tub, wash bowl, kitchen sink, or laundry tub; in a wet basement; or near a
swimming pool; and the like.
8. Accessories - Do not place this product on an unstable cart, stand, tripod,
bracket, or table. The product may fall, causing serious injury to a child or adult
and serious damage to the product. Use only with a cart, stand, tripod, bracket,
or table recommended by the manufacturer, or sold with the product. Any
mounting of the product should follow the manufacturer’s instructions, and
should use a mounting accessory recommended by the manufacturer.
9. Cart - A product and cart combination should be moved with care.
Quick stops, excessive force, and uneven surfaces may cause the
product and cart combination to overturn.
10. Ventilation - Slots and openings in the cabinet are provided for ventilation
to ensure reliable operation of the product and to protect it from overheating.
These openings must not be blocked or covered. The openings should never be
blocked by placing the product on a bed, sofa, rug, or other similar surface. This
product should not be placed in a built-in installation such as a bookcase or rack
unless proper ventilation is provided or the manufacturer’s instructions have been
adhered to.
11. Power Sources - This product should be operated only from the type of power
source indicated on the marking label and connected to a MAINS socket outlet
with a protective earthing connection. If you are not sure of the type of power
supply to your home, consult your product dealer or local power company.
12. Power-Cord Protection - Power-supply cords should be routed so that they are
not likely to be walked on or pinched by items placed upon or against them,
paying particular attention to cords at plugs, convenience receptacles, and the
point where they exit from the product.
13. Mains Plug - Where the mains plug or an appliance coupler is used as the
disconnect device, the disconnect device shall remain readily operable.
14. Outdoor Antenna Grounding - If an outside antenna or cable system is
connected to the product, be sure the antenna or cable system is grounded so
as to provide some protection against voltage surges and built-up static charges.
Article 810 of the National Electrical Code, ANSI/NFPA 70, provides information
with regard to proper grounding of the mast and supporting structure, grounding
of the lead-in wire to an antenna discharge unit, size of grounding conductors,
location of antenna discharge unit, connection to grounding electrodes, and
requirements for the grounding electrode.
NOTE TO CATV SYSTEM INSTALLER
This reminder is provided to call the CATV system installers attention to Section
820-40 of the NEC which provides guidelines for proper grounding and, in particular,
species that the cable ground shall be connected to the grounding system of the
building, as close to the point of cable entry as practical.
15. Lightning - For added protection for this product during a lightning storm, or
when it is left unattended and unused for long periods of time, unplug it from the
wall outlet and disconnect the antenna or cable system. This will prevent damage
to the product due to lightning and power-line surges.
16. Power Lines - An outside antenna system should not be located in the vicinity
of overhead power lines or other electric light or power circuits, or where it can
fall into such power lines or circuits. When installing an outside antenna system,
extreme care should be taken to keep from touching such power lines or circuits
as contact with them might be fatal.
17. Overloading - Do not overload wall outlets, extension cords, or integral
convenience receptacles as this can result in a risk of re or electric shock.
18. Flame Sources - No naked ame sources, such as lighted candles, should be
placed on the product.
19. Object and Liquid Entry - Never push objects of any kind into this product
through openings as they may touch dangerous voltage points or short-out parts
that could result in a re or electric shock. Never spill liquid of any kind on the
product.
20. Headphones - Excessive sound pressure form earphones and headphones can
cause hearing loss.
21. Damage Requiring Service - Unplug this product from the wall outlet and refer
servicing to qualied service personnel under the following conditions:
a. When the power-supply cord or plug is damaged.
b. If liquid has been spilled, or objects have fallen into the product.
c. If the product has been exposed to rain or water.
d. If the product does not operate normally by following the operating
instructions. Adjust only those controls that are covered by the operating
instructions as an improper adjustment of other controls may result in
damage and will often require extensive work by a qualied technician to
restore the product to its normal operation.
e. If the product has been dropped or damaged in any way.
f. When the product exhibits a distinct change in performance-this indicates a
need for service.
22. Replacement Parts - When replacement parts are required, be sure the service
technician has used replacement parts specied by the manufacturer or have the
same characteristics as the original part. Unauthorized substitutions may result in
re, electric shock, or other hazards.
IMPORTANT SAFETY INSTRUCTIONS
ENGLISH
NAD is a trademark of NAD Electronics International, a division of Lenbrook Industries Limited
Copyright 2019, NAD Electronics International, a division of Lenbrook Industries Limited
NAD is a trademark of NAD Electronics International, a division of Lenbrook Industries Limited
Copyright 2019, NAD Electronics International, a division of Lenbrook Industries Limited
3
23. Battery Disposal - When disposing of used batteries, please comply with
governmental regulations or environmental public instruction’s rules that apply in
your country or area.
24. Safety Check - Upon completion of any service or repairs to this product, ask the
service technician to perform safety checks to determine that the product is in
proper operating condition.
25. Wall or Ceiling Mounting - The product should be mounted to a wall or ceiling
only as recommended by the manufacturer.
WARNING
The lightning ash with arrowhead symbol, within an equilateral
triangle, is intended to alert the user to the presence of uninsulated
dangerous voltage within the products enclosure that may be of
sucient magnitude to constitute a risk of electric shock to persons
The exclamation point within an equilateral triangle is intended to alert
the user to the presence of important operating and maintenance
(servicing) instructions in the literature accompanying the appliance.
THE EQUIPMENT MUST BE CONNECTED TO AN EARTHED MAINS SOCKET-OUTLET.
CAUTION REGARDING PLACEMENT
To maintain proper ventilation, be sure to leave a space around the unit (from the
largest outer dimensions including projections) than is equal to, or greater than
shown below.
Left and Right Panels: 10 cm
Rear Panel: 10 cm
Top Panel: 10 cm
FCC STATEMENT
This equipment has been tested and found to comply with the limits for Class
B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed
to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency
energy and, if not installed and used in accordance with the instructions, may cause
harmful interference to radio communications. However, there is no guarantee that
interference will not occur in a particular installation. If this equipment does cause
harmful interference to radio or television reception, which can be determined
by turning the equipment o and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit dierent from that to which
the receiver is connected.
Consult the dealer or an experienced radio TV technician for help.
CAUTION
Changes or modications to this equipment not expressly approved by NAD
Electronics for compliance could void the user’s authority to operate this equipment.
CAUTION
To prevent electric shock, match wide blade of plug to wide slot, fully insert.
CAUTION
Marking and rating plate can be found at the rear panel of the apparatus.
WARNING
To reduce the risk of re or electric shock, do not expose this apparatus to rain or
moisture.
The apparatus shall not be exposed to dripping or splashing and that no objects lled
with liquids, such as vases, shall be placed on apparatus.
Mains plug is used as disconnect device and it should remain readily operable during
intended use. In order to disconnect the apparatus from the mains completely, the
mains plug should be disconnected from the mains socket outlet completely.
Battery shall not be exposed to excessive heat such as sunshine, re or the like.
CAUTION
Danger of explosion if battery is incorrectly replaced. Replace only with the same or
equivalent type.
An appliance with a protective earth terminal should be connected to a mains outlet
with a protective earth connection.
IF IN DOUBT CONSULT A COMPETENT ELECTRICIAN.
This product is manufactured to comply with the radio interference
requirements of EEC DIRECTIVE 2004/108/EC.
NOTES ON ENVIRONMENTAL PROTECTION
At the end of its useful life, this product must not be disposed of with
regular household waste but must be returned to a collection point for
the recycling of electrical and electronic equipment. The symbol on the
product, users manual and packaging point this out.
The materials can be reused in accordance with their markings.
Through re-use, recycling of raw materials, or other forms of recycling of old products,
you are making an important contribution to the protection of our environment.
Your local administrative oce can advise you of the responsible waste disposal point.
RECORD YOUR MODEL NUMBER NOW, WHILE YOU CAN SEE IT
The model and serial number of your new M17 are located on the back of the cabinet.
For your future convenience, we suggest that you record these numbers here:
Model number : . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Serial number : ......................................
IMPORTANT SAFETY INSTRUCTIONS
ENGLISH
INTRODUCTION
TABLE OF CONTENTS
4
IMPORTANT SAFETY INSTRUCTIONS .........................2
INTRODUCTION
GETTING STARTED ...............................................5
WHAT’S IN THE BOX ..................................................5
CHOOSING A LOCATION .............................................5
DEFAULT SOURCE SETTINGS .........................................5
RESTORING M17 TO ITS FACTORY DEFAULT SETTINGS ................5
IDENTIFICATION OF CONTROLS
FRONT PANEL ....................................................6
REAR PANEL .....................................................8
MASTER QUALITY AUTHENTICATED ................................ 10
OPERATION
USING THE M17 – MAIN MENU ..................................11
ABOUT THE ONSCREEN DISPLAY OSD ............................ 11
MAIN MENU ........................................................ 11
DSP OPTIONS ...................................................... 11
TONE CONTROLS ................................................... 12
ZONE CONTROLS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
ZONE 2 ............................................................. 12
ZONE 3/ZONE 4 .................................................... 12
SYSTEM INFO ....................................................... 13
USING THE M17 – SETUP MENU .................................14
SETUP MENU ....................................................... 14
CONTROL SETUP ................................................... 14
SOURCE SETUP ..................................................... 15
SPEAKER SETUP .................................................... 16
SPEAKER CONFIGURATION ......................................... 16
SPEAKER LEVELS .................................................... 17
SPEAKER DISTANCE ................................................ 18
DIRAC LIVE ......................................................... 18
ADJUSTING THE VOLUME .......................................... 18
ADJUSTING CHANNEL LEVELS ‘ON THE FLY ........................ 19
ZONE SETUP ....................................................... 19
ZONE 2 SETUP ...................................................... 19
ZONE 3 SETUP/ZONE 4 SETUP ...................................... 19
TRIGGER SETUP .................................................... 19
LISTENING MODE SETUP ........................................... 20
LISTENING MODES ................................................. 21
DOLBY ATMOS ..................................................... 21
DOLBY SETUP ...................................................... 22
DTS SETUP ......................................................... 22
ENHANCED STEREO ................................................ 22
FRONT PANEL DISPLAY SETUP ...................................... 22
A/V PRESETS ........................................................ 22
BluOS SETUP ....................................................... 25
SELECT LANGUAGE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
USING THE HTRM 2 REMOTE CONTROL ..........................26
CONTROLLING THE M17 ............................................ 26
LEARNING CODES FROM OTHER REMOTES ......................... 27
PUNCH THROUGH .................................................. 27
COPY A COMMAND FROM ANOTHER KEY .......................... 27
MACRO COMMANDS ............................................... 27
KEY ILLUMINATION TIMEOUT ....................................... 28
CONFIGURING KEY ILLUMINATION ................................. 28
FACTORY RESET .................................................... 28
DELETE MODE ...................................................... 28
LOADING CODELIBRARIES ......................................... 29
SEARCH MODE ..................................................... 29
CHECKING CODELIBRARY NUMBER ................................ 29
SUMMARY OF THE HTRM 2 MODES ................................ 30
USING THE ZR 7 REMOTE CONTROL ................................ 30
SPECIFICATIONS ................................................31
ENGLISH
WHAT’S IN THE BOX
Packed with your M17 you will nd
Quick Setup Guide
BluOS Kit containing USB Hub, Wi-Fi Dongle, Bluetooth USB Micro
Adapter and USB to USB Cable Extender
HTRM 2 remote control with 4 AA batteries
BluOS-Ready Flyer/Bluesound player
ZR 7 zone remote control with 3V CR2025 battery
Measurement microphone with USB Mic adapter and phone jack
adapter
Detachable mains power cord
Four pieces of magnetic feet
Four cables of female 3-pin mini XLR to male 3-pin XLR
Cleaning cloth
USB ash drive
SAVE THE PACKAGING
Please save the box and all of the packaging in which your M17 arrived.
Should you move or otherwise need to transport your M17, this is by far
the safest container in which to do so. We’ve seen too many otherwise
perfect components damaged in transit for lack of a proper shipping
carton, so please: Save that box!
CHOOSING A LOCATION
Choose a location that is well ventilated (with at least several inches to
both sides and behind), and that will provide a clear line of sight, within
25 feet/8 meters, between the M17’s front panel and your primary
listening/viewing position - this will ensure reliable infrared remote control
communications. The M17 generates a modest amount of heat, but
nothing that should trouble adjacent components.
