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Magix Audio cleaning lab 2014 Manual

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Mastering 69
Delay: This sets the period of time between the individual echoes. The more the
control is turned to the left, the faster the echoes will follow each other.
Feedback: This adjusts the number of echoes. Turn the dial completely to the left,
there is no echo at all; turn it completely to the right and there are seemingly endless
repetitions.
Mix: This fader determines how much of the unprocessed original sound (dry signal)
is subjected to the echo (wet signal). Application of this effect in an AUX bus requires
the controller to be set to 100% (all the way to the right).
Compressor
The compressor is an automated dynamic volume control. It limits overall dynamics,
maintains the volume of loud passages so they stay loud, and increases the volume of
low passages. A compressor can be put to good use for e. g bass recordings and
vocals, but also as a master effect in the mixer for subsequent editing of the overall
sound.
Processing is carried out using a "look-ahead" method, similar to high-quality studio
appliances. There are no peak overmodulations or other artifacts as the algorithm can
never be 'surprised' by sudden level peaks.
Ratio: This parameter controls the compression level.
Threshold: This sets the volume threshold below and above which compression is
applied.
Attack: Sets the algorithm's reaction time to increasing sound levels. Short attack
times can create an undesirable "pumping" sound, as the volume is quickly reduced or
increased correspondingly.
Release: Sets the algorithm's reaction time to falling sound levels.
Gain: The gain controller amplifies the compressed signal.
Presets: Here you can find settings for numerous standard applications for the
compressor.
A/B: If you have selected a preset for the effect and make manual changes to it, you
can compare the original preset sound with the new settings using the A/B button.
… 69 …


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