Manual HQ-Power HQMX10001 (page 4 of 29) (English, German, Dutch, French, Spanish)

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HQMX10001/HQMX10002

V. 03 – 22/03/2017 4 ©Velleman nv

 Damage caused by disregard of certain guidelines in this manual is not covered by the warranty and

the dealer will not accept responsibility for any ensuing defects or problems.

 Do not switch the device on immediately after it has been exposed to changes in temperature.

Protect the device against damage by leaving it switched off until it has reached room temperature.

 Keep this manual for future reference.

4. Features

 mini 4/8-channel analogue mixer with 1 stereo channel

 3-band active EQ (high, mid, low)

 distortion under 0.0007 % (20 Hz - 20 kHz)

 phantom power for studio condenser mics

 24-bit DSP processor (99 effects)

 ALT 3/4 stereo bus for added versatility

 precise 3-colour, 6-band LED level display

 MP3 player is compatible with various audio formats

5. Overview

Refer to the illustrations on page 2 of this manual.

5.1 Input Channel Section

MIC INPUTS

Female XLR connector for almost any type of microphone, such as dynamic, ribbon and

condenser microphones.

MONO LINE INPUTS

These ¼” jacks share circuitry with the microphone inputs but do not feature phantom power.

They are suited for balanced or unbalanced sources.

Connection of a balanced source: use a ¼” mono phone plug, wired as follows:

tip = positive (+ or hot)

ring = negative (- or cold)

sleeve = shield or ground

Connection of an unbalanced source: use a ¼” mono phone plug, wired as follows:

tip = positive (+ or hot)

sleeve = shield or ground

GAIN CONTROL

The gain knob adjusts the sensitivity of the microphone inputs. This allows you to adjust the

incoming signals.

The signal remains unmodified when the knob is turned fully CCW and amplified to 60 dB

when the knob is turned fully CW.

AUX SEND

The signal from the auxiliary send is often connected to a stage monitor.

FX SEND

The signal from the auxiliary send is often connected to an outboard effects unit (e.g. reverb)

and then returned to the mixer. This allows effects to be added to an audio source or channel.

CHANNEL EQ

All channels have 3-band EQ with high, mid and low filters.

HIGH EQ

The high EQ provides up to 15 dB of boost or cut above 12 kHz and is also flat (no boost or

cut) at the detent.

MID EQ

The mid EQ provides up to 15 dB of boost or cut above 2.5 kHz and is also flat (no boost or

cut) at the detent.

LOW EQ

The low EQ provides up to 15 dB of boost or cut below 80 Hz and is also flat (no boost or cut)

at the detent.

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HQ-Power HQMX10001 Manual

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