DEFAULT SOURCE SETTINGS
The following table lists the default SOURCE settings. Note that the Audio
input settings show both digital and analog audio input. Digital input will
always take precedence over analog audio input even if both are present.
SOURCE AUDIO INPUT VIDEO INPUT
Source 1 HDMI 1/Stereo 1 HDMI 1
Source 2 HDMI 2/Stereo 2 HDMI 2
Source 3 HDMI 3/Stereo 3 HDMI 3
Source 4 HDMI 4/Stereo 4 HDMI 4
Source 5 HDMI 5/Stereo 5 HDMI 5
Source 6 (BluOS) BluOS BluOS
To modify the above default settings and for a better understanding of
source setting and combinations, please refer to the item about “SOURCE
SETUP in the “USING THE M17 - SETUP MENU” segment of the “OPERATION”
section.
NOTE
Digital input will always take precedence over analog audio input if
both are present.
RESTORING M17 TO ITS FACTORY DEFAULT SETTINGS
1 Press and hold front panel’s “Main display.
2 Select “Setup display option.
3 Select “Factory Reset display option.
4 Select between “Yes (NTSC)” and Yes (PAL) to select video mode after
Factory Reset. Select “No if you decide not to reset your M17.
5 Factory reset is complete after the display below and the M17 going to
standby mode.
INTRODUCTION
GETTING STARTED
5
ENGLISH
1 o (STANDBY)
Press o (Standby) button for the M17 to be switched ON from
standby mode. The Power indicator will turn from amber to bright/
white color.
Pressing o (Standby) button again switches back M17 to standby
mode. The Power indicator will illuminate to amber color at standby
mode.
The o (Standby) button cannot activate the M17 with the rear
panel POWER switched o.
IMPORTANT NOTES
Refer also to +12V TRIGGER IN (OFF/AUTO) of IDENTIFICATION OF
CONTROLS – REAR PANEL.
For the o (Standby) button to activate, two conditions must be
completed.
a. Plug-in the supplied mains power cord to a mains power source.
Connect corresponding end of the mains power cord to the AC
mains input of M17 and the plug connected to a mains power
source.
b. The rear panel POWER switch must be set to ON position.
2 POWER INDICATOR
This indicator will light up amber when the M17 is at standby mode.
When M17 is powered up from standby mode, this indicator will
turn from amber to bright/white color.
3 REMOTE SENSOR
Point the HTRM 2 remote control at the remote sensor and press
the buttons.
Do not expose the remote sensor of the M17 to a strong light
source such as direct sunlight or illumination. If you do so, you may
not be able to operate the M17 with the remote control.
Distance: About 23ft (7m) from the front of the remote sensor.
Angle: About 30° in each direction of the front of the remote sensor.
4 DISPLAY
Information is displayed as supplied by the applicable source.
There are ve display options – Main, Listen, Dirac, Tone and Zone.
Use your nger to press and select any of these display options to
show their corresponding menu options or settings.
Refer also to the item about FRONT PANEL DISPLAY SETUP under the
USING THE M17 - SETUP MENU segment of the OPERATION section.
The following are sample screenshots of the four display options with
corresponding description of the information shown.
MAIN
Source 1: Current Source.
-20.0 dB: Volume level.
: Go to previous or next Source.
Dolby Atmos: Audio Codec - Detected audio stream format.
HDMI 1/HDMI 1: Audio and video input source.
Object 48k: Audio Source format; sample rate.
1920x1080i60 24 bit RGB 4:4:4: Video mode - Video resolution of
current source with frame rate.
IDENTIFICATION OF CONTROLS
FRONT PANEL
6
© NAD M17
M17
av surround sound preamp processor
4 52 3
1
ENGLISH
LISTEN
EARS: Listening mode.
- +: Go to previous or next Listening mode.
DIRAC
-/+: Go to previous or next available Dirac Live setup option.
Refer also to discussion about DIRAC LIVE under SETUP MENU.
TONE
: Slide to turn ON or OFF Tone Controls. At OFF setting, tone
controls are disabled or defeated.
h : Slide to adjust treble, bass or dialog level.
ZONE
: Slide to turn ON or OFF Zone 2.
: Go to previous or next Source.
5 VOLUME
Use this control to adjust the overall loudness of the signal output
at AUDIO PRE-OUT.
The default volume level is -20dB.
IDENTIFICATION OF CONTROLS
FRONT PANEL
7
ENGLISH
1 AUDIO PRE-OUT (BALANCED)
AUDIO PRE- OUT makes it possible to use the M17 as a preamplier
to external power ampliers for some or all channels.
Depending upon the source’s conguration, analog audio
output connection can be made up to seven channels either via
BALANCED or SINGLE-ENDED output ports.
Use the AUDIO PRE OUT (BALANCED) if the external source to be
connected has BALANCED audio input. Superior audio quality
is ensured with the distinctive noise reduction capability of
BALANCED connection with XLR jacks.
Connect FRONT L, FRONT R, CENTER, SURR R, SURR L, SURR-BL and
SURR-BR to the respective channel input of a power amplier or
ampliers driving the corresponding applicable speakers.
Connect the SUBW1 (and/or SUBW2) output to powered (“active”)
subwoofers or to power amplier channels driving a passive system.
AUDIO PRE OUT (SINGLE-ENDED)
Use single-ended AUDIO PRE OUT for sources that are not
equipped with BALANCED analog audio input.
2 RS232
NAD is a certied partner of AMX and Crestron and fully supports
these external devices. Check out the NAD website for information
about AMX and Crestron compatibility with NAD. See your NAD
audio specialist for more information.
Connect this interface using RS-232 serial cable (not supplied) to
any Windows compatible PC to allow remote control of the M17 via
compatible external controllers.
Refer to the NAD website for information about RS232 Protocol
documents and PC interface program.
Use this port also for rmware upgrade. Instructions on how to use
this port for rmware upgrade is included in the rmware upgrade
(if any) procedure available from the NAD website.
3 +12V TRIGGER IN (OFF/AUTO)
The settings of +12V TRIGGER IN (OFF/AUTO) together with +12V
TRIGGER IN aect the manner how the M17 can be switched ON from
standby mode and back to standby mode.
+12V TRIGGER IN (AUTO)
If +12V TRIGGER IN (OFF/AUTO) is set to AUTO, powering up the
M17 is dependent upon the Auto Trigger In” setting at the Trigger
Setup menu as well as the absence or presence of +12V DC from
+12V TRIGGER IN (item 5).
With +12V TRIGGER IN (OFF/AUTO) set to AUTO and Auto Trigger
In” set to either “Main or All”, the front panel o (Standby) button or
HTRM 2’s ON/OFF button cannot switch the M17 from standby to
operating mode and vice-versa. Both control buttons are disabled
eectively handling the function of powering up/down the M17 to
the device where Auto Trigger IN is connected.
+12V TRIGGER IN (OFF)
In order to use the front panel o (Standby) button or HTRM 2’s ON/
OFF button to switch the M17 from standby to operating mode and
vice-versa, the +12V TRIGGER IN (OFF/AUTO) switch must be set to
“OFF” position.
The +12V TRIGGER (IN) is disabled when +12V TRIGGER IN (OFF/
AUTO) is set to OFF.
IDENTIFICATION OF CONTROLS
REAR PANEL
8
FRONT SURR SURR-B CENTER SUBW
R L R L R L
AUDIO PRE-OUT BALANCED
SUBW1
SUBW2
FRONT
SURR SURR-B
L
R
AUDIO PRE-OUT
CENTER
L
R
IN
RS232
+12V TRIGGER IN
OFF AUTO
POWER
ON
230V~50Hz
IR
IN
+12V TRIGGER
OUT 1
OUT 2
OUT 4 OUT 3
OUT 2
OUT 1
OUT 3
© NAD M17
AUDIO 1
L
R
AUDIO 2 AUDIO 3 AUDIO 4 AUDIO 5 AUDIO 6 AUDIO 7 ZONE 2
IN
IN
ININ ININ IN
OUT
ZONE 3
OUT
ZONE 4
OUT
AUDIO 1
L
R
AUDIO 2 AUDIO 3 AUDIO 4 AUDIO 5 AUDIO 6 AUDIO 7 ZONE 2
IN
IN
ININ ININ IN
OUT
ZONE 3
OUT
ZONE 4
OUT
HT 2/SURR-B
HT 1/SURR-B
LAN
2
1 (4K)
USB
HDMI IN
12345
1 2 3 4 5
7
8 9
10 11 12
ATTENTION!
Please make sure that the M17 is powered o or unplugged from the mains power source before making any connections. It is also advisable to power
down or unplug all associated components while making or breaking any signal or AC power connections.
6
ENGLISH
4 IR IN/IR OUT 1-4
These mini-jacks accept and output remote-controlled codes in
electrical format, using industry-standard protocols, for use with “IR-
repeater” and multi-room systems and related technologies.
All NAD products with IR IN/IR OUT features are fully compatible
with the M17. For non-NAD models, please check with your other
product’s service specialists with respect to their compatibility to
the M17’s IR features.
IR IN
This input is connected to the output of an IR (infrared) repeater
(Xantech or similar) or the IR output of another compatible device
to allow control of the M17 from a remote location.
IR OUT 1- 4
Connect IR OUT 1 (or IR OUT 2/IR OUT 3/IR OUT 4) to the IR IN jack
of a compatible device.
Command and control the linked compatible device by directing its
own remote control to M17’s infrared receiver.
IR IN and IR OUT 1/IR OUT 2/IR OUT 3/IR OUT 4
Connect the M17’s IR IN to the IR OUT of a compatible device.
Connect also the M17’s IR OUT 1 (or IR OUT 2/IR OUT 3/IR OUT 4) to
the IR IN of a compatible device.
With this setup, the M17 acts as an “IR-repeater allowing the device
connected to the M17’ s IR IN control or command of the other
device linked to M17’s IR OUT 1 (or IR OUT 2/IR OUT 3/IR OUT 4).
5 +12V TRIGGER OUT1/OUT2/OUT3
The M17 has three +12V TRIGGER OUT ports (OUT 1, OUT2 and OUT3)
that can be congured to supply +12V DC to a linked component or
system. See discussion on Trigger Setup at the “Setup Menu” literature
for guidelines on how to congure +12V TRIGGER IN/OUT.
Use a 3.5mm mini-jack connector to pass +12 volts at a maximum
current of 50 milliamps to an auxiliary equipment such as a
multichannel amplier or subwoofer. The center conductor (hot) of
the 3.5mm jack is the control signal. The outside conductor (shield)
is the ground return-path.
This output will be 12V when the M17 is ON and 0V when the unit
is either OFF or in standby mode.
+12V TRIGGER IN
With this input triggered by a 12V DC supply, the M17 can be switched
ON remotely from standby mode by compatible devices such as
ampliers, preampliers, receivers, etc. If the 12V DC supply is cut o,
the M17 will return to standby mode.
Connect this +12V TRIGGER INPUT to the remote device’s
corresponding +12V DC output jack using a mono cable with
3.5mm male plug. The controlling device must be equipped with a
+12V trigger output to use this feature.
6 AUDIO 1-7
These comprise the M17’s other sets of principal input. Connect
these analog audio input ports to the corresponding audio output
ports of source components such as CD players or other line level
audio sources.
AUDIO 3-4 OUT
Connect AUDIO 3 OUT (and/or AUDIO 4 OUT) to corresponding
recording components or audio input ports of compatible sources
like CD/DVD recorders or outboard audio processors.
The signal present at AUDIO 3-4 OUT is determined by the current
source selected. There will be no output at AUDIO 3 OUT when
AUDIO 3 is selected. Likewise, there will be no output at AUDIO
4 OUT when AUDIO 4 is the active source input. This prevents
feedback through the recording component thereby preventing
possible damage to your speakers.
When congured, AUDIO 3 OUT and AUDIO 4 OUT are the same
assigned ports for Zone 3 and Zone 4 respectively. Refer also to
item 7 about ZONE 2-3-4.
7 ZONE 2-3-4
The M17 has three congurable Zones – Zone 2, Zone 3 and Zone
4. The Zone feature allows one to simultaneously experience in
a dierent zone or location of the house a Source assigned to a
particular zone.
Zone selected audio source is sent to the corresponding audio
input of another zone. Use high quality patch cables to reduce
noise pickup over long distance runs.
For a better understanding of zone settings, study below the
section about “Zone Controls” of the “Main Menu” discussion as well
as the item about “Zone Setup under the “Setup Menu” literatures.
