Manual Marshall Code 100 (page 7 of 62) (English, German, French, Spanish)

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FRONT PANEL FUNCTIONS (CONT.)

ENGLISH

17. MOD

MOD is short for Modulation. Modulation FX in a conventional setup can be in stompbox

or rack form and often connect via an amplier’s FX loop:

MODULATION FX

A:>>|<<

PARAMETER VALUE RANGE DESCRIPTION

Mode CLS & VIB Classic Chorus & Vibrato.

Speed 0 - 10 Controls the rate of the Chorus or Vibrato effect.

Depth 0 - 10 Adjusts the depth of the Chorus or Vibrato effect.

Tone 0 - 10 Boosts or cuts high & low frequency content in the

sound.

Flanger

Flanger can produce Chorus-like sounds, but is more vivid and is harmonically more

complex. It can create weird and wonderful sonic textures, like ‘jet plane’ Doppler FX

and resonant metallic whooshes. Flanger’s editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION

Mode JET & MET Jet Flanger & Metallic Flanger.

Speed 0 - 10 Controls the rate of the Flanger effect.

Depth 0 - 10 Adjusts the depth of the Flanger effect.

Regeneration 0 - 10 Adjusts the amount of signal that is fed back to the

effect input, which makes the Flanger effect sharper.

PARAMETER VALUE RANGE DESCRIPTION

Mode CLS & VBE Classic Phaser & Vibe.

Speed 0 - 10 Controls the rate of the Phaser or Vibe effect.

Depth 0 - 10 Adjusts the depth of the Phaser or Vibe effect.

Regeneration 0 - 10 Adjusts the amount of signal that is fed back to the

effect input, which makes the Phaser effect sharper.

Chorus

Chorus and Vibrato FX apply a subtle pitch variation to the guitar signal taking your

sound from shimmering, delicate undulations to full on wobble. This can add depth

and width to clean sounds and fatten up solos. Chorus’s editable parameters are:

Phaser

Phaser uses all-pass lters to shift the guitar signal very slightly, modulating the

shifted, or phased, signal in relation to the original signal produces the classic Phaser

sound - great for tight funky lines, sweeps and swells. Phaser’s editable parameters

are:

FRONT PANEL FUNCTIONS (CONT.)

17. MOD (CONT.)

ENGLISH

MODULATION FX

A:>>|<<

18. DEL

DEL is short for Delay. Delay FX in a conventional setup can be in stompbox or rack form

and often connect via an amplier’s FX loop. When you select DEL the switch’s LED will

remain lit red for two seconds before ashing to indicate the current Delay tempo. CODE’s

Delay FX are:

Studio

Studio Delay is a high delity delay line. Its longer delay time enables you to create

layered loops of up to 4 seconds. Studio Delay’s editable parameters are:

DELAY TYPES

PARAMETER VALUE RANGE DESCRIPTION

Time 0 - 4000 Controls the Delay repeat time in milliseconds.

Feedback 0 - 10 Adjusts the number of Delay repeats.

Frequency 0 - 10 Adjusts the amount of higher frequency content in the

Delay repeats.

Level 0 - 10 Adjusts the level of the Delay effect.

A:>>|<<

Tremolo

The cool sounding Tremolo effect is created by the signal amplitude being modulated

up and down. Tremolo can produce a variety of sonic characteristics from delicate

shimmer to heavy Tremolo throb. Tremolo’s editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION

Mode VLV & SQR Valve Tremolo & Square Wave Tremolo.

Speed 0 - 10 Controls the rate of Tremolo oscillation.

Depth 0 - 10 Adjusts the depth of the Tremolo effect.

Skew -50 to +50 Adjusts the shape of the waveform that is performing

the amplitude modulation. The variation of the wave

shape across the value range moves between vintage

and modern sounding Tremolo.

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Marshall Code 100 Manual

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