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Get: Here you can determine the clip level automatically.
Output Level: The interpolated signal peaks create a change in the master volume
that must be balanced with the output level fader to avoid further distortion. Keep an
eye on the peak meter to the right of the dialog when doing this.
To be safe you can activate the "Limiter" which reliably prevents clipping.
DeHisser
The Dehisser eliminates regular "white" noise typically produced by analog tape
recordings, microphone preamplifiers, or AD transformers.
Noise Level: Here you should set the threshold of the DeHisser as precisely as
possible. Setting the value too low will result in insufficient removal of the hissing.
Incomplete removal of hissing produces artefacts and should be avoided. Setting the
values too high leads to dull results – parts of the wanted signal that are similar to
noise, such as the blow-off from wind instruments, are filtered out.
The setting doesn't cause any problems at a reduced hissing level.
Adaptive: The value for the noise level parameter is set automatically by determining
the level of the hissing present in the signal. If the value for the noise level is changed,
the effect will be relative, i. e. the resulting value will be derived from the automatic
setting and the setting of the noise level fader.
An advantage of this you no longer have to adjust the noise level manually and the
values are adjusted for fluctuating noise levels, e. g. if you use different tracks with
varying noise levels in one project.
If the noise volume is constant, you may be able to achieve better results by setting
things up manually (adaptive off). But the value for noise level has to be set exactly.
Removed: For test purposes the filtered out audio material from the DeHisser can be
previewed.
Noise Reduction: Here you can adjust the dampening of the hissing in decibels. It is
often better to reduce hissing in smaller increments, e. g. -3- to -6 dB, rather than as
much as is possible to keep the sound natural.
59


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