8 DIGITAL AUDIO IN (COAXIAL 1-2/OPTICAL 1-2)
Connect to the corresponding optical or coaxial digital output of
sources such as CD or BD/DVD players, digital cable box, digital
tuners and other applicable components.
Coaxial and optical digital input association is congurable via the
Source Setup item of the Setup Menu OSD.
AUDIO PRE-OUT (HT 2/SURR-B HT 1/SURR-B)
Connect HT 2/SURR-B and/or HT 1/SURR-B to the audio input of an
external power amplier hooked up with up to 4 Height speakers.
9 HDMI (HDMI 1- 5, HDMI OUT 1-2)
Connect HDMI 1-5 to various HDMI OUT connectors of source
components such as DVD player, BD player, HDTV satellite/cable
box and other applicable types of equipment.
Connect HDMI 1-2 OUT to HDTVs or projectors with HDMI input.
HDMI 1 OUT supports 4K@60 4:4:4 and HDCP 2.2 compliant. Both
HDMI output ports display simultaneously the same audio/video
source.
WARNING
Before connecting and disconnecting any HDMI cables, both the M17
and the ancillary source must be powered OFF and unplugged from
the AC outlet. Failure to observe this practice may cause permanent
damage to all types of equipment connected via HDMI sockets.
IDENTIFICATION OF CONTROLS
REAR PANEL
9
ENGLISH
10 ETHERNET/LOCAL AREA NETWORK (LAN) PORT
LAN connection must be setup for wired connection to be
established. Set up a Wired Ethernet broadband router with
broadband internet connection. Your router or home network
should have a built-in DHCP server to consummate the connection.
Using a standard straight-through Ethernet cable (not supplied),
connect one end of the Ethernet cable to the LAN port of your
wired Ethernet broadband router and the other end to M17’s LAN
port.
This Ethernet connection has similar function as that of the RS232
connection. With your PC and the M17 on the same network,
it allows remote control of the M17 via compatible external
controllers.
The IP address of your network-connected M17 can be obtained.
Press and hold “Main item in the front panel display menu until
below information is displayed.
NOTES
NAD is not responsible for any malfunction of the M17 and/or the
internet connection due to communication errors or malfunctions
associated with your broadband internet connection or other
connected equipment. Contact your Internet Service Provider (ISP) for
assistance or the service bureau of your other equipment.
Contact your ISP for policies, charges, content restrictions, service
limitations, bandwidth, repair and other related issues pertinent to
internet connectivity.
USB
Connect the USB connector of the supplied BluOS/USB hub to this
USB input. Ensure that the Wi-Fi dongle and Bluetooth USB Micro
Adaptor are securely connected to any of the 4 ports of the USB
hub. If wireless connectivity is poor, connect Wi-Fi dongle to the
supplied extension cable and straighten out for better reception.
Refer to the instructions on HOW TO SETUP WIRELESS CONNECTION
in the BluOS SETUP menu below.
11 POWER
AC mains power is supplied to M17.
When the POWER switch is set to ON position, the M17 goes to
standby mode as shown by the amber status condition of the front
panel Power indicator. Press the front panel o (Standby) button or
HTRM 2 remote control’s [ON] button to switch ON the M17 from
standby mode.
If you intend not to use the M17 for long periods of time (such as
when on vacation), switch o the POWER switch.
With POWER switched o, neither the front panel o (Standby)
button nor HTRM 2 remote control’s [ON] button can activate the
M17.
12 AC MAINS INPUT
The M17 comes supplied with a separate detachable mains power
cord. Before connecting the plug to the mains power source,
ensure that it is rmly connected to the M17’s AC Mains input
socket rst.
Always disconnect the mains power plug from the mains power
source rst, before disconnecting the cable from the M17’s AC
Mains input socket.
Connect only to the prescribed AC outlet, i.e., 120V 60 Hz (for 120V
version models only) or 230V 50 Hz (for 230V version models only).
MASTER QUALITY AUTHENTICATED
Master Quality Authenticated (MQA) is
a revolutionary end-to-end technology
built into M17 that captures and
delivers master quality audio. M17
includes a powerful decoder and audio renderer for the MQA system. This
ensures that MQA-encoded audio les sound exactly like the source.
In the BluOS app, the MQA indicator displays green or blue to indicate that
the unit is decoding and playing an MQA le. It displays green to indicate
decoding and playback of a MQA le and denotes provenance to ensure
that the sound is identical to that of the source material. It displays blue to
indicate playback of MQA Studio le that has either been approved in the
studio by the artist/ producer or has been veried by the copyright owner.
IMPORTANT
When listening to MQA audio files, set the following options for
optimal performance
Setup Menu $ Listening Mode Setup $ Listening Modes $ PCM $
Stereo/Surround $ None
Main Menu $ Tone Controls $ Tone Defeat $ On
MQA® is a trademark of MQA Limited.
IDENTIFICATION OF CONTROLS
REAR PANEL
10
Green Indicator - Original MQA file Blue Indicator - MQA Studio file
ENGLISH
ABOUT THE ON-SCREEN DISPLAY (OSD)
The M17 employs a simple, self-explanatory system of on-screen display
“menus that will appear on the connected video monitor/TV. These are
required during the setup process (and are useful in day-to-day operation),
so be sure to connect the monitor/TV before proceeding with the setup.
DISPLAY THE OSD
Press [S], [s], [MENU] or [ENTER] buttons of the HTRM 2 remote control or
front panel to display the M17’s Main Menu on your video monitor/TV. If
the OSD does not appear, check your MONITOR OUT connections.
IMPORTANT
The OSD can only be viewed using a display device with minimum
1080p resolution.
NAVIGATING THE OSD AND MAKING CHANGES
To navigate through the OSD menu options, please do the following using
the HTRM 2 or corresponding front panel buttons:
1 Press [S] to select a menu item. Use [D/F] or in some cases, [ENTER],
to move up or down the Menu selections. Repeatedly press [S] to
advance or go further into the sub-menu of desired menu item.
2 Use [D/F] to set or change the parameter value (setting) of a menu
item.
3 Press [A] to save the settings or changes done on the current menu or
sub-menu. Pressing [A] will also return the user to the previous menu or
exit from a particular menu.
MAIN MENU
The Main Menu contains the menu options for “DSP Options”, Tone
Controls, “Zone Controls”, “System Info and access to “Setup Menu”.
Follow the guidelines about “DISPLAY THE OSD” and “NAVIGATING THE OSD
AND MAKING CHANGES” to navigate through the menu options and their
sub-menu selections.
NOTE
The individual congurations set forth at “DSP Options” and “Tone
Controls” are carried over whenever they are enabled at A/V Presets
setting. Please see the section “A/V PRESETS” for reference.
DSP OPTIONS
LIP SYNC DELAY
DSP Options has the feature “Lip Sync Delay” whose function is to match
any delay that may occur in the picture relative to the audio.
By varying “Lip Sync Delay from 0ms to 120ms, one can delay the audio
output in order to synchronize it with the video image.
ADC ANALOGTODIGITAL CONVERTER RATE
An analog audio input is converted to digital signal by making use of M17’s
superb circuitry called analog-to-digital converter (ADC).
Using this ADC Rate feature, the sampling rate of the resulting digital audio
signal (available at the digital output ports) can be converted into three
levels - 48K, 96K and 192K. Make sure that the associated equipment will be
able to handle the applicable digital audio signal level.
DIRAC LIVE
With Dirac Live calibration successfully completed, the Dirac Live settings
can be selected in this menu.
O (No Calibration): Dirac Live option is greyed out and not
accessible if Dirac Live is not calibrated.
Slot 1-3: Select corresponding Slot where Dirac Live calibration setting
is stored.
O: Select “O if you do not want to activate or load any Dirac Live
calibration setting.
OPERATION
USING THE M17  MAIN MENU
11
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TONE CONTROLS
The M17 has three Tone Control levels – Treble, Bass and Center Dialog.
Bass and Treble controls only aect the low bass and high treble leaving
the critical midrange frequencies free of coloration. The Center Dialog
(“Dialog” in the front panel display) control boosts the “presence of the
midrange region improving intelligibility of speech.
These controls allow one to tweak on-the-y, the frequency response
of the source during playback. The control setting could be adjusted
by navigating through the Tone Controls’ OSD menu via a combination
of [ENTER] and [A/S/D/F] keys. The same can be managed directly by
pressing the front panel’s Tone display and then slide h“ to adjust treble,
bass or dialog level.
Maximum and minimum values for both Tone Control levels are ±10 dB.
Tone Defeat” gives one the choice of varying or completely bypassing the
tone control section of the M17. If “O (“Tone Active in the front panel
display) is selected, the Tone Control circuits are active.
Select “On” (“Tone Defeat” in the front panel display) to bypass the Tone
Controls eectively defeating the eect of the tone control circuits.
NOTE
Tone Controls options can be directly selected or changed using HTRM
2’s [TONE] button with DEVICE SELECTOR set to AMP mode. Toggle
[TONE] button to select “Treble, “Bass” or “Dialog” and then use the
[D/F] to adjust their respective levels. Press [TONE] again to save the
settings and at the same time move on to the next parameter or exit the
parameter setting altogether.
ZONE CONTROLS
Depending on the settings made at the separate “Zone Setup menu
under the “Setup Menu” section discussion, the applicable Zone can be
congured and managed via this “Zone Controls window.
ZONE 2
POWER
On: Zone 2 is turned on or activated.
O: Zone 2 is turned o or deactivated.
SOURCE
Enabled Analog Sources: With Zone 2 activated, Source input for Zone
2 can be assigned by selecting through the following input - All enabled
analog Sources and Local.
Local: Select “Local” as your selected Zone 2’s Source input if you wish to
enjoy the same source as the main Zone and allow simultaneous listening,
but with full separate volume levels.
VOLUME
Volume refers to the adjustable secondary Zone 2 Volume level that
can be increased or decreased using the D/F buttons of the HTRM 2.
This is applicable only if the Zone 2 Volume setting in the separate “Zone
Setup menu under “Setup Menu” is set to “Variable”. If set to “Fixed”, this
“Volume item at the Zone Controls section will not be available.
MUTE
On/O: Audio is temporarily turned o or restored.
NOTE
The ZR 7 remote control will only control Zone 2 applications. Zone 3
and Zone 4 could be congured and managed at the appropriate Zone
OSD menu using the corresponding keys on the HTRM 2 remote control.
ZONE 3/ZONE 4
Set as Record Output: ZONE 3/ZONE 4 is designated as “Set as Record
Output” if the “Mode” setting is “Record” at the separate “Zone (3/4) Setup
menu under “Setup Menu”.
ZONE 3/ZONE 4 is used as a regular AUDIO 3 OUT/AUDIO 4 OUT port.
Audio present at AUDIO 3 OUT or AUDIO 4 OUT jack is determined by
the current Main Source. There will be no output at AUDIO 3 OUT if
the current Source is analog Source 3. Likewise, there will be no output
at AUDIO 4 OUT if the current Source is analog Source 4. This prevents
feedback through the recording component thereby preventing possible
damage to your speakers.
ZONE 3/ZONE 4: For ZONE 3/ZONE 4 to become available and
congurable at the “Zone Controls window, their corresponding “Mode”
in the “Zone (3/4) Setup menu under the “Setup Menu” section should be
set to “Zone. ZONE 2/ZONE 3 can now be congured just like ZONE 2 as
described above.
IMPORTANT NOTICE
Only analog audio connected through a Source’s analog audio input
port can be associated as audio source for Zone 2, Zone 3 or Zone 4.
Digital audio sources connected via HDMI, digital optical and digital
coaxial input ports cannot be down mixed and used as Zone 2, Zone 3
or Zone 4 audio source.
BluOS audio is also not applicable as a Zone 2, Zone 3 or Zone 4 audio
source.
Ensure that the associated Source’s Digital Audio setting is set to “O” or
no actual digital source is connected.
OPERATION
USING THE M17  MAIN MENU
12
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SYSTEM INFO
“System Info displays information about current rmware versions of MCU,
LCD, DSP, Video and BluOS/ OSD as well the unit’s serial number and IP
address. The System Information shown above is for reference only.
CHECK FOR UPGRADE
Your M17 is updated to latest rmware versions if “Check for Upgrade is
shown.
SYSTEM INFO UPGRADE AVAILABLE
Your M17 needs to be upgraded if the “System Info item in the Main Menu
changes to “System Info (Upgrade Available).
