Manual Magix Audio cleaning lab 2014 (page 91 of 156) (English)

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Plug-ins 91

and the type of detection have a large influence on the audio results. Plenty of

hardware compressors have the same established VCAs (voltage controlled

amplifier), but they all sound different and influence a signal, an entire production (or

even a genre) with their "signature sound". We intend to provide you with acoustic

variation via these dynamic tools in the digital world.

The two operating modes of the AM-Track may be selected using the switch

"vca/vintage":

VINTAGE mode

This mode appears as a preset on start-up of the AM-track. It has fewer

parameters than the VCA mode and has audibly less of a "surgical" quality,

but more of a trimmed sound character.

"Vintage" mode simulates a circuit design from the time when VCAs were not yet or

could not be fully implemented. Instead, a FET (field effect transistor) was often used

as a controllable resistor. Together with constant resistance at the circuit's gate, this

forms a so-called voltage splitter, which is to say it forms a resistance change at the

FET (caused by a change in voltage at its gate) which results in a damping of the input

signal. A very simple detector circuit is used to activate the FET which obtains its

signal from the output of the compressor (behind the whole control circuit). For older

designs, this feedback loop provides a stabilization of the work parameters and is one

of the decisive factors for the often quoted soft and musical compression of

exponents of this design, e.g. the Urei 1176 or 1178. The control circuit sees the layout

of its previous work and oscillates to the signal.

The disadvantage is that the set time parameters for attack and release depend

somewhat on the program. In some cases, it's actually advantageous for vocals, bass,

or even drums (e.g. subgroup, ambience, mics). You should rely completely on your

ear for this.

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Magix Audio cleaning lab 2014 Manual

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