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Editing a combination Using the Tone Adjust and EG Adjust functions
49
Using the Tone Adjust and EG Adjust
functions
The Tone Adjust function is an easy way to adjust the sound
of each timbre.
In the C-TONE ADJ> TONE ADJUST page you can adjust
parameters such as the cutoff and resonance; in the C-TONE
ADJ> EG ADJUST page you can adjust the attack time and
release time.
These adjustments will not affect the original program or the
sound of programs that are used by other combinations.
1. Access the C-TONE ADJ> TONE ADJUST page or
the EG ADJUST page.
Press the MENU button to access the page menu. Use
PAGE + () and PAGE– () to select “C-TONE ADJ,”
and press the MENU (OK) button.
Press the PAGE+ or PAGE– button to select the page.
2. Use the cursor buttons ◄► to select the timbre whose
sound you want to adjust
3. Use the cursor buttons ▲▼ to select the sound
parameter that you want to edit.
4. Use the VALUE dial etc. to edit the value.
For details on these parameters, please see page 31.
Saving a Combination you’ve edited
After you’ve edited a combination, you must save it if you
want to keep the changes you’ve made. If you re-select the
combination or turn off the power before saving, your edits
will be lost.
For details, please see “Writing a Program or Combination”
on page 122.
You can also save combinations on an SD card as PCG files.
For more details, please see “Saving to SD card” on
page 125.
Using REALTIME CONTROLS to adjust
the sound or effects
You can use the realtime controls to edit in a variety of ways.
For example, you can modify the cutoff or resonance.
You can also change the effect depth, or modify the phrase
that's generated by the arpeggiator. ( p.32)
Note: In Combination mode, the sound edited by the TONE
1, TONE 2, or EFFECT rows of parameters that you select
using the realtime control section's SELECT button cannot
be saved. If you want to save the sound, use the equivalent
parameters of the Tone Adjust or EG Adjust functions.
Layers, Splits, and Velocity Switches
Within a Combination, you can use note range and the
velocity level to define the “zone” where a specific timbre
will play.
The Programs assigned to each Timbre can be played in
three ways: as part of a layer, a split, or a velocity switch. A
Combination can be set to use any one of these methods or to
use two or more of these methods simultaneously.
Tip: In Program mode it’s easy to make layer or split settings
for two programs. (see “Quick Layer/Split function” on
page 29)
Layer
Layers cause two or more Programs to play simultaneously
when a note is played.
Split
Splits cause different Programs to respond on different areas
of the keyboard.
Velocity Switch
Velocity Switches cause different Programs to respond
depending on the velocity (how hard you play the notes).
On the KROSS, you can use a different Program for each of
up to sixteen Timbres, and combine two or more of the
above methods to create even more complex setups.
Program B
Program A
Layer:
Two or more programs sound
simultaneously.
Program B
Program A
Split:
Dierent programs will sound in
dierent areas of the keyboard.
split point
Program A
Program B
Keyboard playing
dynamics
Strong
Soft
Velocity Switch:
Keyboard playing dynamics
(velocity) switch between
dierent programs.
Program C
Program D
Program B
Program A
Keyboard playing
dynamics
Strong
Soft
Example:
B and C/D are split. In the lower
keyboard range, A and B are
layered. In the higher keyboard
range, C and D are switched by
velocity and layered with A.
55


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  • During last night's gig, my Kross 2 started changing "Favorites" - one after the other - switching through the banks and sounds, while I was playing. What could cause that. It didn't do it all the time, just every now and then at random. Submitted on 4-9-2022 at 00:59

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