START UPGRADE
With your M17 connected to internet, select “Start Upgrade and Internet
Update will proceed automatically.
Refer also to enclosed INTERNET UPDATE GUIDELINES for further guidelines.
OPERATION
USING THE M17  MAIN MENU
13
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SETUP MENU
The Setup Menu allows one to customize the operation of the M17 to the
ancillary equipment used in one’s specic AV system. Unless your system
exactly matches the factory defaults as shown in the accompanying Quick
Start Guide, you will need to use the setup menu to congure the inputs
of the M17.
At Setup Menu, the following are congurable:
Control Setup
Source Setup
Speaker Setup
Zone Setup
Trigger Setup
Listening Mode Setup
Front Panel Display Setup
A/V Presets
BluOS Setup
Select Language
To access and navigate through Setup Menu and its sub-menu options,
follow the directions indicated from above sections about “DISPLAY THE
OSD” and “NAVIGATING THE OSD AND MAKING CHANGES”.
CONTROL SETUP
The M17 supports HDMI Control (CEC) and Audio Return Channel (ARC)
functions. Both functions are possible if external devices that also support
both features are interconnected with the M17 via HDMI connection.
AUTO STANDBY
The M17 can be setup to automatically go to standby mode if there is no
user interface interaction within 30 minutes.
On: M17 will go to standby mode automatically in the absence of any user
interface interaction within 30 minutes.
O: M17 remains active even though no user interface interaction is
detected.
CEC/LAN/BLUOS IN STANDBY
Indicates the status of CEC, LAN and BluOS activity while the unit is in
standby mode.
On
Enable CEC feature. Audio and video will continuously stream from
a CEC-enabled HDMI source to a CEC-enabled TV (with both devices
connected via M17).
LAN and BluOS connections continue to be active.
O
M17 will not pass through any CEC message. Audio and video will not
be streamed from a CEC-enabled HDMI source to a CEC- enabled TV
(with both devices connected via M17).
LAN and BluOS connections are idle or inactive.
HDMI CONTROL CEC
Consumer Electronics Control (CEC) is a set of commands that utilizes
HDMI’s two- way communication to allow for single remote control of any
CEC-enabled devices connected with HDMI. A CEC command will trigger
the necessary commands over HDMI for an entire system to auto-congure
itself to respond to the command.
When devices that support HDMI Control (CEC) are connected, the
following modes of operation can be executed via the M17 or the external
device using any of the device’s remote control.
O: Applies to all CEC options below. At ”O setting, particular CEC feature
is defeated.
Power O: At “On” setting, the M17 will automatically go to standby
mode if it receives a CEC standby command. On the other hand, if the
M17 receives a CEC power up command, the M17 will correspondingly
switch ON from standby mode.
Source Switch: At “On” setting, the M17 will automatically switch
sources if another CEC device requests a Source change.
For example, if PLAY is pressed on a BD Player with CEC, the M17
and TV with CEC will automatically switch to their respective input
connections – the M17 switching to the HDMI input where the BD
Player is connected while the TV will switch to its input where the M17’s
HDMI OUT is connected. This completes the auto- conguration – the
BD Player is automatically played back using the M17 and TV.
Audio System: At “On setting, the M17 will broadcast a CEC message
indicating it is an active audio system. A CEC compatible TV will usually
mute its audio output when this happens. When this option is enabled,
the M17 will also respond to CEC volume and mute commands. For
example, a CEC TV may forward the volume commands from its remote
to the M17.
OPERATION
USING THE M17  SETUP MENU
14
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ARC Mode: Audio Return Channel (ARC) enables an ARC-enabled TV
to send audio data “upstream to M17.
This option has three choices: O, Auto or Source Setup.
Auto: When set to Auto, the M17 will automatically attempt an ARC
audio connection to the TV whenever the TV announces over CEC
that it has become the active source. If an ARC connection can be
established, the M17 will output the ARC audio signal no matter
what source is selected on the M17 and will show “HDMI ARC on
the front panel display. The Auto option tends to work best when
all your devices support CEC and the Source Switch option is set to
“On.
Source Setup: When set to Source Setup, you can select ARC” for
the digital audio input in the source setup screen. When you select
a source on the M17 which is set for ARC, the M17 will attempt to
initiate an ARC connection with the TV. When using this option,
you would probably also want to make sure Source Switch is o
otherwise other CEC devices may keep changing the M17 source
when you want it to remain on the ARC source.
IMPORTANT NOTES
Audio System” must be set to “On” for “ARC Mode” to be congurable.
Otherwise, “ARC Mode“ will remain “O” .
“CEC/LAN/BluOS in Standby” must be set to “On” for audio and video
to continuously stream from a CEC-enabled HDMI source to a CEC-
enabled TV (with both devices connected via M17).
SOURCE SETUP
The Source Setup menu makes it possible to set, allocate or change the
Sources settings.
The M17 Sources are all congurable. Each Source can be congured with
respect to the following settings.
ENABLED
One can enable/disable a Source via this option. This is particularly useful
if only few Sources are used and one directly selects the Source from the
front panel, bypassing unused sources.
Yes/No: Select Yes” to enable the particular Source or “No” to disable
the Source.
NAME
A new Name maybe assigned to a Source label. For example, if your BD
player is attached to “Source 1”, it is possible to rename “Source 1”to“BD
Player”.
In order to rename the Source label, scroll to the “Name” parameter. Press
[S] to go to the rst character. Then, press [D/F] to pick through the
alphanumeric selections.
Press [S] to move to the next character and at the same time save the
changes done on the current character. The name can be as long as twelve
characters.
The new Name will be shown in the front panel display as well as on the
OSD.
ANALOG AUDIO
All available analog Sources can be specically assigned to any of the main
Sources.
Active analog Source: Use [D/F] to select and assign an active
Source input to a particular main Source.
O: No incoming analog audio signal is selected by the particular
Source.
NOTE
An incoming digital signal present at the assigned digital input will
always take precedence over the assigned analog audio input if both
are present. To maintain the analog audio input for the particular
Source, select “O” at the “Digital Audio” setting of the same “Source”
menu.
ANALOG GAIN
Gain adjustment allows all sources to play back at the same volume level so
you don’t need to adjust the volume every time a new source is selected. It
is generally preferable to reduce the level of the loudest source rather than
making louder the softer sources.
Scroll to Analog Gain, press [S] and then [D/F] to step through the
desired level from -12dB to 12dB.
DIGITAL AUDIO
To take advantage of the M17’s high performance surround and digital
audio circuitry, it is advisable that its Digital Audio inputs are selected. There
are various types of Digital Audio input for the M17. These are HDMI, BluOS,
Optical and Coaxial digital inputs. Select “O if it is intended not to assign
any digital audio input to a particular Source.
The following are the sets of assignable Digital Audio input.
HDMI $ HDMI 1, HDMI 2, HDMI 3, HDMI 4, HDMI 5
Optical $ Optical 1, Optical 2
Coaxial $ Coaxial 1, Coaxial 2
BluOS
NOTE
An incoming digital signal present at the assigned digital input will
always take precedence over the assigned analog audio input if both
are present. To maintain the analog audio input for the particular
Source, select “O” at the “Digital Audio” setting of the same “Source”
menu.
OPERATION
USING THE M17  SETUP MENU
15
ENGLISH
VIDEO INPUT
All available HDMI sources can be assigned as video input to a particular
Source. Select “O if it is intended not to assign any video input to a
particular Source.
HDMI $ HDMI 1, HDMI 2, HDMI 3, HDMI 4, HDMI 5
Previous $ Display or retain preceding video.
A/V PRESET
A particular Source can be assigned a stored Preset. The parameters set up
in the selected Preset number will be adopted into the particular Source it
is assigned (Please refer to the separate section on A/V Presets” for further
understanding of Preset settings).
If it is desired not to assign the particular Source a Preset setting, select
“None”.
TRIGGER OUT
The Trigger Out for a particular Source is dependent upon the
congurations done in a separate menu on Trigger Setup (See Trigger
Setup below). If “Source Setup is assigned to all three Trigger output
(Trigger Out 1-3) in the separate Trigger Setup menu window, a particular
Source can have the following Trigger Out combinations
Trigger Out: Trigger1 $ Trigger2 $ Trigger 1+2 $ Trigger 3 $
Trigger 1+3 $ Trigger 2+3 $ Trigger1+ 2+3
Above combinations are dependent upon the assignment of “Source
Setup for all Trigger 1 Out, Trigger 2 Out or Trigger 3 Out settings at the
Trigger Setup menu. If only Trigger 1 Out is set “Source Setup, only
Trigger 1” and “None” are available options at Trigger Out setting for a
particular Source.
None: Particular Source is not assigned any Trigger Out option.
IMPORTANT
For Trigger Out to be assignable at “Source Setup” menu, make sure to
carry out following.
In the separate Trigger Setup” menu, assign Trigger 1 Out, Trigger 2 Out
or Trigger 3 Out to “Source Setup.
Trigger Out” will not be congurable and remain at “None” setting if at
the separate Trigger Setup menu, none of the Trigger 1 Out, Trigger 2
Out or Trigger 3 Out settings is allocated to “Source Setup.
SPEAKER SETUP
After connecting all ancillary sources and other combinations, the Speaker
Setup menu will guide you on how to manage and setup your speakers in
order to achieve optimum sound acoustics in your listening environment.
The following are the Speaker Setup Menu sections.
IMPORTANT NOTICE
The M17 is an AV Surround Sound Preamplier and therefore has no
speakers. The mention of “Speaker(s)” in this manual refers to the
speakers of your external amplier as interfaced with the M17.
SPEAKER CONFIGURATION
Every surround-sound system requires “bass-management to direct low-
frequency content from any or all channels to the speakers best able to
reproduce it. For this function to operate correctly, it is important that you
correctly identify your speakers’ capabilities. We use the terms “Small and
“Large (and “O”) but note that physical size may be irrelevant.
A “Small” speaker is any model, regardless of physical size, that lacks
signicant deep-bass response, that is, below about 200 Hz.
A “Large” speaker is any full-range model; that is, one with deep-bass
response
An “O speaker is one that is not present in your system. For example,
you might not have any surround-back speakers installed; in that case,
you would set the “Back” setup item to “O.
For “Height speakers, selecting “O option for “Height 1” will
automatically cut o both Height 1 and Height 2 Audio output.
The Speaker Conguration is global”; that is, it remains in force with all
inputs and in all listening modes. However, speaker settings are part of the
M17’s Preset system. Consequently, multiple speaker settings can be stored
for easy recall as dierent types of recordings or listening modes require.
Speaker Conguration can be managed and adjusted by pressing
a combination of [S] and then [D/F] keys. Set “Front”, “Center” and
“Surround” to “Large”, “Small” or “O as your subsystem’s speakers require.
Set “Back to either “Stereo or “Mono as per speaker availability. Set
“Subwoofer” to “On” or “O, ”selecting “On” only if you have a subwoofer
connected to the M17’s SUBW1 or SUBW2 output jack. If “Subwoofer is set
to “O, “Front speakers will automatically be set to “Large”.
HEIGHT 1/HEIGHT 2
“Height 1” and “Height 2” AUDIO PRE-OUT can be connected to the audio
input of an external power amplier hooked up with up to 4 Height
speakers.
Height1/Height 2 settings must be set to “On at the “Speaker
Conguration menu to activate the additional Height speakers and be
congurable.
OPERATION
USING THE M17  SETUP MENU
16
ENGLISH
ENHANCED BASS
When the subwoofer is set to ON and “Front” is set to “Large”, Enhanced Bass
becomes available. Normally, with speakers set to “Large” the subwoofer is
not active.
The Enhanced Bass option allows full range operation of the speakers
with the additional bass contribution of the subwoofer. This feature is
particularly useful when one wants to experience maximum bass output.
Please note that due to acoustic cancellation eects, the bass response
may be uneven when using this setting
You can set Subwoofer to “On” even with “Large front speakers, in which
case bass content from any channels set to “Small will be routed to both
the subwoofer and to the front speakers; LFE-channel signal will pass only
to the sub. In most subwoofer-equipped systems, setting front speakers to
“Small” is usually the better option.
All the speakers’ low frequency content can be directly adjusted within the
range 40Hz to 200Hz.
NOTE
The congurations set forth at “Speaker Setup” are carried over
whenever it is enabled during A/V Presets setting. Please see also the
section “A/V Presets” for reference.
