Manual Korg Kross 2 (page 47 of 152) (English)

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Detailed Editing with Programs Using Filters

Using Filters

The filters allow you to diminish or emphasize specified

frequency areas of the sound.

The tone of the sound will depend significantly on the

filter settings.

The basic filter settings, including the routing, type, cutoff

frequency, and resonance, are set on the P-FILTER> BASIC

page.

Filter Routing

Each oscillator has two filters, Filter A and Filter B. The

Filter Routing parameter controls whether one or both of

the filters are used, and if both are used, it controls how they

are connected to each other.

The Single routing uses only Filter A as a single 2-pole,

12dB/octave filter (6dB for Band Pass and Band Reject).

The Serial routing uses both Filter A and Filter B. The

oscillator first goes through Filter A, and then the output of

Filter A is processed through Filter B.

The Parallel routing also uses both Filter A and Filter B.

The oscillator feeds both filters directly (and allow

independent settings for each), and the outputs of the two

filters are then summed together.

The 24dB(4Pole) routing merges both filters to create a

single 4-pole, 24dB/octave filter (12dB for Band Pass and

Band Reject). In comparison to Single, this option produces

a sharper roll-off of frequencies beyond the cutoff frequency,

as well as a slightly more delicate resonance. Many classic

analog synths used this type of filter.

Serial and Parallel Routing

Filter Types

This selects the parts of the sound that will be affected by the

filter, as described below. With the Serial and Parallel

routings, you can independently set the types for Filter A and

Filter B.

The filters will produce very different results depending on

the selected filter type.

Low Pass: This cuts out the parts of the sound that are

higher than the cutoff frequency. Low Pass is the most

common type of filter, and is used to make bright timbres

sound darker.

High Pass: This cuts out the parts of the sound that are

lower than the cutoff frequency. You can use this to make

timbres sound thinner or more buzzy.

Band Pass: This cuts out all parts of the sound, both highs

and lows, except for the region around the cutoff frequency.

Since this filter cuts out both high and low frequencies, its

effect can change dramatically depending on the cutoff

setting and the oscillator’s multisample.

With low resonance settings, you can use the Band Pass

filter to create telephone or vintage phonograph sounds.

With higher resonance settings, it can create buzzy or nasal

timbres.

Band Reject: This filter type–also called a notch filter–cuts

only the parts of the sound directly around the cutoff

frequency. Try modulating the cutoff with an LFO to create

phaser-like effects.

Filter Types and Cutoff Frequency

Filter Routing ResonanceFilter Type

Filter A (Low Pass)Oscillator

Oscillator

Filter B (High Pass)

Filter A (Low Pass)

Filter B (High Pass)

Low Pass

High Pass

Band Pass

Band Reject

Cutoff Frequency

During last night's gig, my Kross 2 started changing "Favorites" - one after the other - switching through the banks and sounds, while I was playing. What could cause that. It didn't do it all the time, just every now and then at random. Submitted on 4-9-2022 at 00:59
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Korg Kross 2 Manual

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