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Mastering 67
Gain: This controller allows you to raise or lower the filter. Setting the controller to 0
deactivates the filter so it does not use any CPU power.
Freq: The center frequency of the individual filters can be set between 10 Hz and 24
kHz with the frequency controller. Freely choosing the frequency enables multiple
filters to be set to the same frequency in order to have a greater effect.
Q (Bandwidth): Here you can set the bandwidth of the individual filters to between 10
Hz and 10 kHz.
Bands 1 and 6 are special: Their Filter Curves can be edited in three different modes.
The four editing points in the graphic have different functions in each mode.
Peaking: Here the effect curve is brought closer to the working point (which
represents the peak of the curve) from both sides simultaneously.
Shelving (Basic setting): Here the working point displays the beginning of the
filter curve. From this point on there is a gentle increase or decrease in the
frequency.
High or Low Pass:In Band 1 the working point displays the frequency which is
filtered out of particularly high or low frequencies.
Graphic Equalizer
The 10-track equalizer divides the frequency spectrum into 10 areas (tracks) and
supplies them with separated volume controls, which allows you to achieve many
impressive effects, from the simple rising of the bass, to total sound transformation. If
you raise the low frequencies too much throughout the whole level, it can cause
distortions. In this case, lower the master volume using the master volume control on
the main screen.
Thumb Controls: All of the 10 frequency areas can be raised or decreased separately
by the 10 volume controls.
Link Bands: Using this switch you can match the frequency areas in a flexible way to
avoid the overemphasizing of single frequency areas that sound artificial.
A/B: If you have selected a preset for the effect and later you change it manually, you
can compare the original-preset-sound with the new adjustments using the A/B-
switch.
Reset: Reset inserts the sound effect into the neutral starting position where no
processing power is used and where no effect is calculated in the sound.
67


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