SPEAKER LEVELS
Adjusting the relative balance of your system’s loudspeakers ensures that
surround-sound recordings, whether music or lm, will present the balance
of eects, music, and dialog that the artists intended. Additionally, if your
system incorporates a subwoofer, it establishes a correct relationship
between the volume of the subwoofer and the other speakers, and thus of
low-frequencies (bass) to other sonic elements.
USING AN SPL METER
It is quite practical to perform the M17 level setup routines “by ear, and
careful work will produce acceptably accurate results. However, the use
of an inexpensive sound-pressure level (SPL) meter, such as Radio Shack
part number 33-2050, makes this task easier, more accurate and more
repeatable. Ownership of such a meter could prove a valuable audio tool.
The SPL meter should be placed at the primary listening position, at
approximately the height of the seated listeners head. A tripod is helpful
but with a little duct tape almost anything - a pole lamp, music-stand,
or ladder-backed chair, for example - can do as well. Just be sure that no
large acoustically reective surfaces obstruct or are near the microphone
element.
Orient the meter with its microphone (usually at one end) pointing straight
up toward the ceiling (not toward the speakers) and ensure that “C
weighting scale is selected. Set the meter to display 75 dB SPL. On Radio
Shack meters, this necessitates either setting the meter to its 80 dB range
and taking your readings at the -5 point or selecting the 70 dB range and
reading at the +5 point.
SETTING SPEAKER LEVELS IN TEST MODE
While at “Speaker Levels” menu, press the HTRM 2 remotes [TEST] key
activating the M17’s Speaker Levels balancing test signal. You will hear
a “surf sound as you step through your speakers (“Test Mode Active is
shown beside the Speaker Setup heading), beginning with the Front Left.
If you do not hear the test signal, check your speaker connections or your
“Speaker Conguration OSD menu settings.
Use the remotes [D/F] keys to adjust the loudness of the noise output
from the currently playing channel to the required level (it’s usually
simplest to begin with the Front Left). As you cycle the test signal around
the speakers, the OSD will highlight the currently playing channel. The
“level oset” reading on the right will change by 0.5dB increments; ±12 dB
adjustment is available. Press [ENTER] to adjust the next speaker.
NOTE
If you are balancing levels “by ear, choose one speaker - usually the
center - as a reference and adjust each of the others in turn to “sound as
loud” as the reference. Be sure that you remain in the primary listening
position while balancing all channels.
To produce the same SPL meter reading (or subjective loudness), use the
remotes [D/F] keys to adjust each speaker.
NOTES
All speakers must be in their nal locations before level-setting.
Your subwoofer (if any) should be set with its integral crossover defeated,
or if undefeatable, set to its highest-possible frequency if you are using the
M17’s Subwoofer output. Final subwoofer-level adjustment “by-ear,” using
music and lm sound material, is frequently useful.
Due to the eects of room acoustics, matched-pair speakers (front;
surround; back) will not always calibrate to exactly the same level oset
readings.
You can exit Test” mode at any time by pressing [A] key, bringing you back
to “Speaker Setup” menu. You can also press the [TEST] key to discontinue
the “Test” mode.
If Dirac Live calibration is completed and selected, the Dirac Speakers Level
settings will be shown.
OPERATION
USING THE M17  SETUP MENU
17
ENGLISH
SPEAKER DISTANCE
Your systems speaker distance settings are a subtle but important
renement of your setup. Informing the M17 of the loudspeaker-to- listener
dimensions of each speaker automatically imposes the correct delays,
optimizing imaging, intelligibility and surround-sound ambience. Enter
your dimensions with precision within about 1 foot (0.3m).
SETTING SPEAKER DISTANCE
While at “Speaker Distance” menu, use the [D/F] keys to individually set
the distance measured from your principal listening position to the front
surface of the corresponding loudspeaker. Distance can be set up to 30
feet or 9.1 meters. Distance can be displayed as feet or meters selectable at
the “Unit of Measure” item.
If Dirac Live calibration is completed and selected, the Dirac Speakers
Distance settings will be shown.
DIRAC LIVE
The proprietary Dirac Live is integrated with your M17. Dirac Live® is a
patented room correction technology that not only corrects the frequency
response, but also the impulse response of a rooms loudspeakers. Dirac
Live provides true impulse response correction over a large listening area,
improving the depth, positioning and distinction of individual voices and
instruments. Using multiple measurement and mixed phase correction,
Dirac Live helps create a natural, realistic and transparent sound with
tighter bass and reduced room modes, in a way previously not possible.
Initiate Dirac Live by following below Setup Requirements.
M17
Update your M17 to the latest rmware.
Speaker Conguration must match actual speaker setup – turn o
speakers that are not available.
Both your computer and M17 must be connected to the same network.
MICROPHONE
The supplied measurement microphone can be connected to either
the MIC or USB input of your computer or the USB input of the M17.
If the measurement microphone will be connected to the USB input of
your computer or the M17, ensure that the measurement microphone,
phone jack adapter and USB Mic adapter are all connected together.
The USB Mic adapter is not necessary if the measurement microphone
will be connected to the MIC input of your computer,
Minimize external noise such as talking, opening/closing of doors or
windows and playback of sound during the measurement.
Use a microphone stand to rmly place the microphone in the
indicated measurement positions.
COMPUTER WINDOWS, macOS
Both your computer and M17 must be connected to the same network.
Any active rewalls should allow HTTP (normal WWW access).
Turn o any computer programs that may make any noise.
Download the Dirac Live Calibration Tool™ installer.
Run the Dirac Live Calibration Tool™. Follow on-screen instructions. Refer
also to the HELP window for more detailed instructions.
View and follow simulated Dirac Live Calibration at:
nadelectronics.com/dirac-live
For further information about Dirac Live Room Correction technology, visit:
www.dirac.com/live-home-professional-audio-info
ADJUSTING THE VOLUME
In addition to the Volume knob, use the HTRM 2’s VOL [5/6] to adjust the
“master volume” of the M17 raising or lowering the channels altogether. A
momentary keypress will change the master volume by 0.5dB increments.
If you hold down VOL [5/6], the master-volume change will “run-on until
the key is released.
Since recordings vary considerably in overall average level, there is no
imperative to listen at any particular master-volume setting. A setting
of -20dB may sound “as loud” from one CD or DVD as -10dB does from
another.
The M17 will power-up from Standby mode at whatever master volume
setting was last used; however, if the prior setting was greater than -20dB,
the M17 will power up at -20dB. This prevents inadvertently beginning a
session at excessive volume.
MUTING THE SOUND
Use the HTRM 2’s [MUTE] key to silence all channels completely. Muting is
always available regardless of the source or listening mode selections.
NOTES
Changing input or listening-mode selections does not release muting.
Adjusting the volume level via the HTRM 2 or the front panel volume
knob will automatically release the mute function.
OPERATION
USING THE M17  SETUP MENU
18
HTRM 2
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OFF
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ADJUSTING CHANNEL LEVELS ON THE FLY’
You can make changes to the relative levels of center, surround and
subwoofer outputs without having to go into the “Speaker Levels” menu.
This is very convenient in circumstances like increasing (or tone down)
a lms dialog level by raising (lowering) the center channel or reducing
excessive deep bass (or enhance deep bass) by lowering (raising) the
subwoofer level.
Use the HTRM 2’s “SURR,’‘CENT and “SUB keys for direct-access level
adjustment of these channels over a range of ±6 dB.
The surround back channels (if any) adjust in lockstep with the surround
channels.
ZONE SETUP
The Zone feature allows one to simultaneously experience in dierent
zones of the house multiple sound sources from all enabled analog
Sources.
The M17 has three congurable Zones – Zone 2, Zone 3 and Zone 4.
ZONE 2 SETUP
VOLUME MODE
Zone 2 has Fixed and Variable volume control modes.
Variable: Zone 2 Volume level can be adjusted using HTRM 2’s [D/F]
or directly via ZR 7’s [VOL d/f].
Fixed: Zone 2 Volume is set to a preset dB level using HTRM 2’s [D/F]
and thereafter Zone 2’s volume level can be varied via the volume
control of the separate amplier it is fed into.
See discussion also about “Zone Controls at the Main Menu.
ZONE 3 SETUP/ZONE 4 SETUP
MODE
Zone 3 and Zone 4 can be congured into two modes - Record and Zone.
Record: ZONE 3 OUT/ZONE 4 OUT is used as a regular AUDIO 3 OUT/
AUDIO 4 OUT ports. Audio present at AUDIO 3 OUT or AUDIO 4 OUT
jack is determined by the current Main Source. There will be no output
at AUDIO 3 OUT if the current Source is analog Source 3. Likewise, there
will be no output at AUDIO 4 OUT if the current Source is analog Source
4. This prevents feedback through the recording component thereby
preventing possible damage to your speakers.
Zone: ZONE 3/ZONE 4 becomes available and congurable at the
“Zone Controls window of the Main Menu. Zone 3 and Zone 4 can be
congured the same way as that of Zone 2 Setup menu above.
See discussion also about “Zone Controls at the Main Menu.
NOTE
The ZR 7 remote control will only control Zone 2 applications.
TRIGGER SETUP
The M17 features three congurable +12V DC Trigger Output that can be
used to activate a component or system it is fed into. A Trigger Input can
also be congured to turn ON/OFF a section of M17.
OPERATION
USING THE M17  SETUP MENU
19
HTRM 2
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OFF
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TRIGGER 123 OUT
Triggers are low voltage signals used to turn on/o other compatible
devices. The M17’s three +12V DC Trigger Output ports (Trigger 1 Out,
Trigger 2 Out and Trigger 3 Out) are dependent upon the mode they are
associated with. Below are the options the +12V DC Trigger Output can be
congured.
Main: +12V DC is available from the assigned Trigger Out when M17 is
at powered state.
Zone 2, Zone 3, Zone 4, Zone 2, 3 and 4, Main+Zone 2,
Main+Zone 3, Main+Zone 4, Main+Zone 2, 3 and 4: When the
applicable Zone conguration is at powered state, +12V DC is available
from the assigned Trigger Out.
Source Setup: If Trigger Out is set to “Source Setup, +12V DC is
available from the congured Trigger Out whenever the particularly
assigned Source is selected. Please see also separate discussion about
Trigger Out” under the Source Setup section.
DELAY
The availability of +12V DC at Trigger Out can be regulated. If it is desired
that +12V DC is available without delay the moment Trigger Out is linked
to its assigned setting, set Delay to 0s. Otherwise, one can select through a
delay time of 1s to 15s.
AUTO TRIGGER IN
Auto Trigger IN allows external system controllers to toggle the associated
section of the M17 from standby to operating mode and vice versa.
Ensure that “+12V TRIGGER IN (OFF/AUTO)” switch is set to AUTO” for AUTO
TRIGGER IN to be functional.
Main: M17 goes to operating mode with +12V DC applied at Trigger IN
and switches to standby mode with 0V applied.
Zone 2, Zone 3* or Zone 4*: Applicable Zone goes to operating
mode with +12V DC applied at Trigger IN and switches to standby
mode with 0V applied.
All: Main, Zone 2, Zone 3 and Zone 4 as described above will all go to
operating mode with +12V DC applied at Trigger IN and switches to
standby mode with 0V applied.
* - The “Mode” setting in the Zone 3 or Zone 4 Setup menu must set to
“Zone.
Refer also to the item about “+12V TRIGGER OUT1/OUT2/OUT3, +12V
TRIGGER IN” from the IDENTIFICATION OF CONTROLS - REAR PANEL
discussion.
WARNING
If “Auto Trigger In” at Trigger Setup menu is assigned to “Main” or “All”
and the +12V TRIGGER IN switch is set to “AUTO” mode, the o (Standby)
button in the front panel as well as the corresponding ON/OFF function
keys in the HTRM 2 remote control will be disabled eectively handling
this function to the device where Auto Trigger IN is connected. Slide to
“OFF” the +12V TRIGGER IN switch to maintain normal power ON/OFF
function procedures.
LISTENING MODE SETUP
The M17 has various listening mode options and is mostly congurable.
These are provided to reproduce a variety of sound eects depending
upon the content of the source to be played.
LISTENING MODES
The audio format as detected by the selected Source can be automatically
congured and processed through the following options:
DOLBY DIGITAL
Dolby Digital is the multi-channel digital signal format developed in the
Dolby laboratories. Discs bearing the Dolby Digital (double-D symbol) logo
were recorded with up to 5.1 channels of digital signals, reproducing a
much better sound quality, with dynamic and spatial sound sensations that
are much better than in the previous Dolby Surround.
A Dolby Digital audio input can be congured relative to its format as
follows
Stereo: If the detected audio is of Dolby stereo format, you can default
it to either Dolby Surround or None.
Surround: If the detected audio is of Dolby Surround format, you can
default it to one of the following settings - Dolby Surround, Stereo
Downmix or None.
None: If “None” is selected, the Dolby Digital signal will be defaulted
to its native format. With this setting, “Direct becomes available as a
Listening Mode option.
DTS
The Digital Theater System Digital Surround (simply called DTS) is a multi-
channel digital signal format that can process higher data rates than with
Dolby Digital. Although both Dolby Digital and DTS are 5.1 channel media
formats, discs bearing the “DTS symbol are thought to provide better
sound quality due to the lower audio compression required. It also oers a
broader dynamic, producing magnicent sound quality.
OPERATION
USING THE M17  SETUP MENU
20
ENGLISH
A DTS audio input can be congured relative to its format as follows
Stereo: If the detected audio is of DTS format, you can default it to one
of the following settings - Neural:X or None.
Surround: If the detected audio is of DTS Surround format, you can
default it to one of the following settings - Neural:X, Stereo Downmix
or None.
None: If “None” is selected, the DTS signal will be defaulted to its native
format. With this setting, “Direct” becomes available as a Listening Mode
option.
PCM
PCM (Pulse Code Modulation) is the digital representation of a standard
audio signal converted with little or no compression. If “None” is selected,
the audio signal will be defaulted to its native format.
Stereo: The detected stereo audio format will be congured into one
of the following options - Neural:X, Dolby Surround, EARS, Enhanced
Stereo or None.
Surround: The detected surround audio format will be congured
into one of the following options - Neural:X, Dolby Surround, Stereo
Downmix or None.
ANALOG
If the audio input is an analog signal, the following are the surround modes
the input can be defaulted - Neural:X, Dolby Surround, EARS, Enhanced
Stereo, Analog Bypass or None.
LISTENING MODES
The M17 oers distinct listening modes, tailored for dierent types of
recording or program material. With a two-channel (Stereo) source, the
following listening modes can be selected.
STEREO
Output is directed to the front left/right channels. Low frequencies are
directed to the subwoofer if one is present in the Speaker settings. Select
“Stereo when you wish to listen to a stereo (or monaural) production, such
as music CD, without surround enhancement. Stereo recordings whether
in PCM/digital or analog form and whether surround-encoded or not
encoded, are reproduced as recorded. Multi-channel digital recordings
(Dolby Digital and DTS) are reproduced in “Stereo Downmix” mode via the
front left/right channels only as Lt/Rt (left/right-total) signals.
DIRECT
The analog or digital sources are automatically played in their native
formats. All the sources audio channels are reproduced directly. This
mode recreates the original sound most faithfully thereby producing
outstandingly high quality audio. Note that the source must be at playback
mode for “Direct” to become available as a listening mode option. In order
to automatically playback your source in their native format, implement the
following settings.
1 Go to “Listening Mode Setup” under “Setup Menu”. At the “Listening
Modes” menu, set all Dolby, DTS, PCM and Analog settings to “None”.
With this setup, your source will be played back directly at its native
format.
2 Next, go to A/V Presets under “Setup Menu”. At A/V Presets” menu, set
“Listening Mode Setup” item to Yes” and then save this setting among
other options, say to “Preset 1”, by selecting “Save Current Setup to
Preset.
3 Now, you can associate “Preset 1” to any of the “Source settings. For
example, at Source 1 setting under “Source Setup, scroll down to A/V
Preset item and set it to “Preset 1”. Thus whenever Source 1 is selected,
the associated source will always be directly played back at its native
audio format.
EARS
Two-channel recordings, whether stereo or surround-encoded, are
reproduced with proprietary NAD surround processing with signal output
to the front left/right, center and discrete left/right surround channels,
plus subwoofer (assuming these are present in the current “Speaker
Conguration”). EARS does not employ the surround back speakers (if any).
EARS extracts the natural ambience present in nearly all well-produced
stereo recordings. It does not synthesize any ambience or other sonic
elements and thus remains truer to the sound of the original musical
performance than most other music-surround options.
Select EARS for listening to stereo music recordings and broadcasts. EARS
produces a subtle but highly natural and believable ambience from nearly
all “natural-acoustic” stereo recordings. Typically, these include classical, jazz,
and folk genres as well as numerous examples from others.
Its virtues include realistic, stable “front-stage sonic imaging and spacious
but unexaggerated ambient “virtual acoustics” that remain faithful to the
original recording.
ENHANCED STEREO
All recordings are reproduced in stereo via the maximum speaker
complement congured in the current “Speaker Conguration. Enhanced
stereo can be useful for maximum volume from all channels or for multi-
speaker background music (cocktail party) listening. For this mode, Front,
Center, Surround, Back and activated Height 1/2 speakers can be turned
ON/OFF as desired.
DOLBY ATMOS
Dolby Atmos redenes your entertainment experience. Overhead
dimension is added by creating a full audio atmosphere and realistically
depicting objects moving overhead. Sound from a helicopter, a car
screeching around a corner or a melodic bird call can be precisely placed
and moved anywhere in your room, including overhead, to ow above
and around you in three-dimensional space. Dolby Atmos also renders
everything from dialogue to quiet scenes to whirlwind action with
astonishing clarity, richness, detail and depth.
DTS:X
DTS:X places sound where it would occur naturally in space, creating the
most lifelike, multi-dimensional audio experience ever. DTS:X technology
adapts to the viewing environment, allowing for a exible speaker
conguration that best ts the viewing space. Through the use of object-
based audio, DTS:X technology is able to scale immersive soundtrack
presentations across a wide range of playback systems, from ecient to
extravagant, while staying true to the content creator’s vision.
Neural:X
Neural:X™ is the latest spatial remapping engine from DTS, enabling an
immersive, multidimensional experience from legacy content. It is included
inside of DTS:X to provide upmix of Neural:X-encoded and non-encoded
(PCM) data. With DTS Neural:X, stereo, 5.1 or 7.1 content can be upmixed to
take full advantage of all speakers in your surround sound system.
OPERATION
USING THE M17  SETUP MENU
21
ENGLISH
DOLBY SETUP
Dynamic Range Control: You can select the eective dynamic range
(subjective range from soft to loud) for playback of Dolby Digital
soundtracks. For fully cinematic eect, always select 100%, the default.
Settings of 75%, 50%, and 25% progressively reduce dynamic range,
making soft sounds comparatively louder while limiting the peak loudness
of loud ones.
The 25% setting will yield the least dynamic range and is best for late-
night sessions or other times when you wish to retain maximum dialog
intelligibility while minimizing overall volume levels.
For Dolby TrueHD sources, set the Dynamic Range Control to Auto”.
Center Spread: Center image is spread into the Left and Right speakers.
It is designed to complement musical content or to spread the dialogue
more evenly across a wide screen display.
On: Center Spread function is enabled.
O: Center Spread function is disabled.
DTS SETUP
Dynamic range control and dialog content can be congured at DTS Setup
menu.
Dynamic Range Control: This is the same congurable Dynamic Range
Control feature as described above at Dolby Setup, the only dierence
being the soundtrack is now in DTS format.
Dialog Control: Dialog levels are adjusted. Dialog control is more than
just adjusting center channel level as the center channel may also contain
other sound elements that get raised or lowered along with the dialog.
NOTE
Dialog control applies only for playback of DTS:X content that supports
DTS Dialogue Control feature.
ENHANCED STEREO
Please refer to the same description of ENHANCED STEREO under
“LISTENING MODES”.
FRONT PANEL DISPLAY SETUP
The brightness level of the front panel display can be adjusted. Level “3” is
highest brightness level while “1” is the lowest.
NOTE
The conguration set forth at “Front Panel Display Setup” is carried over
whenever it is enabled during A/V Presets setting. Please see also the
section below about “A/V Presets.
A/V PRESETS
The M17’s simple but powerfully exible system of A/V Presets” allows
you to customize virtually every aspect of your audio-video playback, and
recall them with a single key-press. The parameters “DSP Options” and
Tone Controls accessible via the “Main Menu” together with “Listening
Mode Setup”, “Speaker Setup and “Front Panel Display Setup congurable
through “Setup Menu” are stored together as a single A/V Preset.
You might create one A/V Preset optimized for pop music and another for
classical. One more A/V Preset can be set up to recall each family member’s
favorite setting or one for fully cinematic home-theater playback and yet
another one for late-night movies, with each A/V Preset ne-tuned to a
particular scenario or preference.
NAME
The A/V Preset label itself can be assigned a new name. This new Name will
be shown in the front panel display as well as on the OSD.
To rename the A/V Preset label, scroll to “Name” and press [S] to go the rst
character. Then, press [D/F] to pick and select through the alphanumeric
selections. Press [A/S] to move to the next character or back to the
previous character and at the same time save the changes done on the
current character.
NOTE
The selected A/V Preset remains in force until you select a dierent A/V
Preset.
OPERATION
USING THE M17  SETUP MENU
22
ENGLISH
CREATING PRESETS
Creating an A/V Preset consists simply of storing a complete set of the
parameters set forth in “DSP Options” and Tone Controls” accessible via the
“Main Menu” together with “Listening Mode Setup”, “Speaker Setup and
“Front Panel Display Setup congurable through “Setup Menu”.
Scroll to A/V Presets” using the [D/F] keys to save a collection of said
parameter settings to a Preset. Select a Preset number and by pressing the
[D/F] keys, you can selectively include in the particular A/V Preset any of
the above-mentioned parameter settings by choosing Yes”. If you decide
not to include in the particular A/V Preset a certain parameter setting,
select “No”.
Save Current Setup to Preset
Preset congurations and settings are saved to the current Preset number.
Load Defaults to Preset
Default Preset congurations and settings are saved to the current Preset
number.
Load Preset
Eect or load Preset settings congured for the particular Preset number.
This is similar to directly recalling the Preset settings for Preset 3 by pressing
HTRM 2 button combinations AMP+AV PSET+3.
IMPORTANT
If “Load Preset” is selected after “Load Defaults to Preset” is selected, the
default settings are loaded.
SAMPLE PROCEDURE FOR SETTING UP A/V PRESETS
1 Setup rst your preferred settings for the following options (access
them through their respective menu page).
Listening Mode Setup: Listening Modes/Dolby Digital/Stereo/Dolby
Surround
DSP Options: Dirac Live: O
Tone Controls: Tone Defeat/O
Speaker Setup: from the Speaker Setup menu, go to “Speaker
Conguration sub-menu and change “Height 1” and “Height 2” from
“O to “On”.
Front Panel Display Setup: Brightness level to “3”
OPERATION
USING THE M17  SETUP MENU
23
ENGLISH
2 With the above settings, scroll to A/V Presets from the SETUP MENU
page. Use [S] to access A/V Presets” menu.
3 At A/V Presets” page, set “Preset: 1” to the following conditions – use
[D/F] to select Yes” and press [ENTER] to conrm selection and move
on to the next setting.
While at “Save Current Setup to Preset” menu line, use [S] to save the
above settings to Preset 1. Below OSD will be shown, arming that the
above settings are now saved to “Preset 1”.
When you recall “Preset 1” using the remote control (for HTRM 2, A/V
PSET”+ “1”), the above preset values allocated at “Preset 1” (preset
settings as shown in the OSD captures at Step 1) will be recalled and
eected at the current source.
4 Now, repeat again Step 1 above but this time with the following
settings
Listening Mode Setup: Listening Modes/Dolby Digital/Stereo/None
Dirac Live: Dirac Project 1
Tone Controls: Tone Defeat/On
5 With the above settings, scroll to A/V Presets from the SETUP MENU
page. Use [S] to access A/V Presets” menu.
6 At A/V Presets” page, set “Preset: 2” to the following conditions - use
[D/F] to select Yes” or “No and press [ENTER] to conrm selection and
move to the next setting.
While at “Save Current Setup to Preset” menu line, use [S] to save the
settings above to “Preset 2”. When you recall “Preset 2” using the remote
control (for HTRM 2, A/V PSET”+ “2”), the above preset values allocated
at “Preset 2” (preset settings as shown in the OSD captures at Step 4) will
be recalled and eected at the current source.
Note that “Speaker Setup” is set to “No. At this condition, there will
be no “Speaker Setup” values that will be eected at “Preset 2”. The
“Speaker Setup” settings that will be applied at “Preset 2” will be the last
or current “Speaker Setup” settings which in this sample are the same
“Speaker Setup” settings shown above in Step 1. The same applies for
“Front Panel Display Setup which is also set to “No.
OPERATION
USING THE M17  SETUP MENU
24
ENGLISH
7 You can setup up to 5 A/V Presets. These same A/V Presets can also be
associated/defaulted to each Source in the “Source Setup window as
below.
In the above example, “Preset 1” settings are allocated for Source 1.
Whenever Source 1 is accessed, the “Preset 1” settings will be applied
to Source 1. You can still manually override the assigned A/V Preset
allocation in a specic Source with another Preset setting/number by
way of pressing the appropriate remote control buttons.
RECALLING PRESETS
You may recall an A/V Preset number at any time using the HTRM 2 remote
control. Press the HTRM 2’s A/V PSET key and then the numeric key 1-5
corresponding to the desired A/V Preset number. The newly recalled A/V
Preset will then manifest or replace the previous A/V Preset (if any).
BluOS SETUP
BluOS is a music management software developed by NAD’s sister brand,
Bluesound. BluOS adds BluOS network and internet music streaming with
advanced music management to the M17.
There are two BluOS Setup options – BluOS Upgrade and Factory Reset.
BluOS Upgrade
Use [S] to initiate BluOS upgrade mode. Ensure that the M17 has internet
connection. Follow the display screen prompt to complete the upgrade
procedure.
Factory Reset
Restore BluOS to its factory default settings. Use [S] to initiate BluOS factory
reset. Ensure that the M17 has internet connection. Follow the display
screen prompt to complete the factory reset procedure.
HOW TO SETUP WIRELESS CONNECTION
1 On your tablet or smartphone, look for the Wi-Fi network (hotspot)
matching your BluOS’ unique network ID, and join it. The network ID
is listed as the product name (i.e. BluOS or M17) immediately followed
by the last four digits in the MAC (Machine Access Control address
(example: BluOS-001A, M17-001A).
2 Open a web browser on your tablet or smartphone, enter
http://10 .1 .2 .3 and press “Go or ENTER.
3 A Control Panel page should appear. Select “Congure WiFi” and you
will be redirected to “Congure Wireless” page.
4 Select your home network or applicable wireless network name (SSID)
from the “Congure Wireless drop down menu
5 Enter your home networks Wireless Password (Passphrase, WEP/WAP
key as applicable) in the eld “Enter password or key (if protected)”.
The Password (Passphrase, WEP/WAP key as applicable) is the same
Password that was setup or generated during the conguration of
your home router or gateway. An incorrect password entered in the
“Congure wireless menu screen will simply cause the unit to timeout
and return to Hotspot Mode.
Trying multiple passwords will not damage the device in any way. If
you are not sure what is your Password, login to your router and locate
the Password in the applicable setup screen for Wireless Conguration
section. Refer to your router’s documentation for further information.
6 Select a “Player name” from the drop down list or use the on-screen
keyboard to create a customized room name in the eld “Custom name”.
7 Press “Update” and wait until the “Congratulations! … page appears in the
browser. This indicates successful connection to your home Wi-Fi network.
8 Reselect your home Wi-Fi network from your tablet or smartphone’s
main network settings.
Download the BluOS Controller App from the respective App stores of
Apple iOS devices (iPad, iPhone and iPod), Android devices, Kindle Fire
and Windows or Mac desktops.
Launch the BluOS Controller App and explore everything from your
streaming music services, internet radio stations, networked music
collections and favorites with quick and easy single-search discovery.
SELECT LANGUAGE
“Select Language” allows the selection of language the OSD is presented.
There are two language choices – English and Chinese.
OPERATION
USING THE M17  SETUP MENU
25
ENGLISH
The NAD HTRM 2 is ready to operate the M17 right out of the box, but it is really eight remotes in one.
Each of the 8 Device Selector keys at the top of the handset can call up a new “page of remote control
codes to be transmitted by the remaining keys. You may teach codes from any infrared-remote
controlled component, regardless of brand, to any or all of these.
Obviously, the most logical system is that you teach the codes from your BD player to the [BD] Device
Selector “page, your televisions codes to the [TV] “page, and so on, but there is no required scheme:
You may load any commands to any key on any page (see “Learning Codes From Other Remotes,
below).
The HTRM 2 is already preprogrammed with a full complement of commands for the M17 on its
[AMP] Device Selector page, and as well as with library commands to operate most NAD-brand CD,
BD or DAC components on the corresponding Device Selector “pages. These default commands are
permanent: Even if you teach the HTRM 2 new commands to take their place, the underlying library
commands remain in place and can easily be recalled should you add an NAD component to your
system later (see “Delete Mode”, below).
Note: For use with the M17, it should not be necessary to re-program any keys on the HTRM 2 [AMP]
page. However, in order for the HTRM 2 to control your specic NAD-brand components you may
need to load one or more dierent code-libraries (see “Loading Code Libraries, below).
CONTROLLING THE M17
The HTRM 2 is divided into two main sections. Eight Device Selector keys at the top—[AMP], [MP,]
[TV,] and so on—set the handset’s remaining keys to a “page” of commands to control a particular
component. A Device Select key determines only what component the HTRM 2 will command; it
does not perform any function on the M17. All of the remaining keys are function keys that can “learn
control codes from virtually any infrared remote controller, allowing you to teach the codes of your
equipment, regardless of brand, to the HTRM 2.
However, the HTRM 2 is already preprogrammed to operate the M17. All of the function keys on the
[AMP] Device Selector “page” perform M17 functions. (The HTRM 2 can also command many other
NAD components, from its [CD], [BD], [DAC] and [CUSTOM] pages.)
It is important to note that certain HTRM 2 keys perform dierent functions depending on the selected
Device Selector “page.
OPERATION
USING THE HTRM 2 REMOTE CONTROL
26
HTRM 2
ON
OFF
SOURCE
10
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EEQQ TTOONNEE LL..NNIITTEE
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CHANNEL VOLUME
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DEVICE SELECTOR
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ENGLISH
LEARNING CODES FROM OTHER REMOTES
Begin by positioning the HTRM 2 “nose-to-nose” with the source remote so
the two devices’ infrared windows are about 2 inches apart.
Enter Learning Mode: On the HTRM 2, simultaneously press-and-hold
for 3 seconds both a Device Selector key and the [RES] key until the
Learn LED (located between HTRM 2’s ON and OFF buttons) turns
steady green.
Press the HTRM 2’s function key you wish to teach a command; the
Learn LED will turn amber.
Press-and-hold the function key on the source remote: The HTRM 2’s
Learn LED will icker amber for a second or two, then turn solid green.
The command is learned.
Press the HTRM 2’s Device Selector key again to exit the learning mode.
If the Learn LED does not icker amber you may need to vary the distance
between the remotes. If the Learn LED turns red rather than green, that
particular command of that source remote command could not be learned.
Example: Learning “BD Pause
Position the HTRM 2 and your BD players remote as described above.
On the HTRM 2, simultaneously press-and-hold [BD] and [RES]; the
Learn LED turns steady green.
Press the HTRM 2’s Pause [ j ] key; the Learn LED turns amber.
Press-and-hold the corresponding Pause key of your BD player’s remote
control; the HTRM 2’s Learn LED ickers amber and then turns solid
green. The command is learned.
Press [BD] again to exit the learning mode.
NOTES
The DEVICE SELECTOR keys can themselves be congured to learn a
command.
Press and hold a congured DEVICE SELECTOR for at least 2 seconds to
execute a function assigned to the particular DEVICE SELECTOR key.
Short press of a congured DEVICE SELECTOR will just switch the active
device.
CANCEL OPERATION
You can cancel conguring a key, by pressing the active Device Selector
key before the learn process is complete; the Learn LED will turn red.
PUNCH THROUGH
The HTRM 2’s “punch-through” function allows you to retain a function key
from one Device Select “page” to another, so that, for example, the AMP
[SURR MODE] function might still control the M17 when the BD Device
Selector page is active.
NOTE
The HTRM 2’s [VOL R/T] keys are pre-programmed as “punched-
through” for all Device Selector pages: [VOL R/T] will operate the
M17’s master-volume regardless of the currently selected device. The
[SURR] [CENT] and [SUB] Channel Volume controls similarly are pre-
programmed as punched-through.
To set a punch through, after entering the Learning Mode, and pressing the
desired key to be punched through, simply press the device key twice of
the device to punch through to. The status LED will turn green; press the
Device Selector key again to exit Learning Mode.
Example: Punch-through AMP [SURR MODE] key to the BD page”
On the HTRM 2, simultaneously press-and-hold [BD] and [RES]; the
Learn LED turns steady green.
Press [SURR MODE]; the Learn LED turns amber.
Press [AMP] twice; the Learn LED turns green.
Press [BD] again to exit the learning mode.
COPY A COMMAND FROM ANOTHER KEY
You may copy a command from any HTRM 2 key to any other. To copy a
key function, after entering the Learning Mode, and pressing the desired
key to be copied to, simply press the device key from which you wish to
copy, having rst pressed its Device Selector key if it resides on another
“page. The status LED will turn green; press the Device Selector key again
to exit Learning Mode.
Example: Copy the Pause command from the CD page to the AMP [ j ]
button:
On the HTRM 2, simultaneously press-and-hold [AMP] and [RES]; the
Learn LED turns steady green.
Press Pause [ j ] ; the Learn LED turns amber.
Press [CD]; press Pause [ j ] ; the Learn LED turns green.
Press [AMP] again to exit the learning mode.
NOTE
The copy and punch-through functions are similar. However, if you
copy a command and then subsequently delete, or over-write the
original (source-key) command , the copied-to key’s command remains
unchanged. If you punch-through to a command and then delete or
over-write the original key, the punched-through functions also change
accordingly.
MACRO COMMANDS
A “macro command is a series of two or more remote codes issued
automatically from a single keypress. You might use a macro to automate a
simple command sequence, such as, Turn on the BD player and then press
PLAY. Or you might compose an elaborate macro to power up an entire
system, select a source, choose a Listening Mode, and begin playback—
again, all from a single keypress. Each DEVICE SELECTOR and function keys
of the HTRM 2 can be stored one macro.
NOTE
Macros are independent of the currently selected device.
RECORDING MACROS
To record a macro, simultaneously press-and-hold for 3 seconds both the
[MACRO] key and the HTRM 2 function key to which you wish to assign the
macro, until the status LED turns green. The macro button will also light up.
Press the sequence of function keys to be recorded into the macro, being
sure to rst press the requisite Device Selector key for each function (you
may switch devices while recording the macro as many times as necessary),
allowing you to create macro containing commands from more than one
Device Selector “page.
When you have nished entering the desired command sequence, press
[MACRO] again to store the macro; the Learn LED and [MACRO] key
illumination will turn o.
NOTE
Each macro can store a maximum of 64 command steps. If you exceed
this number, the macro will be stored automatically after the 64th
command is added.
OPERATION
USING THE HTRM 2 REMOTE CONTROL
27
ENGLISH
Example: Record a Macro to the [0] key to Turn on the M17, Select
“Input1” (Source 1), and Commence Playback of connected Source 1
device (as in BD player):
On the HTRM 2, simultaneously press-and-hold [MACRO] and
[0]
(numeric zero); the Learn LED turns steady green.
Press [AMP]; press [ON]; press [1] (“Input or Source 1”); press [BD];
press
[4] (Play) - the Learn LED blinks as each step is added.
Press [MACRO] again to exit the macro-record mode.
To clear a macro, perform the above steps without entering any functions.
EXECUTING MACROS
To execute a macro, press and release [MACRO]; its key illumination lights
for 5 seconds. While it remains lit, press an HTRM 2 key to which a macro
has previously been stored.
The corresponding macro will run; as each step executes, its “parent” Device
Selectors key ashes lights briey; when execution is nished, the [MACRO]
key illumination goes out. Pressing any other HTRM 2 key while a macro is
executing will abort the macro. Remember that you must hold the HTRM 2
so that its infrared emitter can activate the target components.
NOTE
When a macro executes, a 1 second delay is automatically inserted
between its commands. If you need more than a 1 second delay
between particular commands—for example, to permit a component
to power up completely—you can record “empty” steps into the macro
by changing Device Selector “pages” without entering actual command
functions.
KEY ILLUMINATION TIMEOUT
The HTRM 2’s key-illumination can be set to remain lit for 0-9 seconds. The
default value is 2 seconds. To set the illumination timeout, simultaneously
press-and-hold for 3 seconds both the HTRM 2’s [DISP] and the [0-9] key,
with the digit corresponding to the desired timeout duration; the Learn
LED will ash twice to conrm the new setting. When set to zero, the
illumination will not turn on at all.
NOTES
Key illumination is activated when one presses any HTRM 2 key.
If HTRM 2 senses movement, key illumination is activated without
having to press a key. If HTRM 2 is shaken, key illumination is also
activated.
Key illumination is the biggest drain on the HTRM 2’s batteries. A short
key illumination timeout will extend battery life appreciably; turning it
o altogether (set it to 0 seconds) will lengthen it still further.
CONFIGURING KEY ILLUMINATION
Keys to Press (for 3 seconds) Mode
DISP + Digit Key (0-9) Set key illumination timeout to number of
seconds corresponding to digit key. Zero turns o
the key illumination entirely.
DISP + OFF Disable light sensor. Key illumination will turn
on with any key press.
DISP + ON Enable light sensor.
DISP + ENTER Set the light sensor threshold to the current
light level.
DISP + RTN Restore all key illumination settings to the
defaults.
FACTORY RESET
The HTRM 2 can be reset to its factory state, deleting all learned
commands, copied and punched-through keys, macros, and other setup
information, reverting all keys to their pre-programmed library commands.
To perform a factory reset simultaneously press-and-hold for 10 seconds
the HTRM 2’s [ON] and [RTN] keys; the Learn LED will start to ash green.
Release [ON] and [RTN] before the second ash is complete; the Learn LED
will turn red, indicating the remote has been reset.
NOTE
You must release [ON] and [RTN] before the second ash goes out,
otherwise the unit will not reset; should this occur, repeat the full
procedure.
DELETE MODE
The HTRM 2 can store learned, copied, and default library commands on
any single key (The default library commands are the pre-programmed
NAD codes, such as the native M17 commands on the [AMP] “page.”).
You can delete commands by layers back down to the default library
command on any key, removing learned commands, punched-through
functions, and copied keys.
NOTE
The default library commands cannot be deleted, so you need not worry
that using Delete Mode might cause irreparable changes.
To enter Delete Mode, simultaneously press-and-hold for 3 seconds both
the desired keys Device Selector key and the [RTN] key, until the Learn
LED turns green. Press the function key whose command you wish to
delete; the Learn LED ashes; the number of times indicates which type of
function has become active - see the table below. Press the active Device
Selector key again to exit Delete Mode.
NOTE
You may delete multiple function-key commands on the same Device
Selector “page,” but to delete from more than one Device Selector page
you must exit Delete Mode and then re-enter it on the required page.
Flashes Command Type
1 Default Library Command
2 Copied Library Command
3 Learned Command
OPERATION
USING THE HTRM 2 REMOTE CONTROL
28
ENGLISH
LOADING CODE-LIBRARIES
The HTRM 2 can store a dierent library of default NAD codes for each of
its Device Selector pages. If the original default library does not control
your NAD CD player, tape deck, BD player, or other component, follow the
procedure below to change the code-library.
Begin by ensuring that the component you wish the HTRM 2 to control
is plugged in and powered-up (“on, not merely in standby). To enter the
HTRM 2s Library Mode, simultaneously press-and-hold for 3 seconds both
the desired Device Selector key and the [A/V PSET] key, until the Learn LED
turns green.
While keeping the HTRM 2 pointed toward the component, enter the rst
appropriate three-digit code-library number from the table below. Press
[OFF]. If the component turns o, press [ENTER] to accept that code-library
number and exit the Library Mode. If the component does not turn o,
enter the next three-digit code-library number from the table.
When you enter the correct number the component will turn o; press
[ENTER] to accept that code library number and exit the Library Mode.
LIBRARY
CODE
NAD PRODUCT
DESCRIPTION
LIBRARY
CODE
NAD PRODUCT
DESCRIPTION
100
Receiver/Processor (Discrete
ON/OFF)
300 Tuner
101
Receiver/Processor (Toggle
ON/OFF)
301 L75, L76 Tuner
102 S170 302 L70 Tuner
103 L75 303 L53 Tuner
104
Second Zone Commands
(Zone 2)
304 L73 Tuner
3112 Zone 3 305 C425
4112 Zone 4 306 C445
105 L70 307 Txx5 Series Tuner
106 L76 400 Tape Deck B
107 118 401 TAPE Deck A
108 L53 500 TV 280
109 L73 501 MR13
110 Stereo Receiver / Amplier 502 MR20
111 Stereo Second Zone 503 PMR45
112 Txx5 Series 600 T535, T562, T585, M55
200 CD Player 601 T550, L55
201 CD Player (old) 602 T512, T531, T532, T571, T572
202 5170, 5240, 5340 603 L70, L73 BD
203 5325 604 L56
204 5060 605
T513, T514, T515, T517,
T524, T533, T534
205 M5 606 L53 BD
SEARCH MODE
If none of the codes from the table, when entered, turns on the
component, and if you are quite sure you have followed the above
procedure completely and carefully, you may want to try the “search
method as follows:
Enter Library Mode by simultaneously pressing-and-holding for 3 seconds
both the desired Device Selector key and the [A/V PSET] key, until the Learn
LED turns green. Now press-and-hold the HTRM 2’s [R] or [T]) key; the
remote will step through all the available codes at a rate of approximately
1 per second.
When the component turns o, immediately release the cursor key; press
[ENTER] to accept that code-library and exit the Library Mode. Try a few
commands; should you prove to have stepped past the needed code-
library, re-enter the Library Mode and use the cursor key to step back to it.
NOTE
It is possible that search mode will nd code-libraries that operate, at
least partially, some other brand (non-NAD) components. You may
certainly exploit such capabilities as you nd them. However, since we
can only ensure the completeness or accuracy of NAD code-libraries, we
cannot support the HTRM 2’s operation with other-brand components.
CHECKING CODE-LIBRARY NUMBER
You can check the current code-library on any Device Selector key as
follows. Enter Library Mode by simultaneously pressing-and-holding for
3 seconds both the desired component’s Device Selector key and the
[A/VPSET] key, until the Learn LED turns green. Press the [DISP] key; the
HTRM 2 indicates the current code-library by ashing its [DAC], [CUSTOM],
and [MACRO] keys.
For example, to indicate code-library #501, the HTRM 2 will ash [DAC] 5
times, pause, and then ash [MACRO] once. You might wish to make a note
of your components’ code-library numbers.
OPERATION
USING THE HTRM 2 REMOTE CONTROL
29
ENGLISH
SUMMARY OF THE HTRM 2 MODES
Mode Keys To Press (for 3 seconds)
Learn/Copy/Punch Through Device Key + RES Key
Delete Mode Device Key + RTN Key
Macro Record Macro Key + Function Key
Library Mode Device Key + [A/V PSET] Key
Back Light Timeout DISP Key + Digit Key
Factory Reset See “Factory Reset” above
SLEEP MODE
The Sleep Mode timer will switch the M17 to Standby mode automatically
after a preset number of minutes. Pressing the HTRM 2’s SLEEP button once
will display the setting of the sleep time increment. Pressing the HTRM 2’s
SLEEP button a second time within a 3-second period will change the
sleep time increment in 15-minute intervals, after which time the M17 will
automatically switch into Standby mode.
To adjust the sleep delay, press the HTRM 2’s SLEEP button twice; rst
to display the sleep time increment, and a second time to change the
sleep time increment. The sleep time increment and a “SLEEP” icon will
continuously display on the M17’s front panel Vacuum Fluorescent Display
(VFD). Each consecutive press increases the sleep time in 15-minute
increments from 15 to 90 minutes. To cancel the sleep mode, continue
pressing the HTRM 2’s SLEEP button until “Sleep O displays on the VFD.
Switching the M17 to standby from either the HTRM 2’s OFF or the M17’s
STANDBY button will also cancel the sleep mode
USING THE ZR 7 REMOTE CONTROL
The ZR 7 is a discrete compact remote for controlling the Zone 2 feature of the
M17. Irrespective of the main room/zone settings, the ZR 7 allows full separate
control of the Zone 2 source selection among other applicable features.
1 ON/OFF: Switch ON/OFF Zone 2.
2 SOURCE [ d/f ]: Select the active input of the NAD M17 that will be
sent out to the corresponding rear panel ZONE 2 output port.
3 MUTE: Temporarily switch OFF or restore the Zone Volume level.
4 VOLUME [ d/f ]: Increase or decrease the loudness level of selected
Zone source. This is possible only if the VOLUME setting of ZONE 2
CONTROLS is set to VARIABLE.
5 PRESET [ a/s ]: Step up or down between stored radio presets. This
control button is possible if the selected Zone is TUNER” and the active
tuner section has stored presets. This control button is not applicable to
M17.
6 The following CD Player Zone buttons can control a compatible CD
Player. The CD Player has to be powered ON and disc loaded.
SKIP [ 9 ]: Go to the beginning of a track/le or previous track/le.
SKIP [ 0 ]: Go to the next track/le.
[ 4 ]: Start playback.
NOTE
The ZR 7 remote control will only control Zone 2 applications. Zone3
and Zone 4 could be congured and managed at the appropriate
Zone OSD menu using the front panel navigations keys as well as
the corresponding keys on the HTRM 2 remote control. The HTRM 2’s
‘CUSTOM’ device is also defaulted to Zone 2 remote control codes.
OPERATION
USING THE HTRM 2 REMOTE CONTROL
30
1
3
4
6
2
5
ENGLISH
OVERALL SPECIFICATIONS
Line Level Input
Input impedance (R and C) 56 kΩ + 220 pF
Input sensitivity 40 mV (ref. 500 mV out)
Maximum input signal >8 Vrms
Signal/Noise ratio, A-weighted >90 dB (ref. 500 mV in 500 mV out, volume set to unity gain)
>80 dB (ref. 2 V out, Volume maximum)
Channel Separation >70 dB (ref. 1 kHz/10 kHz)
Frequency response ±0.3 dB (ref. 20 Hz - 20 kHz, Tone Active)
±0.3 dB (ref. 20 Hz - 20 kHz, Tone Defeat)
Frequency response (subwoofer out) 10 - 200Hz (ref. -3 dB)
Output
Maximum output level >8 Vrms into 600 Ω
THD (CCIF IMD, DIM 100) <0.005% (ref. 20 Hz - 20 kHz, 2 V out)
XLR >2 Vrms
Standby mode <0.5 W
Tone Controls
Treble ±10 dB at 10 kHz (ref. 2V in 2V out)
Bass ±10 dB at 100 Hz (ref. 2V in 2V out)
Connections
HDMI Up to 1080p
Optical 3 Vpp
Coaxial 0.5 Vpp
Ethernet RJ45 10/100 Ethernet Tx
DIMENSION AND WEIGHT
Unit dimensions (W x H x D) * 435 x 156 x 386 mm
17 ¹⁄ x 6 ⁄ x 15 ¼ inches
Shipping weight 17.5 kg (38.6 lbs)
* - Gross dimension includes feet, volume knob and extended rear panel terminals.
Specifications are subject to change without notice. For updated documentation and features, please check out www.NADelectronics.com for the latest information about M17.
For DTS patents, see http://patents.dts.com. Manufactured under license from DTS Licensing Limited. DTS, the Symbol, & DTS and the Symbol together, DTS:X, and the DTS:X logo are registered
trademarks and/or trademarks of DTS, Inc. in the United States and/or other countries. © DTS,Inc. All Rights Reserved.
Manufactured under license from Dolby Laboratories.
“Dolby”, “Dolby Atmos, and the double-D symbol are registered trademarks of Dolby Laboratories.
HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC.
REFERENCE
SPECIFICATIONS
31
www.NADelectronics.com
©2019 NAD ELECTRONICS INTERNATIONAL
A DIVISION OF LENBROOK INDUSTRIES LIMITED
All rights reserved. NAD and the NAD logo are trademarks of NAD Electronics International, a division of Lenbrook Industries Limited.
No part of this publication may be reproduced, stored or transmitted in any form without the written permission of NAD Electronics International.
While every effort has been made to ensure the contents are accurate at the time of publication, features and specifications may be subject to change without prior notice.
M17V2_ENG_OM_V10  FEB 2019
4


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